Garota Rebelde

Not bad at all ,but the main interest of the movie is to see Davis in her first ,and bogart in one of his firsts the story and the way it's developed is very old fashion and the characters are very simplified. the cinematic aspect is not new and the story demoded and to say the truth frankly boring

It's easy to call "The Bad Sister" badly dated, because it is. Instead of a timeless piece of Americana based on Booth Tarkington's novel, it's a mediocre, poorly scripted and always obvious romantic drama. Corny is too corny a term to apply, and what we're left with is very fine work by ZaZu Pitts as the comic relief family maid, and Charles Winninger almost holding the creaky plot together as the warm and fuzzy family patriarch.

Casting of Sidney Fox in the title role and Bette Davis as her shy, too good to be true sister is disastrous, as any current viewer via hindsight senses that the roles needed to be reversed, even if it meant halting production midway and reshooting. Bette could have run with the conceited, self-centered "bad girl" role and Sidney would have been just fine in the nothing role of the sister.

Humphrey Bogart is solid as the transparently conniving romantic bad guy and the other supporting male roles are way too wimpy to believe. Every plot twist is beyond predictable, and the ridiculous, rushed happy ending doesn't fit at all. Perhaps that ending was a reshoot -I like to think the original ending would be evil Sidney burnt at the stake.

I enjoyed this movie! It was intriguing to see Bette Davis and Humphrey Bogart 3rd and 4th in the billing order. But what fun to see Bogie as a suave smiling dapper con man who whisks the airhead "bad sister" off her feet. And poor Bette Davis, whom I almost did not recognize in her first scenes in the film. So interesting to see how the costumes helped to create the two sisters characters. Bette Davis in drab prints that made her appear very frumpy. And that younger brother!!! Oh my what a pest!! It really is a complicated story with some sad , some glad, and a bit of silliness here and there. A soap opera in a way, but a also a time capsule of simpler times. I agree with others who said the end comes rather abruptly. I had more ideas of what might have happened if it was longer, so was left feeling a bit unfulfilled. I thought it was well made overall. You can see the remnants of the silent film era in its style with a caption inserted in the middle to help us figure out the plot. And lots of long stares with the eyes expressing so much.

1931's "The Bad Sister" is chiefly remembered as being the film debut of screen legend Bette Davis, who spent a few despondent months at Universal that year before finding greener pastures at Warner Bros. The title role, however, went to Sidney Fox, also making her movie debut, but in a quirk of fate, Universal's star push on her behalf instead of Davis resulted in Sidney's career ending in three years, while 'the good sister' was being hailed as a star. Not only did Universal miss the boat on these two actresses, they failed to see the potential in 4th billed Humphrey Bogart, who followed Davis to Warners playing essentially the same role he does here, a smooth-talking, big city con man who preys upon the citizens of Central City Ohio, with Miss Fox forging her father's signature to cinch the swindle. Top billing goes to doctor Conrad Nagel, naively in love with 'bad sister' Sidney, when it's 'good sister' Bette secretly in love with him. Bette herself despaired over this film, convinced she had no future in pictures; the virginal 23 year old is effectively deglamorized, dressed like a grape picker's daughter, hair tightly bound in a bun, yet those 'Bette Davis Eyes' remain intact, yearning desire behind them. I myself was curious to see more of the diminutive Sidney Fox, inexplicably top billed over Bela Lugosi in 1932's "Murders in the Rue Morgue" (reuniting her with Bert Roach), but remained entranced by Bette Davis instead; and to think Carl Laemmle Jr. famously said of her in this film, "she has about as much sex appeal as Slim Summerville!" (he too is in the picture).

Pre-Coder about a rotten young woman (Sidney Fox), who's so spoiled and selfish she doesn't care who she steps on, including her own family. It's an unremarkable melodrama about an unlikable character that I wouldn't even have bothered watching were it not for the fact that this is the film debut of Bette Davis. Bette plays Fox's homely but kind sister who's in love with Fox's boyfriend. When Fox dumps him for another man, it opens a door for the beau to look at Bette in a different light.

It's an unimpressive debut for Bette, showing none of her later acting talent or personality. For her part, Sidney Fox does a fine job playing the worst kind of brat. Also featuring Humphrey Bogart in one of his earliest roles, playing -- you guessed it -- a bad guy. The scene stealer of the picture is child actor David Durand as Fox and Davis' younger brother. He freely speaks his mind and has all of the movie's decent lines. The rest of the cast includes ZaSu Pitts, Bert Roach, Slim Summerville, Conrad Nagel, and Charles Winninger. Worth a look for Bette and Bogie completists or anyone who digs these old timey morality plays.