Million Dollar Legs

Million Dollar Legs is the second feature film with W.C. Fields in the sound era. Still not sure of his box office potential Paramount billed him second under Jack Oakie. That would be something that would change shortly as Fields was given greater creative control of his films.

Although Oakie has his moments as his usual lovable blowhard self, a character that would be gradually taken over by Jack Carson in the Forties, the film really does belong to Fields. A year before Duck Soup was out, Million Dollar Legs took some real good political jabs using the American hosted Summer Olympics in Los Angeles as a background. Certainly saved on location shooting.

In fact one of the best things Million Dollar Legs has going for it is the good use of newsreel footage of the Olympics cut into the film. This was to be a showcase for the United States on the world stage. Remember how cleverly Ronald Reagan exploited the Olympics also held in Los Angeles in 1984 in his re-election bid? Herbert Hoover sent his Vice President Charles Curtis to open the Olympics, but the publicity certainly didn't redound to Hoover's credit. In fact Paramount exploited the Olympics better in this film.

W.C. Fields is the President of Klopstokia, a Ruritanian like country in Europe where all the people are trained from earliest times on earth to be athletes. Fields in fact is the strongest man in his kingdom and that's how one becomes president. It's a test of strength in Indian wrestling. When and if one beats him as Treasury Secretary Hugh Herbert keeps trying to do, you become president.

But Herbert's lined up the rest of Fields's disloyal cabinet against him. The country's national debt is about to put it in chapter eleven. What to do?

This is where Oakie comes in. He's a fast talking salesman for Baldwin Brushes and he's got a great offer from company president George Barbier. Recruit some of the populace for the Olympics and enter a Klopstokian team and he'll pay them whatever for use in his advertising. Sounds like a plan.

Herbert's down, but not out. He recruits international femme fatale spy for hire Mata Machree played by Lyda Roberti. She's to do what she does best, work on the hormones of the Klopstokian athletes so they're not concentrating on the Olympics. Make sure they're heads are not in the game.

Like Duck Soup to which this film bears a lot of resemblance Million Dollar Legs is good satire, a little gentler than Duck Soup, still it hits what it aims at. 220 years ago Million Dollar Legs could have come from the pen of Jonathan Swift.

This film went a long way to making W.C. Fields a star. He was a star on Broadway in the Ziegfeld Follies and in George White's Scandals, but in silent films and in his sound work so far, he played mostly supporting roles in feature films. After this his star status at Paramount and later Universal was assured. He's got some devastating lines here, mostly of his own making because Fields was notorious for just using the script situations as a guide. In a battle of wits, nobody tops him and that includes the director and the writers.

Fields and Oakie are supported by a real good cast of comic actors. Besides who I've mentioned, special mention should go to Andy Clyde as Fields's major domo and Ben Turpin as the silent cross-eyed spy.

For fans of W.C. Fields, a must. Oh, Yes.

MILLION DOLLAR LEGS (Paramount, 1932), directed by Edward Cline, may have a a backstage musical sounding title to it revolving around sexy-legged chorus girls, but is actually a surreal comedy with all the elements of a slapstick silent Mack Sennett comedy, minus the Keystone Kops and bathing beauties. Consisting of several silent screen comedians of the past, namely Andy Clyde and Ben Turpin (hilarious as crossed-eyed spy), the real stars are Jack Oakie and Susan Fleming, though the movie itself is remembered for the performances of second billed W.C. Fields as the President (not of the United States), and fourth billed Lyda Roberti, as the sexy spy known all over as "the woman no man can resist." MILLION DOLLAR LEGS, pertaining to Andy Clyde's character with the ability to run miles within a few minutes, is mostly an ingredient type of oddball comedy Paramount produced in the 1930s, a plot less story where nothing makes sense though laughs are plentiful right down to the silliest situations. An easy blend of farce and satire predating "Monty Python's Flying Circus" of the 1970s, set in a fictional location, Klopstokia, a locale from the creative mind of Charlie Chaplin, though written by Joseph Mankiewicz, with plot and a "Migg Tweeny" sounding name more like something from of W.C. Fields himself. Even if Fields didn't contribute in the screenplay as he did in his later works, he does retain his familiar character throughout, from some of his classic routines down to a "hearty handclasp."

Forward: "Klopstokia - A Far Away Country; 'Chief Exports - goats and nuts; Chief Imports, goats and nuts; Chief inhabitants, goats and nuts." Klopstokia, population 81,006, a mythological country somewhere on this planet where all the girls are named "Angela" and the men called "George." Enter Mr. Baldwin (George Barbier), manufacturer of Baldwin Brushes, and Migg Tweeny (Jack Oakie), his top salesman whose specialty is selling brushes that brush. On his way to the shipping dock, Migg meets and immediately falls in love with a girl named Angela (Susan Fleming), whose little brother, Willie (Dickie Moore) enjoys shooting arrows at his intended victims, believing all Americans are Indians, and father (W.C. Fields), the the president of Klopstokia. Klopstokia is bankrupt and in desperate need of $8 million. Because every citizen is athletically superhuman, with the president weight lifting ton-heavy objects and using one of his staff members as a human weight lift, Tweeney saves the day by having Klopstokians participate in the Olympics in Los Angeles. All 's well until Mata Machree (Lyda Roberti), a seductress spy, is hired by the president's trusted Secretary of State (Hugh Herbert) wanting to take control of Klopstokia, in order to keep the the Klopstokian team from winning.

