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IMDbPro

A Noite Nupcial

Título original: The Wedding Night
  • 1935
  • Approved
  • 1 h 23 min
AVALIAÇÃO DA IMDb
6,6/10
1,1 mil
SUA AVALIAÇÃO
Gary Cooper, Ralph Bellamy, and Anna Sten in A Noite Nupcial (1935)
DramaRomance

Adicionar um enredo no seu idiomaBecause his finances are low and he is seeking background for a new book, author Tony Barratt and his wife Dora return to his country home in Connecticut. While he is finding material for hi... Ler tudoBecause his finances are low and he is seeking background for a new book, author Tony Barratt and his wife Dora return to his country home in Connecticut. While he is finding material for his book on the lives and customs of the local immigrant tobacco farmers, his wife returns t... Ler tudoBecause his finances are low and he is seeking background for a new book, author Tony Barratt and his wife Dora return to his country home in Connecticut. While he is finding material for his book on the lives and customs of the local immigrant tobacco farmers, his wife returns to New York and, alas, his Japanese servant deserts him. He meets neighboring farm girl Man... Ler tudo

  • Direção
    • King Vidor
  • Roteiristas
    • Edwin H. Knopf
    • Edith Fitzgerald
  • Artistas
    • Gary Cooper
    • Anna Sten
    • Ralph Bellamy
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    1,1 mil
    SUA AVALIAÇÃO
    • Direção
      • King Vidor
    • Roteiristas
      • Edwin H. Knopf
      • Edith Fitzgerald
    • Artistas
      • Gary Cooper
      • Anna Sten
      • Ralph Bellamy
    • 27Avaliações de usuários
    • 14Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 1 indicação no total

    Fotos23

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    Elenco principal31

    Editar
    Gary Cooper
    Gary Cooper
    • Tony Barrett
    Anna Sten
    Anna Sten
    • Manya Novak
    Ralph Bellamy
    Ralph Bellamy
    • Fredrik Sobieski
    Helen Vinson
    Helen Vinson
    • Dora Barrett
    Sig Ruman
    Sig Ruman
    • Mr. Jan Novak
    • (as Siegfried Rumann)
    Esther Dale
    Esther Dale
    • Mrs. Kaise Novak
    Leonid Snegoff
    • Sobieski
    Eleanor Wesselhoeft
    • Mrs. Sobieski
    • (as Elinor Wesselhoeft)
    Milla Davenport
    • Grandmother
    Agnes Anderson
    Agnes Anderson
    • Helena
    Hilda Vaughn
    Hilda Vaughn
    • Hezzie Jones
    Walter Brennan
    Walter Brennan
    • Bill Jenkins
    Alphonse Martell
    Alphonse Martell
    • Waiter
    • (cenas deletadas)
    Miami Alvarez
    • Party Guest
    • (não creditado)
    Violet Axzelle
    • Frederica
    • (não creditado)
    Jay Belasco
    Jay Belasco
    • Party Guest
    • (não creditado)
    Robert Bolder
    Robert Bolder
    • Doctor
    • (não creditado)
    Ed Eberle
    • Uncle
    • (não creditado)
    • Direção
      • King Vidor
    • Roteiristas
      • Edwin H. Knopf
      • Edith Fitzgerald
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários27

    6,61.1K
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    10

    Avaliações em destaque

    7andreaandy

    Plot Summary

    Tony is a writer and can't get his latest book published in NYC so he and his wife go to a farmhouse he inherited in Connecticut where it'll be cheaper to live. While in Connecticut, he meets his Polish neighbors and their daughter, Manja. While Tony's wife is away and his cook has left him in the dead of winter, Manja helps Tony around the house and provides inspiration for his latest book. An attraction grows stronger, but Manja's hand in marriage is promised to a local farmer. Can two people promised to others and from very different worlds be happy? How will the book end? Film focuses strongly on Tony and Manja, but could have rounded out the wife's character a bit more - overall an enjoyable film but the ending's a bit melodramatic as most were for the time.
    fsilva

    A great film

    Yesterday I re-watched "The Wedding Night" (1935), this time with my wife who had never seen it before. For me it was like watching it all over again for the first time. I think that this happens with great pictures, like this one. She also loved the film and I felt so gratified by that, because sadly this type of quiet, sensitive films is not the kind of film which you can watch with anybody and can be fully appreciated as it should be.

    I'm a fan of "the Gary Cooper" of the late '20s and 1930s, in my opinion some his best films were made around this time, before his definitive screen persona was established, especially in the early thirties. He gives a sensitive, balanced, nuanced, performance in a film that looks like a slice of life. His character is so unarchetypical, so honestly portrayed by him, that you get immersed totally in this beautiful love story. And this is no by chance, because the film was directed by the masterful King Vidor.

    Praise must also go to the two actresses that vividly portray the two women in Cooper's life: the unjustly forgotten and underrated Russian actress Anna Sten and the equally unfairly forgotten actress Helen Vinson. Miss Vinson portrays without falling in the caricature, a shallow, but at the same time likable society woman, who thinks that life is a never-ending party and does not take marriage as seriously as it should be taken, realizing it too late. Miss Sten plays the naïve but strong-willed Polish woman who reluctantly at first, begins to fall for the writer portrayed by Cooper. The scene in which Cooper reads to her the first chapters of the new (autobiographical) book he is writing, is most telling in this aspect; because Miss Sten does not fall for the dashing, tall, handsome Cooper, but for his character's sensitiveness, feelings and emotions which she apprehends by means of this book in progress.

