[go: up one dir, main page]

    Calendário de lançamento250 filmes mais popularesFilmes mais popularesPesquisar filmes por gêneroMais populares no cinemaHorários de exibição e ingressosNotícias de cinemaFilmes indianos em destaque
    O que está na TV e no streaming250 séries mais popularesSéries mais popularesPesquisar séries por gêneroNotícias da TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbFamily Entertainment GuidePodcasts da IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideBest Of So FarDisability Pride MonthPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Nascido hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorSondagens
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
  • Perguntas frequentes
IMDbPro

Mulher Sem Algemas

Título original: Illicit
  • 1931
  • Unrated
  • 1 h 19 min
AVALIAÇÃO DA IMDb
6,1/10
1,3 mil
SUA AVALIAÇÃO
Barbara Stanwyck and James Rennie in Mulher Sem Algemas (1931)
DramaRomance

Adicionar um enredo no seu idiomaA young couple lives together out of wedlock, but they find that they're ahead of their time.A young couple lives together out of wedlock, but they find that they're ahead of their time.A young couple lives together out of wedlock, but they find that they're ahead of their time.

  • Direção
    • Archie Mayo
  • Roteiristas
    • Edith Fitzgerald
    • Robert Riskin
    • Harvey F. Thew
  • Artistas
    • Barbara Stanwyck
    • James Rennie
    • Ricardo Cortez
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    1,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Archie Mayo
    • Roteiristas
      • Edith Fitzgerald
      • Robert Riskin
      • Harvey F. Thew
    • Artistas
      • Barbara Stanwyck
      • James Rennie
      • Ricardo Cortez
    • 28Avaliações de usuários
    • 10Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias no total

    Fotos27

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 20
    Ver pôster

    Elenco principal10

    Editar
    Barbara Stanwyck
    Barbara Stanwyck
    • Anne Vincent
    James Rennie
    James Rennie
    • 'Dick' Ives II
    Ricardo Cortez
    Ricardo Cortez
    • Price Baines
    Natalie Moorhead
    Natalie Moorhead
    • Margie True
    Charles Butterworth
    Charles Butterworth
    • Georgie Evans
    Joan Blondell
    Joan Blondell
    • Helen 'Duckie' Childers
    Claude Gillingwater
    Claude Gillingwater
    • Ives Sr.
    Hazel Howell
    Hazel Howell
    • Girl at the Bridal Shower
    • (não creditado)
    Lucille Ward
    Lucille Ward
    • Susan - Anne's Maid
    • (não creditado)
    Barbara Weeks
    Barbara Weeks
    • Girl at the Bridal Shower
    • (não creditado)
    • Direção
      • Archie Mayo
    • Roteiristas
      • Edith Fitzgerald
      • Robert Riskin
      • Harvey F. Thew
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários28

    6,11.2K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    dougdoepke

    An Early Talky Talky

    The best part of this rather boring gabfest is getting to see ladies high-fashion outfits, circa 1930. Some of them are real doozies. Stanwyck gets more than her share of slinky finery as a rich guy's paramour. Actually, the movie's premise is a significant one—does marriage somehow kill love? Anne (Stanwyck) seems to think so and sometimes acts on the premise. The trouble is that the premise gets drowned out by all the talk from one scene to the next, without let-up. Then too, director Mayo adds nothing to what turns out to be a filmed stage play. To be charitable, his options may have been cramped by the newness of movie sound equipment.

    Pre-Code liberties are evident in the first few scenes where Anne, in a clinging negligee, and Dick (Rennie) discuss whether to marry or to continue living in sin. After that, the screenplay settles into more conventional marital mix-ups. But at least Stanwyck shines, showing why she was slated for bigger and better things. In fact, she's almost girlish, a really long way from the femme fatale of Double Indemnity (1944). Too bad she doesn't have more scenes with that other Warner's personality girl, Joan Blondell (Duckie). Anyway, I found the movie considerably less than I expected.
    5TheLittleSongbird

    Glum romance

    Am somebody that doesn't mind in any way melodrama, and there are many great ones from the classic film era (name from the 40s and 50s), as long as the film in question is done well. The story sounded really good on paper, even if it is melodramatic personified, and have always loved Barbars Stanwyck as an actress. When it came to melodrama during the "classic film" era, she was one of the greats when it came to actresses, Joan Crawford was another good example.

    'Illicit', a very early film for Stanwyck, has been inevitably compared to its "remake" made two years later 'Ex-Lady'. It is not very often where there has been personal preferences for remakes over their originals (David Cronenberg's 'The Fly', from personal opinion, is one of the finest examples of preferring the remake over the original), but to me 'Ex-Lady' is the better film. Found it to be wittier, more daring, that it didn't take itself as seriously and that it has held up better. Am not saying by any stretch that 'Illicit' is a bad film, it isn't and it is definitely worth a look if only once perhaps but that is dependent on one's taste. It is namely to be seen if you want to see Stanwyck in an early role pre-stardom and if you want to see every film of hers in existence.

    There are good things here. It is nicely photographed and the period detail in all senses is truly opulent. Absolutely love Stanwyck's clothes and she looks great in them. There are some amusing and moving moments.

    Most of my mixed feelings rating though is for the acting, which, excepting a bland and quite stiff James Rennie in a nothing role, is very good. Stanwyck is wonderful with all the things that made her a great actress at her peak emerging here and the main reason to see 'Illicit' (will confess to having to give it less than a 5 if she wasn't as good as she was). Charles Butterworth is the other standout and is an amusing presence, and Joan Blondell is always worth watching. Ricardo Cortez is fine too.

