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The Scarlet Clue finds our intrepid oriental detective Charlie Chan now working for the federal government on a spy case. He's trailing a suspect, but when Sidney Toler requests help from the local police, they bungle it and the suspect winds up dead. He certainly now can't help Toler find who's behind the plot to steal radar secrets.

But the roads seem to lead to a local radio station with a whole bunch of suspects from ham actors, to shifty technicians, and an owner who's right out of Rebecca. A few more murders occur before we find out who the master spy is.

Charlie is now breaking in number 3 son Benson Fong and if possible he's a bigger dunce and hence a bigger foil for Charlie's fortune cookie wisdom than before. By now Mantan Moreland as chauffeur Birmingham Brown has joined the series and his stereotypical role is one reason the series doesn't get much air now. But one thing this film does do is feature Ben Carter who worked a nightclub act with Moreland and two of their routines get into the film. They're pretty funny I will say.

What I also found fascinating here is that since this film was made in 1945, made for Monogram and hence made in a matter of days, I'm not sure whether the folks behind the spy ring are Communists or Nazis. It was left vague and I'm certain that was done deliberately.

So you might want to see the film and see if you can figure out who was running the radio spy ring.

THE SCARLET CLUE is a fairly interesting Charlie Chan film from the '40s, depending on its humor for the performances of BENSON FONG as #3 son, MANTAN MORELAND as Birmingham Brown and BEN CARTER as Ben Carter. The mysterious deaths of people associated with a radio program that is a front for some sort of radar secrets espionage, is at the heart of the crimes Chan must solve.

SIDNEY TOLER was beginning to show signs of fatigue (he died two years later) and the sets and production values are noticeably reduced from what they were when the Chan films were being made by Fox. During the TCM showing of the film, Robert Osborne mentioned that it was Toler himself who brought the idea of furthering the Chan adventures to another studio after shopping the idea around.

VIRGINIA BRISSAC, JACK NORTON, JANET SHAW and HELEN DEVERELL are among the chief suspects. I recognized Miss Brissac from her performance as the hard of hearing Miss Seiffert from THE SNAKE PIT. She has quite a different role here.

Enjoyable fluff, not one of the best in the Chan series but a respectable enough entry from Monogram.

Favorite line: When son #3 tells his dad that he has an idea but then immediately forgets what he wanted to say, Chan replies: "It's now in solitary confinement."

Some Charlie Chan movies by Monogram are just wretched. "The Scarlet Clue", however, is fairly well done. Lighting and camera angles make for a suitably mysterious atmosphere. The whodunit puzzle contains a well defined group of suspects. And the script is humorous, both the dialogue between Chan and his son, and the constant jabber of the wonderful Mantan Moreland.

But the film seems terribly dated. The plot, which involves WWII radar secrets in a radio station, is outmoded, and the scientific "equipment" belongs in a museum. Moreover, production values are almost nonexistent. There are some plot holes; and at the end, Chan never tells us how he deduced the identity of the killer.

Overall, for those who enjoy Charlie Chan movies, "The Scarlet Clue" is one of the better ones to watch. Everyone else will probably find this movie lame.

Famed detective and government agent Charlie Chan is back again for this Monogram film where Charlie is trailing a suspect who may be involved with plans to steal radar equipment/secrets from our government for foreign spies and who has just killed aboard a ship. Chan and detective friend trace suspect back to a radio show and from there on Charlie helps at least three more people get killed with his investigation. This is an interesting Chan vehicle and gives Sidney Toler plenty of screen time to hone his Chan skills. Benson Fong and Mantan Moreland are back once again and lift the mundane to the amusing with their comic routines. Moreland, again, steals his scenes and gives the film a lot of vitality it would otherwise not have. I particularly like a couple of routines he does in the film with a guy he knows and neither one lets the other finish the sentence. The comic timing was first-rate! As for the mystery, it is not too terribly confusing though when the end is told no real explanation as to why and who did crimes is revealed fully. I enjoyed many of the characterizations of the show people. I thought the means of death were very inventive, and I loved the whole thing with the elevator. Very clever.

This is a very good Monogram Pictures Chan that has snappy dialogue, a lot of funny lines from Sidney Toler (as Chan) who berates No.3 son Tommy more than any other of his prodigious offspring and a couple of scenes with Mantan Moreland and Ben Carter which are priceless!! The plot may stretch credibility a bit but the movie has a fast pace, good direction and sets that are above the norm for a Monogram Chan. Keep an eye out, as well, for the great elevator segment that is surprising and innovative. The banter between the actors in the broadcasting studio is also inspired and fun. Although not quite up to par with the Twentieth Century Fox Chan's this is damn close! Monogram Chan's get a bad rap sometimes but this again proves there was magic in the old detective series still. Check it out.