Castelo do Deserto

This being the final entry in the Charlie Chan mystery series to be produced by 20th Century-Fox. Chan (Sidney Toler) finds himself summoned to a medieval-style castle built in the middle of the desert in the western U.S. It belongs to eccentric researcher Paul Manderlay (Douglass Dumbrille) and his wife Lucy (Lenita Lane) who happens to be a descendant of the infamous Borgias. They have a house full of guests, one or more of whom seems intent on killing them all.

This is an odd installment of the series, with a lot of comedy and an "old dark house" setting. The characters are all strange enough to hold one's interest, and Toler and Sen Yung's interplay is still fun. Fox decided to end the series with this one, stating a desire to cut back on film production during the war, but many feel it was also due to the Asian lead character, who, despite being Chinese-American, would still be resented by those with anti-Japanese sentiments due to the war. Toler himself would eventually buy the rights and take them to the poverty row Monogram company, where a new batch of Chan films started in 1944 with Charlie Chan in the Secret Service.

Charlie Chan, who's just planning a little vacation with son Jimmy, gets a letter from a Mrs. Manderley, née Lucrezia Borgia (!), who summons him urgently to Manderley castle because she fears for her life... And THERE we've got a classic isolated old mansion if ever there was one: Mr. Manderley, a famous historian, has built his castle in the middle of the Mojave desert, complete with a vault full of poison bottles and Renaissance torture instruments, with no electricity and no phone - and very soon the distributor of the only car available is stolen as well, which leaves the persons present in TOTAL isolation - except for Jimmy, of course, who finds his way to the castle together with a strange old lady with spiritualistic gifts, Madame Saturnia...

And very soon it is revealed that recently, a genealogist who wanted to investigate on Mrs. Manderley's Borgia family tree (although she seems perfectly alright, her step-brother was a mad poisoner...) was poisoned in the castle - but strangely, Madame Saturnia insists that 'the finger of Isis has never touched this house'... yet...

She also warns Charlie to 'watch out for an arrow' - and very soon, arrows from an old crossbow start flying through the castle halls, dangerously near to our detective hero! And the suspects are plenty: Mrs. Manderley (who insists she didn't write the note to Charlie, and that her step-brother is dead; another thing Madame Saturnia denies vehemently...), Mr. Manderley, who wears a mask over one side of his face (a result of an accident, he explains), Dr. Retling, whose death certificate for the genealogist is being questioned by private eye Fletcher, Mr. Hartford, Manderley's attorney, who together with his wife seems to be seeking to take control of the Manderley fortune, and sculptor Watson King, who reveals himself as yet another private detective hired by Mrs. Manderley... Make your choice!

The creepy atmosphere of the old castle of course makes this entry in the 'Charlie Chan' series another immensely entertaining whodunit; and the cast is also superb: apart from distinguished British star Henry Daniell as Watson King and Douglas Dumbrille as Manderley, we also meet again with some of the cast members of that magnificent Charlie Chan movie "Dead Men Tell" from the previous year: Milton Parsons, Lenita Lane - and Ethel Griffies, giving once again a FORMIDABLE performance as the mysterious Madame Saturnia. Jimmy as always adds lots of fun, disguised in a medieval armor - a great mystery movie that shouldn't be missed by any fan of the genre!

Final Fox Chan film leaves us somewhat dissatisfied despite a complicated but enjoyable plot. There is a body within the first few minutes, sufficient suspects, ties to the Borgia family, lots of misdirection and clues, and Chan once again dodging arrows. The characters are marooned in an eerie reconstructed medieval castle (complete with a dungeon in the basement) located in the Mojave Desert. For a change, it is possible to figure out the ending ahead of or along with Chan. $20M is a great incentive for crime.

Sidney Toler does good job at discovering a mystery and solving murder but fails to perform his usual wrap up at the end clarifying all of the loose ends. Son Jimmy (on leave from the Army) assists Pop without resorting to too much comedy. Pop takes US Army Carrier Pigeon No. 13576 with him to the desert but alas, the pigeon succumbs to the poison nightshade. `Man without enemies like dog without fleas.'

