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IMDbPro

Aquilo, Sim, Era Vida!

Título original: Hello Frisco, Hello
  • 1943
  • Approved
  • 1 h 39 min
AVALIAÇÃO DA IMDb
6,5/10
594
SUA AVALIAÇÃO
Lynn Bari, Alice Faye, Jack Oakie, and John Payne in Aquilo, Sim, Era Vida! (1943)
Musical

Adicionar um enredo no seu idiomaIn turn-of-the-century San Francisco, an ambitious vaudevillian takes his quartet from a honky tonk to the big time, while spurning the love of his troupe's star singer for a selfish heiress... Ler tudoIn turn-of-the-century San Francisco, an ambitious vaudevillian takes his quartet from a honky tonk to the big time, while spurning the love of his troupe's star singer for a selfish heiress.In turn-of-the-century San Francisco, an ambitious vaudevillian takes his quartet from a honky tonk to the big time, while spurning the love of his troupe's star singer for a selfish heiress.

  • Direção
    • H. Bruce Humberstone
  • Roteiristas
    • Robert Ellis
    • Helen Logan
    • Richard Macaulay
  • Artistas
    • Alice Faye
    • John Payne
    • Jack Oakie
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    594
    SUA AVALIAÇÃO
    • Direção
      • H. Bruce Humberstone
    • Roteiristas
      • Robert Ellis
      • Helen Logan
      • Richard Macaulay
    • Artistas
      • Alice Faye
      • John Payne
      • Jack Oakie
    • 26Avaliações de usuários
    • 4Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 3 vitórias e 1 indicação no total

    Fotos21

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    Elenco principal50

    Editar
    Alice Faye
    Alice Faye
    • Trudy Evans
    John Payne
    John Payne
    • Johnny Cornell
    Jack Oakie
    Jack Oakie
    • Dan Daley
    Lynn Bari
    Lynn Bari
    • Bernice Croft
    Laird Cregar
    Laird Cregar
    • Sam Weaver
    June Havoc
    June Havoc
    • Beulah Clancy
    Ward Bond
    Ward Bond
    • Sharkey
    Aubrey Mather
    Aubrey Mather
    • Douglas Dawson
    John Archer
    John Archer
    • Ned Clark
    Frank Orth
    Frank Orth
    • Lou, Bartender at Sharkey's
    George Lloyd
    George Lloyd
    • Foghorn Ryan - Proprietor
    Frank Darien
    Frank Darien
    • Missionary
    Harry Hayden
    • Burkham
    Eddie Dunn
    Eddie Dunn
    • Forman of Renovation Crew
    Charles Cane
    Charles Cane
    • O'Riley, Policeman
    Frank M. Thomas
    Frank M. Thomas
    • Auctioneer
    Kirby Grant
    Kirby Grant
    • Specialty Singer
    Mary Field
    Mary Field
    • Ellie, Cockney Maid
    • Direção
      • H. Bruce Humberstone
    • Roteiristas
      • Robert Ellis
      • Helen Logan
      • Richard Macaulay
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários26

    6,5594
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    Avaliações em destaque

    9Fred-36

    A lot to like in this one

    Strong evidence of why Alice Faye was such a big star in the 40s. Good support from John Payne, Jack Oakie, and femme fatale Lynn Bari. Some critics, including Maltin, are down on this one, but they're wrong. It's a joy from end to end, and as easy on the eyes (in color) as Faye's voice is on the ears (especially in Academy Award winner "You'll Never Know"). Wish they gave Payne more songs to sing, but you can't have everything. Offhand, I don't know of a Fox musical of that era that's as enjoyable.
    8eddie-83

    Hello, Alice

    Totally delightful Fox musical in glowing Technicolor with many lavishly staged songs. (My particular favorite is `Ragtime Cowboy Joe') The only new tune is an Oscar-winner - `You'll Never Know' sincerely rendered by Alice Faye. On the dancing side there's a sneak-preview of `Starlight Express' with a number on roller skates proving that there's nothing new under the sun.

    It is easy to see why Alice was such a bright star for so long; she has looks, charm and a beautiful deep singing voice. On the other hand I've never really warmed to John Payne, I find him very stiff and he does nothing to change my opinion here. Laird Cregar overacts outrageously to great effect cast against his usual menacing or sinister type.

    `Hello, Frisco, Hello' is actually a reworking of 1935's `King of Burlesque' which also featured Jack Oakie and Alice Faye. What the film is not is any sort of feminist tract. We are expected to believe that Alice's character, beautiful and talented enough to conquer London's West End Musical Mecca, is incomplete without the love of Payne's Barbary Coast promoter, a cad who has previously dropped her callously to marry a socialite for her status in the community.

