Aventura

In his first film after World War II service in the Army Air Corps, Clark Gable settled down to a familiar character and one of his most familiar directors. Adventure was the last of five films that Gable did with Victor Fleming which also includes Gone With The Wind. This one never quite measured up to Gone With The Wind though.

Gable was literally met at the airport by Louis B. Mayer and rushed into this film. It was thought at the time that a film with current box office sensation Greer Garson was a can't miss item at the box office. Garson was coming off an Oscar she received in 1942 for Mrs. Miniver the year Gable went away to war.

The results were underwhelming, but seen over 60 years after it was first out show Adventure to be not a bad story at all. Gable fits comfortably into the part of the tough boatswain who loves the rollicking life at sea he leads. No woman is going to be tying him down, not one like prim and proper librarian Greer Garson. He likes them like her roommate Joan Blondell, sassy and out for a good time.

But Greer and her notions of settling down with home and family kind of get under his skin. It's what's led many a man to the altar.

Gable and Garson never worked together again, probably by mutual consent. Neither were each other's types on the screen and in life, but no one has anything to be ashamed of in Adventure.

Best performance in the cast is by Thomas Mitchell as Gable's friend and confidante. Mitchell plays the usual tragicomic alcoholic that he took a patent out on for the screen.

Another in the cast and former vocalist with the Xavier Cugat Orchestra is Lina Romay who is the woman we first see Gable with as the film opens. She would shortly be joining the Bing Crosby show as the featured female singer. That 'dame' who gets $20.00 for some conversation is none other than Barbara Billingsley aka June Cleaver. Who'd have thunk that one?

Though this one didn't set the world on fire, Gable's next two films, Homecoming and The Hucksters rank in my humble opinion as two of his very best. The King was ascending his throne again.

You have to see the movie to learn what "it" refers to. You will also learn how to lure chickens properly, how to regain your "soul", what San Fran looked like in 1945, how to attract a woman by dating her roommate, how to throw rocks at your lover, how snappy dialogue and lively acting can be much more entertaining than the 90% of the c**p in today's "subtle" acting movies. No "adventure" here in today's terms but quite daring and emotional in its own way.

I was 8 years old when I saw this movie and it impressed me so much. I will never forget 3 things in the movie "Adventure". How to hypnotize a chicken; how the water drains out of the tub in a different direction depending on which side of the equator you live; how Clark Gable was yelling at his newborn baby to breathe.It was such a good romance, even to a young girl and I remember how the friend, Mudgin, was afraid of losing his soul. I am 64 years old now and it is still as fresh in my mind as it was in 1946 in Hartshorne, Oklahoma.

I'm 65 and I have appreciated Gable's contributions over his career. I did not see Adventure on the silver screen but only this afternoon on TV, and so I cannot think back to how it was received at the time. Our mindsets are different now, anyway, and so I'm now wondering whether anyone else today besides me becomes worn down by his dialog? I'm sorry, but his constant barking finally got to me and I had to turn this one off. What's he doing anyway, schtik? I can imagine his answering even "one lump or two?" in high dudgeon. That just gets tiresome after a while, until such affectation of anger, indignation, resentment or whatever degenerates almost into buffoonery. Not everything has to be expressed frankly, my dear.

Maybe because STRANGE CARGO, THE HUMAN COMEDY and A GUY NAMED JOE dealt with whimsy and religious fantasy successfully, MGM kept trying with this kind of picture. But HIGH BARBAREE and ADVENTURE (both based on what must have been gassy novels) are dull failures.

I must dissent with the majority view here that ADVENTURE is good and that Clark Gable and Greer Garson are good in it. They are a dismal mismatch as a romantic team and neither is suited to this kind of heavy, 'meaningful' material. In their very different ways, both stars were grounded, practical, sensible, which is not what was needed to bring off this type of romantic fantasy. When they meet and for a long time after, Gable and Garson give too successful an impression of mutual loathing for us to believe later that they have suddenly discovered their great love for each other. Victor Fleming does a very glossy professional job directing this film and both stars get dazzling, dynamically framed closeups and two-shots, but they never seem right for each other. By contrast, in a supporting role, Joan Blondell seems exactly right for Gable, being his female equivalent, having humor and a juicy kind of sensuality.

ADVENTURE is anything but, and the mystical themes never make any sense and are never convincingly connected to the romance. It was a big hit, presumably because people were curious to see these stars together, and to catch Gable's first picture after the war. But this could only have diminished the luster of both of them. And pictures like this must be why Dore Schary was brought into the studio to supplant Louis B. Mayer, who had become lazy and complacent, squandering his two biggest stars on pretentious garbage.