    Unfortunately, 'Illicit' comes over as very creaky and stage bound today. Or at least that's my perspective. The pace can be quite dreary and the drama that the quite thin story has feels too much of a very over-heated (a danger with melodrama) filmed play. 'Illicit' has more of a serious tone compared to 'Ex-Lady', so serious that it comes over as a little too glum in places. The sound is quite primitive and has an awkward flow at times.

    Did find 'Ex-Lady' (really sorry for the comparison) to be better scripted, just preferred the wittier tone and the tauter pace of it and also found it more daring as said. Anything that may have shocked in 'Illicit' back then is reasonably tame now, whereas you could see much better how 'Ex-Lady' was ahead of its time. Although the acting is good, as said Rennie fails to make much of an impression and a large part of it is down to that his character is very sketchy.

    All in all, worth a look but a bit of an oddity. 5/10
    9savoir

    fascinating

    Prohibition; scorned women, that was the early 30's. This was before the "decency" rules came into effect. Avant garde is the only way to describe this. Dated, yes. But very descriptive of the times. Only Stanwyck could do this well. Her strength and sensitivity are evident in every frame. This is a history lesson of the times and traditions that existed way back when!
    8mircaragolr

    Excellent Barbara Stanwyck

    First time Stanwwyck captivated me. Attractive, cute, sensitive, intelligent. A master performance raising an overall OK movie to a different level. I fell in love with her character as an actress and as a young woman. Ann is a beautiful young lady full of sensitivity, common sense and intelligence. The movie reveals a conflict of feelings between two people triggered by their love toward each other. You would say it shows two characters with a behavior ahead of its time, but scratching the surface of the "mores" of the time, it really portraits a common conflict of love, in which the characters act in a mostly mature and civilized manner -I would add she way more mature than him, and this kind of acting does not have anything to do with the "mores" of the times. Quite the opposite,human beings have behaved maturely through history regardless of the prevailing social norms. Finally I would like to add that now I understand how Barbara Stanwick gained her reputation as a remarkable actress during her youth.
    6AlsExGal

    Nothing particularly illicit about this film

    The naming of this film must have been just to attract Depression era audiences, because there is nothing really illicit about it. However, it is a very modern look at romance and marriage considering it was made in 1931. Barbara Stanwyck plays Anne Vincent, a modern woman who is afraid that her relationship with boyfriend Richard Ives will be changed by marriage. She bases her beliefs on watching her own parents and her friends. In her parents' case she says that she knows they loved each other, but divorced anyways, and she is sure that separation from one another is what killed them. However, social pressures prevail and the two do get married.

    Anne's fears become realized as Richard seems to only be interested in going out when it involves other people, not just Anne. She sees him out with another woman one night when he is supposed to be working, and she decides what the two need is a trial separation from one another - to become individuals again. Throw Ricardo Cortez into the mix as someone who wants Anne's marriage to not work out, and you have the makings of an above average potboiler from the precode era.

    This film is mainly interesting because of Stanwyck. Without her abilities this would be a pretty forgettable film. And those fashions! With all of the ermine and feathers, this film has Barbara Stanwyck venturing into Kay Francis territory. Also lending good support is Charles Butterworth as the seldom sober friend to the young couple, and the always wonderful Joan Blondell as Anne's close friend.

    Mais itens semelhantes

    O Preço da Compra
    6,4
    O Preço da Compra
    A Mulher Proibida
    6,9
    A Mulher Proibida
    A Flor dos Meus Sonhos
    6,7
    A Flor dos Meus Sonhos
    Sempre no Meu Coração
    6,6
    Sempre no Meu Coração
    No Palco da Vida
    6,8
    No Palco da Vida
    Mulheres do Mundo
    6,6
    Mulheres do Mundo
    A Mulher de Vermelho
    6,1
    A Mulher de Vermelho
    Triunfos de Mulher
    7,0
    Triunfos de Mulher
    A Mulher Miraculosa
    7,2
    A Mulher Miraculosa
    A Vida é uma Dança
    6,5
    A Vida é uma Dança
    Paixão de Jogo
    6,5
    Paixão de Jogo
    Entre Portas Fechadas
    6,0
    Entre Portas Fechadas

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      On the phone, Dick and Anne tease Duckie that they can't agree on which vacuum cleaner to buy, a Peerless or a General Electric. The joke here appears to be that Peerless was an old maker of hand-pump vacuums, never electric ones.
    • Erros de gravação
      (at around 5 mins) As Dick and Anne are walking out of the kitchen, a moving shadow of the boom microphone is visible on the wall to the left.
    • Citações

      Richard 'Dick' Ives II: Dad, what would you do with a girl like that?

      Richard Ives Sr.: I'd grab her any way she'd have me.

    • Conexões
      Featured in Sex, Censorship and the Silver Screen: The Temptations of Eve (1996)
    • Trilhas sonoras
      Maybe It's Love
      (1930) (uncredited)

      Music by George W. Meyer

      Lyrics by Sidney D. Mitchell and Archie Gottler

      Whistled by James Rennie

      Hummed and sung by Barbara Stanwyck

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Perguntas frequentes17

    • How long is Illicit?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 14 de fevereiro de 1931 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Lo ilícito
    • Locações de filme
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Califórnia, EUA(Studio)
    • Empresa de produção
      • Warner Bros.
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 249.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 19 minutos
    • Cor
      • Black and White

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    Barbara Stanwyck and James Rennie in Mulher Sem Algemas (1931)
    Principal brecha
    By what name was Mulher Sem Algemas (1931) officially released in India in English?
    Responda
    • Veja mais brechas
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.