Avaliações de usuários

Interesting film, partly because Cooper is cast so completely against the type he is later to be best known for from his Capra films - that is of the rural innocent encountering the corruption of the city. This movie is much more in the transcendental tradition of Henry Hathaway's Peter Ibbetson, also starring Cooper and released the same year. I had never heard of Anna Sten but according to the posts she was a protégé of Samuel Goldwyn in one of her first Hollywood films. She does remind me of a fresh-faced Garbo. Overall the acting is fine and characters are complex, and the direction is up to King Vidor's high standards.

A fine film. The ending in particular is bittersweet.

Here is Gary Cooper in one of his more authentically romantic screen roles.

By romantic I do not mean the stale bourgeois antics of the matinee idol, but a figure that is, at once, poetic and transgressive. Cooper plays a married man who, during a stay in the country, falls in love with a farm girl. She belongs to a family of recent immigrants. They do not see her involvement with a married man not of their ethnic world at all positively. The ending is tragic, but the power of their transfiguring involvement is very convincingly portrayed, and the photography has real class. Cooper acts with an open intensity not often available to the clichéd strong-inarticulate American male. If you are bored by his "High Noon" persona, see this film.

In New York, the writer Tony Barrett (Gary Cooper) was successful in his first novel. Now he is alcoholic and his two next books were failures. His publisher refuses to publish his last novel and the totally broken Tony is forced to move with his wife Dora (Helen Vinson) to the countryside of Connecticut to his family farmhouse. On the arrival, his neighbors Mr. Jan Novak (Siegfried Rumann) and his daughter Manya (Anna Sten) offer five thousand dollars for his idle lands. Tony accepts the offer and Dora decides to return to New York. Tony stays with his servant Taka and has dinner with the Novak family to close the business. When Taka decides to return to New York, Manya helps Tony with the housekeeping. They become close to each other and soon they fall in love with each other. But Tony is a married man and Manya is engaged to Fredrik Sobieski (Ralph Bellamy) in an arranged marriage. What will happen to their love?

"The Wedding Night" is a sad and tragic romance directed by King Vidor, who was a specialist in melodramas. The timeless love story is believable and engaging and has a heartbreaking conclusion. Based on the number of voters (553) and reviews (20), "The Wedding Night" is an unknown romance and the User Rating (6.8) is underrated. My vote is eight.

Title (Brazil): "A Noite Nupcial" ("The Wedding Night")

Yesterday I re-watched "The Wedding Night" (1935), this time with my wife who had never seen it before. For me it was like watching it all over again for the first time. I think that this happens with great pictures, like this one. She also loved the film and I felt so gratified by that, because sadly this type of quiet, sensitive films is not the kind of film which you can watch with anybody and can be fully appreciated as it should be.

I'm a fan of "the Gary Cooper" of the late '20s and 1930s, in my opinion some his best films were made around this time, before his definitive screen persona was established, especially in the early thirties. He gives a sensitive, balanced, nuanced, performance in a film that looks like a slice of life. His character is so unarchetypical, so honestly portrayed by him, that you get immersed totally in this beautiful love story. And this is no by chance, because the film was directed by the masterful King Vidor.

Praise must also go to the two actresses that vividly portray the two women in Cooper's life: the unjustly forgotten and underrated Russian actress Anna Sten and the equally unfairly forgotten actress Helen Vinson. Miss Vinson portrays without falling in the caricature, a shallow, but at the same time likable society woman, who thinks that life is a never-ending party and does not take marriage as seriously as it should be taken, realizing it too late. Miss Sten plays the naïve but strong-willed Polish woman who reluctantly at first, begins to fall for the writer portrayed by Cooper. The scene in which Cooper reads to her the first chapters of the new (autobiographical) book he is writing, is most telling in this aspect; because Miss Sten does not fall for the dashing, tall, handsome Cooper, but for his character's sensitiveness, feelings and emotions which she apprehends by means of this book in progress.

In short, none of the three principals of this story incur in stereotypical portrayals, which helped me to connect with their characters' emotions, with its virtues and flaws.