    In short, none of the three principals of this story incur in stereotypical portrayals, which helped me to connect with their characters' emotions, with its virtues and flaws.

    A wonderful experience, which with no doubt I'll repeat in the future, because this film deserves many viewings and is just my kind of film; a simple love story, unpretentiously directed, that does not aim at over sentimentality and does not fall into the maudlin which can ruin a movie, with superb, unaffected performances by the leads.
    7andrewsarchus

    A fine complex film from King Vidor

    Interesting film, partly because Cooper is cast so completely against the type he is later to be best known for from his Capra films - that is of the rural innocent encountering the corruption of the city. This movie is much more in the transcendental tradition of Henry Hathaway's Peter Ibbetson, also starring Cooper and released the same year. I had never heard of Anna Sten but according to the posts she was a protégé of Samuel Goldwyn in one of her first Hollywood films. She does remind me of a fresh-faced Garbo. Overall the acting is fine and characters are complex, and the direction is up to King Vidor's high standards.

    A fine film. The ending in particular is bittersweet.
    7bkoganbing

    Romance And Sociology

    Gary Cooper, in a thinly veiled characterization of F. Scott Fitzgerald, is a writer living with a socialite wife in New York City and doing quite well on the party circuit. But he's lost his muse and literally has to move back to his family's ancestral home in Connecticut where the rent is free.

    While there he gets involved with some Polish immigrants who have bought a lot of acreage in the Nutmeg state for tobacco growing and farmer Jean Hersholt wants some of Cooper's land. Needing the cash, Cooper agrees. He finds the people there fascinating in an sociological sort of way. And he finds Hersholt's daughter Anna Sten far more intriguing.

    The Wedding Night was supposed to be the launching of a new Sam Goldwyn discovery in Anna Sten. But for some reason she didn't catch on with the public though she does give a fine performance. There's a lengthy list of speculative reasons why she never caught on, some have been mentioned by other reviewers.

    However the best performance in the film is Helen Vinson as Cooper's wife. She starts off giving the impression she's a flighty airhead, but actually that's not the case. Vinson usually was playing the other woman in her film career, here she reverses type as the wronged wife. You do feel sorry for her, she's done nothing to deserve Cooper's infidelity.

    For those who are curious about Anna Sten as she's become something of a symbol as to how not to showcase a talent, The Wedding Night might be worth a look.
    6blanche-2

    hubba hubba Gary Cooper

    Nothing gets a woman's heart pumping a little quicker than an early Gary Cooper movie, and The Wedding Night from 1935 is no exception.

    Cooper is writer Tony Barratt - think F. Scott Fitzgerald - whose publisher doesn't want his next book and tells him whatever he had, he's lost it. So he and his wife Dora (Helen Vinson) take off for an inherited country home.

    Tony becomes intrigued by the family of Polish émigrés who live nearby, particularly the beautiful daughter, Manya Novak (Sten).

    Okay, here is something that confuses me. My friends are of Polish descent. They called their sister Mary Manya. So far, so good.

    This family's last name is Novak. That's Czech.

    And they say Dasvidaniya, which is Russian. Go figure.

    Back to the story. After the father (Sig Ruman) buys a field from Tony for $5,000, Dora wants to hightail it back to New York, now that they have some money. Tony decides to stay. He begins writing a book about the family.

    He and Manya fall in love, though it's unconsummated. She is engaged to Fredrik Sobieski (Ralph Bellamy) a real bumpkin, whom she doesn't love. When she decides not to marry him, her father has a fit, and the engagement is back on. Meanwhile, Tony wants a divorce.

    Bittersweet film with lovely performances by Cooper and Sten. Cooper in the beginning is immaculate in a suit, and he and Dora are part of the high-class social set. He did play many sophisticated roles in the '30s, but Mr. Deeds and westerns would follow. Instead of strong and silent, here he's animated and romantic.

    This film was apparently supposed to introduce Anna Sten to American audiences. Sam Goldwyn wanted to build her up as the next Garbo. I don't know about you, but I don't remember Greta Garbo playing a farmer with dowdy clothes. If he was going to build her up, why not showcase her beauty? She was beautiful, and her acting is very good. To me she hasn't the presence of Garbo or Dietrich, but I think Goldwyn could have given her better treatment.

    Helen Vinson really has the strongest role, and she was up to it.

    Very poignant story, directed by King Vidor, and beautifully photographed.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Gary Cooper hated his co-star, Anna Sten, so much that behind her back he would refer to her as "Anna Stench."
    • Erros de gravação
      Near the end, Fredrik runs to confront Tony, with Manya following behind him, yet she arrives to meet Tony several seconds before Fredrik appears.
    • Citações

      Mr. Jan Novak: Well, I don't know how you walk, but you fall pretty good!

    • Conexões
      Featured in Legendy mirovogo kino: Anna Sten
    • Trilhas sonoras
      Shall We Gather At The River
      (1864) (uncredited)

      Written by Robert Lowry

      Sung a cappella by Hilda Vaughn

    Principais escolhas

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    Perguntas frequentes15

    • How long is The Wedding Night?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 8 de março de 1935 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Polonês
    • Também conhecido como
      • The Wedding Night
    • Locações de filme
      • Samuel Goldwyn Studios - 7200 Santa Monica Boulevard, West Hollywood, Califórnia, EUA(Studio)
    • Empresa de produção
      • The Samuel Goldwyn Company
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 23 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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