Charlie Chan na Broadway

When a nightclub singer who has listed the secrets of the underworld in her diary is murdered and the diary stolen, our aphoristic Chinese detective swings into action.

Another fun episode with Chan and number one son getting involved with big-shot racketeers, shady ladies and prying newspapermen in Broadway, Olympus. Can be confusing at times, but overall a good entry with a surprising revelation of the killer. Also starring Leon Ames and Harold Huber, who adds enjoyment to the tale when working with Chan and number one son.

Snappy Warner Oland as Charlie Chan murder mystery set at sea and in New York. Oland's slowness in this film is complemented by good direction from an old hand, a total of five writers, and a great supporting cast. Harold Huber, making his Chan debut, plays an active and effective police inspector that works with and not in parallel with Chan. Joan Marsh looks great and turns in a solid performance. Keye Luke is allowed to help rather than hinder the crime solution. I suppose that Joan Woodbury's dancing was all the rage at the time.

Plot involves diary that if published will cause a great deal of harm to a lot of people: `No poison more deadly than ink.' Lots of misdirection with an obvious suspect and another who it appears will be actually guilty: `Murder case like revolving door, when one side close another side open.' In the end, the police and Chan trap the killer but not until Chan reveals clues that the viewer cannot have been aware. Racial slurs against Orientals remain in the series with the New York Police Band playing `Chinatown' in honor of Chan's arrival. Interesting use of `Candid Camera' theme at the Hottentot Club. One of the better Oland Chan films - recommended.

"excuse please," but this is a straight forward top notch mystery with no gimmicks involved. Much of the action takes place in the Hottentot Club and the only dance is of a tropical variety that is more reminiscent of Charlie Chan in Rio or Panama.Warner Oland is at the top of his game playing the famous Chinese detective. Keye Luke, as usual, is excellent. Harold Huber does a fine job as Inspector Nelson and proves less silly than we'd see in future films.This must be considered one of the best.

A young woman, Billie, puts a package in a trunk belonging to Charlie Chan. Charlie is with his number one son. He is there to be honored at a luncheon. A woman is killed and it proves to be Billie. While things are being investigated the prime suspect gets out the door. Soon another person is murdered in Charlie's room. There is an incriminating diary involved. As is usually the case, Lee gets in the middle of everything. One thing I've noticed about Keye Luke's voice is so loud. Frequently there is someone outside the door or at a window. He continues to provide comic relief. One of the things about this episode is that there is little if any mention of the Great White Way.

Charlie Chan on Broadway is one of the more solid efforts in the series. Fast paced with a decent amount of plausible suspects Detective Chan must not only suffer the bumbling of number one son (Keye Luke) but also the overwrought presence of the police inspector played by the endlessly frantic Harold Huber.

Charlie is unintentionally drawn into a scandal when mob moll Billie Bronson hides incriminating evidence in his state room. When she turns up dead, Chan is naturally the man to solve things; Luke and Huber to provide stumbling blocks along the way.

Brash from the outset with its ocean liner arrivals and bright lights big city feel it also offers a comically perverse "Candid Camera " evening at a nightclub with shutterbug customers chasing dancing girls about the floor.

Oland in his next to last Chan is perfectly composed as usual.