Often compared with the Marx Brothers 1933 comedy-satire, DUCK SOUP (Paramount), MILLION DOLLAR LEGS doesn't have any landmark songs as "Hail to Klopstokia" in place of "Hail to Freedonia," but it does consist of tunes as "When I Get Hot" (sung by Lyda Roberti); and "One Hour With You" lifted from a 1932 Maurice Chevalier musical retitled "Wolf-Boogle-Jig" subtitled a Klopstokian love song (sung by Jack Oakie); and "Good Night." Members of the President's cabinet include Billy Gilbert (the sneezing Secretary of the Interior); Teddy Hart (Secretary of War); Irving Bacon (Secretary of the Navy); and Vernon Dent (Secretary of Agriculture). Hugh Herbert, noted for his eccentric millionaire caricatures and catch phrase, "woo-woo" during his years at Warner Brothers, interestingly plays a serious character whose specialty here is overpowering his opponents with arm wrestling. Susan Fleming, Oakie's love interest, who at times resembles Ruby Keeler, tap dancing performer of 1930s musicals for Warner Brothers, never achieved major stardom, yet is known basically as the wife of comedian Harpo Marx.

In spite that MILLION DOLLAR LEGS is a very funny 62 minute movie, it's rarely revived these days. It's reputation and popularity grew, however, through frequent television revivals in the 1970s and early 1980s. The title can often be conflicted with another MILLION DOLLAR LEGS(Paramount, 1939) movie, a college drama starring non-other than future 20th-Century-Fox star, Betty Grable, whose trademark were her "million dollar legs," but not as noteworthy as this 1932 antique.

Distributed on video cassette in 1998 as part of the WC Fields collection, MILLION DOLLAR LEGS only known contribution on cable TV was on Turner Classic Movies in June 4, 2001, as part of it's "Star of the Month" tribute to W.C. Fields. A wild and crazy comedy, MILLION DOLLAR LEGS is something that needs to be seen to be believed. Wolf Boogle Jig. (***)

W. C Fields is the hot tempered President of Klopstokia, an impoverished country where the Presidency is decided by arm wrestling matches. All Klopstokians have impossible athletic abilitites. This 1932 classic is a fun, wacked out laff riot. The writing is perfect. (Sample Fields dialog; "The Constitution forbids me to hit a man under 200 pounds." "I just had my lunch of roast goat stuffed with eel." Lyda Roberti is hysterical as Mata Macree, a Brooklyn accented femme fetale "Not too clozz boyzz, youse catch on fi-yer." 62 minutes of genius comedy.

First of all, bear in mind that this movie was made in 1932, not 2002. Then, do a little research into the popular media of the day, and you'll get the jokes a lot better. This is one of the funniest movies ever, and it is lightyears ahead of its time. The non-sequiturs (that means lines that don't make sense), the quick cuts, the topical humor - I just love it. What can you say about a country where all the men are named George, and all the women are named Angela? Why? Why not?? Let's take a few examples: do we all understand that it's the Fuller Brush Company that's being kidded in the first scene? Do you know about the terrorists of the day - the 'anarchists' - who were generally portrayed in black capes and hats, carrying daggers and pistols and those old fashioned bombs that look like cannon balls with fuses in them? Do you get the joke - Mata Machree? The image of the femme fatale Mata Hari, coupled with an old Irish song about Mom called "Mother Machree". Do we get that Lyda Roberti (who was Polish) is supposed to be Swedish, since Greta Garbo was the biggest star of the day? And the 'old Klopstockian Love Song' is sung to the tune of "One Hour with You," which was not only a popular film with, I believe, Maurice Chevalier, but was the theme song of the Eddie Cantor radio show, the most popular show of 1932? Movie audiences of the day would have gotten it.

Jack Oakie is perfect as the fast-talking brush salesman who saves Klopstockia. He is definitely a forerunner in style of not only Bob Hope, but of Robin Williams. Fields is hilarious, but so is everyone in this movie. Susan Fleming wasn't much of an actress, but she was beautiful. I just love Roberti, who came from a famous acting clan in Poland, and who died tragically young. She was a hoot, and could have had a memorable career. My favorite line of hers, when she does her hootchie kootchie dance to try to inspire Hugh Herbert to greater feats of strength: "I been done all I can do - in public." There are so many other quotable lines in this movie - it's the kind of movie you watch and recite along with the actors.

It helps to understand this movie to know a little something about what was 'in' in 1932, but it isn't absolutely necessary. The movie has enough funny lines and slapstick even by today's standards. It's also valuable as an example of the kind of editing we now take for granted. The kind of quick cutting and blackouts that we would see in, for example "Laugh-In," was rare in 1932. This was probably the first really screwball comedy, and it's the screwiest one of all.

I found Million Dollar Legs to be one of the funniest films I've seen. I was unaware that it is available on video.I'm going to get myself a copy,and show it to my friends who appreciate satire and/or slapstick in the style of the Marx Bros.