A wonderful experience, which with no doubt I'll repeat in the future, because this film deserves many viewings and is just my kind of film; a simple love story, unpretentiously directed, that does not aim at over sentimentality and does not fall into the maudlin which can ruin a movie, with superb, unaffected performances by the leads.

Gary Cooper, in a thinly veiled characterization of F. Scott Fitzgerald, is a writer living with a socialite wife in New York City and doing quite well on the party circuit. But he's lost his muse and literally has to move back to his family's ancestral home in Connecticut where the rent is free.

While there he gets involved with some Polish immigrants who have bought a lot of acreage in the Nutmeg state for tobacco growing and farmer Jean Hersholt wants some of Cooper's land. Needing the cash, Cooper agrees. He finds the people there fascinating in an sociological sort of way. And he finds Hersholt's daughter Anna Sten far more intriguing.

The Wedding Night was supposed to be the launching of a new Sam Goldwyn discovery in Anna Sten. But for some reason she didn't catch on with the public though she does give a fine performance. There's a lengthy list of speculative reasons why she never caught on, some have been mentioned by other reviewers.

However the best performance in the film is Helen Vinson as Cooper's wife. She starts off giving the impression she's a flighty airhead, but actually that's not the case. Vinson usually was playing the other woman in her film career, here she reverses type as the wronged wife. You do feel sorry for her, she's done nothing to deserve Cooper's infidelity.

For those who are curious about Anna Sten as she's become something of a symbol as to how not to showcase a talent, The Wedding Night might be worth a look.

OK, you want to make Anna Sten a star like Garbo or Deitrich. What are the very worst things you could do? Cast her as a Polish immigrant farm woman. Dress her in frumpy clothes. Set the movie in cold weather, necessitating her wearing a hat or scarf much of the time. Cast the urbane Ralph Bellamy as her rough-hewn Polish fiancé.

Anna Sten had a lovely face and she wasn't a bad actress. But this vehicle could have sunk any unknown. On the other hand, it's not a bad movie. In some ways, it's memorable.

The male lead is Gary Cooper, in his early days when his lashes were long, his look lanky but gentle. He's very good as a writer who's hit a brick wall with his work. He and wife Helen Vinson are splitsville, or near it; so he goes to his family house in Connecticut. And there he meets Sten, who is delivering milk. (No comment.) I never got the whole big deal about Garbo. Sten is more emotive. But she's sunk in this movie.

Heavy handed dour drama was the last of the big budget films to try and turn Anna Sten, Goldwyn's Folly, into another Garbo. The mistake of that was the actress while not bad, a little overfond of popping her eyes but otherwise fine, isn't suited to that persona. Had they pursued a lighter image for her which she seems inclined to perhaps her career would have fared better in American films. Poor Ralph Bellamy, usually an enjoyable presence in pictures, is made ridiculous by his silly casting as a Polish peasant. Cooper fares better mostly because an accent is not forced upon him and his star power is able to shine through. The person who comes across best even though her character is not the most pleasant is Helen Vinson as Cooper's estranged wife. It is at times confusing since she and Sten bear a strong resemblance to each other a fact not played up in the movie and so it serves no purpose but to distract the audience.

I had heard about this film and about how underrated it was,then last week i saw a copy of it on ebay on VHS PAL UK.I was really surprised as i didn't think it had ever been released in the UK.It must be one of the rarest videos in Britain as sadly not many people have heard of it.Luckily i won it for just over £3 not bad eh.So if any one else is interested in buying a copy,there must be others available in Britain,if you really look around.I couldn't wait to watch this film,and i must say i wasn't disappointed.Its starts off a mildly amusing story that suddenly gets sadder and sadder until it reaches a climax to a very tragic ending.I must admit the last 10 seconds of this film does bring tears to the eyes,i wont say why,but try and see this movie and you will see.The acting between Gary Cooper and Anna Sten is first rate,her character is very likable as she is totally unselfish,and is trying to please everyone,so she does deserve happiness.Garys character,well he is married and his wife is not a monster and she does love him,so you feel sorry for her as well,i think you have to decide for yourself in a triangle like this someone is always going to get hurt,but you don't know who.Also this is a very early film showing us cultural differences and the sort of conflicts that can arise when two people from very different back grounds want to be together.Can it work?he is from a literate sophisticated family,she is from a poor immigrant family that is still trying to learn new ways.The answer is if two people really love each other then they can over come their differences as true love conquers all,i think overall this was the strongest message that comes out of this film,to some people the married issue may be the point of the film.Any way this is a very haunting film and well worth watching if you get the chance.