    However, nuances of character are hardly the thing in these Hollywood musicals and I can assure you that `Hello, Frisco, Hello' is a total treat.
    7ctomvelu1

    Hurray for Faye

    There's a reason for watching an antique like this, and that's Alice Faye. She was at the top of her form here, in what was to be her final Fox musical. Basic plot: John Payne is a vaudevillian with his eye on greater things. His troupe consists of Faye, Jack Oakie and June Havoc. The Gay 90s costumes are a riot and, I assume, reasonably authentic. I also imagine some audience members in 1943 might have lived long enough to remember the period in real life. Faye belts out an endless number of great tunes, including her signature song, "You'll Never Know." Payne is stiff as usual, but veteran comic actor Oakie and his predictable antics help make up for that. The plot is as thin as a piece of tissue paper, so enjoy the movie for its many and memorable musical numbers. With her deep voice and striking looks, Faye really shines here. One caution: It is slightly jarring to watch the "rag" number, as all the performers are white but acting as if they were Stepin Fetchit-type blacks. This old-time minstrel baloney is certainly not uncommon in old musicals. You can see similar numbers in even later fare such as "Holiday Inn" (Bing Crosby in black face!) and "Jolson Sings Again." The offending "Abraham" number in "Holiday Inn" used to be cut for TV viewing. But there wasn't much TV could do about "The Jolson Story" and "Jolson sings Again" without emasculating the movie, as Al Jolson rose to fame singing "Mammy" and other numbers in black face.
    9sryder-1

    Expect entertainment only

    Unlike many musicals from Warners and MGM, the scenes of stage performance in those from 20th Century Fox look as though they could actually be performed on a stage, with straight front shooting, and relatively little camera movement, except for close-ups. This approach works, if you have actors who can draw you in simply by their talent, Talent is abundant here, and the musical numbers are believably staged. Fortunately, there are many of these: enough to carry the hackneyed plot. After more than twelve years in films, Jack Oakie could still do comic dance and joke routines far superior to those of most; and is helped wonderfully by June Havoc, who should have received one of the co-star billings in the titles, instead of being listed second in the supporting cast. John Payne was the studio's dependable leading man, in both musicals and light drama. The beautiful Lynn Bari, who never broke through to star status, shines in the thankless role of the selfish society girl.

    But Alice Faye is at her best in her last major musical for Fox. It's easy to see why Archie Bunker occasionally referred to her as his feminine ideal. She is gorgeous in Technicolor close-ups. Here, as in other films she wears period costumes more convincingly than most other actresses, who seem to be dressing up for a costume party. Her voice was unique, and her delivery understated; unlike many of her contemporaries, she can still be heard on CDs. I didn't count, but she must have sung ten or more numbers, alone or with Payne. Oakie and Havoc, including an opening and closing rendition of her signature "You'll Never Know". In a years later TV interview, she commented that toward the end of her Fox career she was being replaced by Betty Grable, whose more overt sex appeal made her famous during the war years, but whose career as a top attraction did not last as many years as Faye's (about ten) What impressed me was that she made that comment without any tone of bitterness. Incidentally, this is not a criticism of Grable, who had a winning, self-deprecating personality in later years. In another TV interview, when she was asked how she became a star, she responded: I could sing a little, dance a little, and act a little, but I had great-looking legs. I can't help comparing these two ladies, both of whom had long-lasting show business marriages, and both of whom seemed to be nice persons, with some contemporary "stars".
    10wwilliams-6

    A Technicolorful musical triumph, not to be missed !

    One of the best musicals ever to come out of Fox and one of the top Alice Faye showcases. Never mind the plot, just set back and enjoy the sultry velvety voice of the most beautiful Alice Faye, the finest song stylist ever to come out of Hollywood .

    This beautiful film introduced the Academy Award winning song-"You'll Never Know" which Faye sings three times in the picture. This haunting song was reprised the following year by her in the wartime musical "Four Jills in a Jeep". It has been recorded countless times, however no one sings it like Faye. She pulls the heart strings in a professional fashion.

    If you are not familiar with Alice Faye, do yourself a favor and discover why she was the Number #1 Box-Office star over Bette Davis in the early 1940's. I highly recommend this lavish musical entertainment.

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    Enredo

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    Você sabia?

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    • Curiosidades
      "I've Gotta Have You" (music by Harry Warren, lyrics by Mack Gordon), sung by June Havoc, was deleted from the movie. Miss Havoc's pre-recording was released 1976 on the Out Take Records LP (which later would be reissued by DRG), "Cut! Out Takes From Hollywood's Greatest Musicals, Volume One."
    • Erros de gravação
      The billboard on the opera house advertises the opera "Hansen and Gretel" instead of "Hansel and Gretel."
    • Conexões
      Featured in Alice Não Mora Mais Aqui (1974)
    • Trilhas sonoras
      Hello, Frisco!
      (uncredited)

      Music by Louis A. Hirsch

      Lyrics by Gene Buck

      Sung by a chorus during the opening credits

      Performed by Jack Oakie, Alice Faye, John Payne and June Havoc

      Played often throughout the picture

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    Perguntas frequentes1

    • Why does IMDb list the title with only one comma?

    Detalhes

    Editar
    • Data de lançamento
      • 26 de março de 1943 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Hello Frisco, Hello
    • Locações de filme
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, Califórnia, EUA(Studio)
    • Empresa de produção
      • Twentieth Century Fox
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 3.400.000
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 39 minutos
    • Proporção
      • 1.33 : 1

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    Lynn Bari, Alice Faye, Jack Oakie, and John Payne in Aquilo, Sim, Era Vida! (1943)
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