A Flor dos Meus Sonhos

I'm contributing this mainly to comment on what most of the other reviews say that I disagree with: Ralph Graves was perfect in this role. Yes, he's wooden, but that's what works so perfectly with Barbara Stanwyck. Where it really matters is in their romantic scenes: first on his balcony, then at breakfast and particularly after his father leaves and they really get together for the first time. I'm not saying he's a good actor in general, but they had great chemistry in this film, and that's worth a lot. He's a realistic type of man, very focused and businesslike; some people think an artist couldn't be like that, but that's not true. It's frustrating to see everyone remarking on the clever performances of Marie Prevost and Lowell Sherman and denigrating Graves. The picture hangs together very well precisely because all the roles are ideally cast. Doubtless Stanwyck and Capra supply the magic. It's a film that's new to me, and I keep going back to it.

It's the old hooker-with-a-heart-of-gold story but Barbara Stanwyck and director Frank Capra make it shine. Not only is Stanwyck great but there isn't a bad performance by anyone in the film, even down to the minor characters. Capra attains a naturalness from his actors rare at this point in the talkies. The only complaint might by that Ralph Graves' accent is more convincing for a cowboy than a son of the upper crust, but that's a quibble. Other pluses are Jo Swerling's smart dialogue with hardly an unnecessary line and John Walker's cinematography, the best of its time (the night scene as Stanwyck spends the night on Graves' couch is a marvel of lighting, pacing and atmosphere).

This movie is one of the legendary Barbara Stanwyck's earliest starring roles. The title of the movie actually refers to prostitutes and that is what Stanwyck plays in this one, though it is, of course, only suggested. The set-up is that Stanwyck, a prostitute, is hired by a painter to be a model for one of his paintings. Through the course of the movie, Stanwyck's character, who has never know real love, is touched by the young painter's caring gestures (though to him, he is only being polite). As always, the beautiful Stanwyck carries the movie in the palm of her hand, and when the film is serious, it's pretty decent. Some problems arise in the humorous scenes with her chubby co-star (who died later in the decade because of self-starvation), a stereotypical, high-pitched, talkative New York girl who has too much of a silly vaudevillian personality to generate many laughs (remember, this is early 1930 and vaudeville was just beginning to wind down). Like a lot of early talkies, this movie is roughly edited, and the acting by the male lead is somewhat wooden. The story is okay, perhaps a bit too sentimental, but the movie is an interesting glance into the 1930s and the early stages of a screen Goddess' career.

Considering that movies only began to talk in 1928, this early sound film starring BARBARA STANWYCK as a girl of ill repute (she calls herself a party girl), and RALPH GRAVES as an artist who wants to use her as a model, is not bad at all. It's certainly one of the better jobs in sound recording for a film made in the early '30s. As usual with films of this period, there is almost no music on the soundtrack except for the moment when "The End" is flashed on the screen. In the TCM print I watched, the screen then fades to black while some "exit" music is played against a dark screen.

Stanwyck is the prostitute with a heart of gold who finds a good man and doesn't want to let him go, even when his family objects to their union when he proposes marriage. She is convinced by the mother to give him up--but circumstances change after she makes a rash decision.

Stanwyck is excellent at conveying the brassy qualities of the character, but then reveals the softer nature of the girl as she falls in love with the man who only wants to paint her portrait. The tenderness of the romance that develops is full of nuances that one wouldn't expect from a Frank Capra film. The sentimental ending is more in keeping with his usual style.

RALPH GRAVES gives a quiet, assured performance as the man who finds that he does really love Stanwyck. LOWELL SHERMAN does his usual schtick as an inebriated friend who flounces around making wisecracks. MARIE PREVOST has some good moments as Stanwyck's roommate and NANCE O'NEIL does a good job as Grave's well-meaning mother.

Stanwyck fans will appreciate her well modulated performance.

Reviews of this film do not make clear that it apparently is available in both sound and silent versions. The version of this film borrowed from our local library was the silent version as apparently this film was Capra's 2nd talkie and last silent (per Moviediva web site). It had a very distracting soundtrack that did not match the moods on the screen at all. Still, if you are a Capra or Stanwyck fan, the silent version is better than none at all and worth the time. Hopefully, I will be able to see a sound version on Turner or AMC.