Nothing gets a woman's heart pumping a little quicker than an early Gary Cooper movie, and The Wedding Night from 1935 is no exception.

Cooper is writer Tony Barratt - think F. Scott Fitzgerald - whose publisher doesn't want his next book and tells him whatever he had, he's lost it. So he and his wife Dora (Helen Vinson) take off for an inherited country home.

Tony becomes intrigued by the family of Polish émigrés who live nearby, particularly the beautiful daughter, Manya Novak (Sten).

Okay, here is something that confuses me. My friends are of Polish descent. They called their sister Mary Manya. So far, so good.

This family's last name is Novak. That's Czech.

And they say Dasvidaniya, which is Russian. Go figure.

Back to the story. After the father (Sig Ruman) buys a field from Tony for $5,000, Dora wants to hightail it back to New York, now that they have some money. Tony decides to stay. He begins writing a book about the family.

He and Manya fall in love, though it's unconsummated. She is engaged to Fredrik Sobieski (Ralph Bellamy) a real bumpkin, whom she doesn't love. When she decides not to marry him, her father has a fit, and the engagement is back on. Meanwhile, Tony wants a divorce.

Bittersweet film with lovely performances by Cooper and Sten. Cooper in the beginning is immaculate in a suit, and he and Dora are part of the high-class social set. He did play many sophisticated roles in the '30s, but Mr. Deeds and westerns would follow. Instead of strong and silent, here he's animated and romantic.

This film was apparently supposed to introduce Anna Sten to American audiences. Sam Goldwyn wanted to build her up as the next Garbo. I don't know about you, but I don't remember Greta Garbo playing a farmer with dowdy clothes. If he was going to build her up, why not showcase her beauty? She was beautiful, and her acting is very good. To me she hasn't the presence of Garbo or Dietrich, but I think Goldwyn could have given her better treatment.

Helen Vinson really has the strongest role, and she was up to it.

Very poignant story, directed by King Vidor, and beautifully photographed.

Tony is a writer and can't get his latest book published in NYC so he and his wife go to a farmhouse he inherited in Connecticut where it'll be cheaper to live. While in Connecticut, he meets his Polish neighbors and their daughter, Manja. While Tony's wife is away and his cook has left him in the dead of winter, Manja helps Tony around the house and provides inspiration for his latest book. An attraction grows stronger, but Manja's hand in marriage is promised to a local farmer. Can two people promised to others and from very different worlds be happy? How will the book end? Film focuses strongly on Tony and Manja, but could have rounded out the wife's character a bit more - overall an enjoyable film but the ending's a bit melodramatic as most were for the time.

Anna Sten deserved and Oscar for her portrayal, not to be made fun of and practically run out of town. Which just proves my theory that most critics tastes are in their mouth. I invited anyone who enjoys a movie of old, when it was about entertainment rather than depraved education to make the attempt to find a copy, sit back and enjoy. Goldwyn COULD pick them. Anna Sten and Cooper were something great in this movie.

One of King Vidor's very best films yet one of his least known, "The Wedding Night" is a film of immense charm. You could call it a romantic comedy but that devalues it and gives a totally wrong impression of what it's like. It's certainly romantic and yes, there is comedy in many of the situations but the triangle, or quadrangle, that makes up the core of the film and the relationship that develops between the two central characters is quite different from what we might have expected from a Hollywood film of the period.

Gary Cooper is the novelist with writer's block who falls for his Polish neighbour in Connecticut, (Anna Sten), while his wife is in New York. So far so conventional but she is betrothed to fellow Pole Ralph Bellamy and Coop's wife still loves him. Vidor handles both the scenes within the Polish community and the move from comedy to tragedy beautifully and he draws first-rate performances from his entire cast, particularly from Bellamy as the Polish suitor and the wonderful, and underrated, Helen Vinson as Cooper's wife. The Academy overlooked the film but Vidor took home the Best Director prize at the Venice Film Festival. Venice got it right.