Good supporting cast. Ethel Griffies and Milton Parsons return to play small but effective roles. Only a few (unnecessary) racial slurs. Some interesting camera work with the use of shadows to convey danger. By the way, there is a real castle in the desert, Scotty's Castle, now part of Death Valley National Park. And I suspect that hotels in the region now rent rooms for more than $2/night! Recommended.

While I admit that the Chan films of Warner Oland are, as a group, superior to those of Sidney Toler, that doesn't mean that some of the Toler films aren't rock solid and as good individually as anything Oland made. Three that immediately come to mind are Charlie Chan at Treasure Island, Charlie Chan at the Wax Museum, and this film, Castle in the Desert. (By the way, why isn't the title Charlie Chan and the Castle in the Desert? It would have made sense to me.) In Castle in the Desert, Charlie is summoned to a strange, isolated castle in the middle of the Mojave Desert. But no one in the house will admit to having sent of Chan. His presence is, however, quickly needed when in no time at all Charlie finds himself up to his elbows in murder, poison, deadly arrows, red herrings, and suspects galore. What could be more fun!

I've seen someone use this phrase before to describe a Charlie Chan film and I think it fits Castle in the Desert – "It's a crackling good mystery". As I've indicated, all of the necessary ingredients for a fun outing with Chan are here. In fact, Castle in the Desert is really more like two mysteries in one. While the solution to the first is fairly obvious, it's still a lot of fun and just an appetizer for the more difficult and dangerous mystery to come. This was Toler's last Chan film for Fox and, by the time this one was made, Toler could have played the role in his sleep. He seems so at ease with the character. The rest of the cast is enjoyable with Henry Daniell and, one of my favorites, Douglass Dumbrille standing out in support. Another bonus for Castle in the Desert is that Victor Sen Yung as #2 son Jimmy Chan isn't anywhere near as annoying as he is in some of the other Chan films.

Overall, Castle in the Desert is a nice finale to the Chan films at Fox. Nothing that would come later at Monogram is anywhere close to matching it. I've got no problem rating this one a strong 7/10 verging on an 8/10.

Lucy Manderley makes a brusque announcement: "Two things we never discuss in this house—my family and Paul's accident." –Her husband Paul wears a mask that covers half of his face; Lucy herself is descended from the Borgias of Renaissance Italy, renowned for power and poison. "This house" is the Manderley estate, a lonely medieval-style castle stuck out in the desert.

Charlie Chan is on hand at said estate—but the urgent invitation he answered was apparently a fake. Has Mr. Chan been summoned to witness a murder or provide an alibi? Sidney Toler is steady as always as he attempts to find out.

Eerie music, dimly lit castle sets and some good shadowy camera work create an appropriately spooky atmosphere for this fairly standard but highly enjoyable Chan mystery.

Among the entertaining cast on hand at the old dark castle are Douglass Dumbrille as the odd Mr. Manderley and Lenita Lane as his nervous wife; Henry Daniell as mysterious sculptor Watson King; and Ethel Griffies as Madame Saturnia, a spooky soothsayer whose predictions all involve death.

Sen Yung also offers assistance as Jimmy Chan. On a week's leave from the Army, Jimmy tells his Pop that "What I'd like now is the relaxation of a good murder case." He finds a suit of armor a good hiding place to spy from, but keeps getting pushed over and tumbling down flights of stairs….

The plot involves a couple of murders by poison—pointing suspicion at Lucy Manderley, the only possibly-unbalanced Borgia in the group. Other elements adding to the mystery include a sleeping potion like the one Shakespeare's Juliet took, and the early disappearance of the only vehicle's distributor, leaving the entire group stranded and cut off.

Overall, it's a fairly standard Charlie Chan: a decent mystery plot featuring a few chills, a fair mix of comedy, and a bit of action as well. Very entertaining for fans.