With two strikes ( Nana, We Live Again) already against her, Goldwyn gaff Anna Sten swings and misses for her last shot at stardom in this King Vidor romance that is an uneasy mix of comedy and drama. Probably the best of her trio of mediocre starring roles It was back to the minors for a major career that lasted barely more than a year.

After a successful first book writer Tony Barret (Gary Cooper) follows up with two duds putting his career in free fall. A victim of his initial success Barret is partying and drinking to the detriment of his career so he and his wife (Helen Vinson) in an attempt to get back on track move to the hinterlands of rural Connecticut away from distractions. Minor problems arise though and the wife heads back to NY, and Tony is once again distracted, this time by the farmer's daughter (Sten) helping out since the cook also bolted. Already betrothed to a local boy (Ralph Bellamy) with land, trouble begins to brew and tragedy follows.

Given its tragic outcome The Wedding Night's screwball possibilities are exhausted early and with Sten bereft of comic chops, leaves little to laugh about. Pantheon director King Vidor simply lacks the light touch of a Hawks or Lubitsch to raise the tenor, energy or passion to maintain interest with an over abundance of dependence on the beautiful and vacant Anna.

Cooper is miscast as the author and shows little chemistry with the stilted Sten doing a cloying Rebecca of Sunnybrook Farm innocence. Bellamy and Sig Ruman as the father of Sten are simply buffonish caricatures. It would be wise to divorce yourself from The Wedding Night.

When his latest novel fails to make the cut, boozing writer Gary Cooper (as Anthony "Tony" Barrett) and socialite wife Helen Vinson (as Dora) move to the family homestead in Connecticut. She goes off to spend money in Manhattan while Mr. Cooper decides to stay on the farm and write a romance. His inspiration is alluring Anna Sten (as Manya), the new neighboring farmer's daughter. Soon, Polish immigrant father Sig Ruman (as Jan Nowak) sees Ms. Sten cozying up to Cooper and demands she quickly marry fiancé Ralph Bellamy (as Fredrik Sobieski). Producer Samuel Goldwyn and others had built Sten up as another Garbo, and after three strikes, Sten was out.

***** The Wedding Night (3/8/35) King Vidor ~ Gary Cooper, Anna Sten, Ralph Bellamy, Helen Vinson

Loved the movie. Old fashion love story despite the perhaps arguable marriage angle distraction. The scenery is BEAUTIFUL, especially good for a cold winter night's viewing by a fireplace. I thought the subtle differences in what was acceptable in the 30s and today was quite remarkable too. Especially when Cooper sat on the end of the bed during his conversation (which was by itself quite the fuss back than)with the girl. Overall the story also gives an interesting review of immigration and the nation's feelings about it. Hard work was certainly central to the movie's theme and of course the end is tragic as the guy doesn't get the girl.

The Wedding Night is not what you think. It sounds like a Carole Lombard screwball comedy with Cary Grant, about how a couple can't find a hotel room or keeps getting interrupted. The movie does feature a wedding night, but it's a very heavy drama.

Gary Cooper plays a writer who takes up residence in a small farm town to get material for his new book. He meets a Polish farmer and his daughter, Sig Ruman and Anna Sten, respectively. He finds Sig friendly enough, and he's very drawn to Anna. They fall in love, but they each have obstacles. Gary is married, and Anna is betrothed to Ralph Bellamy, arranged by her father.

Keep in mind this movie is a drama. It's interesting, and the characters are well written so you care what happens to them. It has a very old feeling to it, so if you like movies about European culture, or early immigrants to America, you might want to rent it.

Gary Cooper is an author with writer's block who decides for inspiration to return to his country home in Connecticut. He finds interest in the local Polish community and falls in love with a young girl there (Sten) who helps him look after his house.

Interesting romance that is inevitably doomed to end in some sadness as the girl is betrothed to Ralph Bellamy and Cooper is married to Helen Vinson, who, whilst happier partying, still loves him. The flirty first 3 quarters are quite good fun but get stretched out a bit too far. After she is forced to stay the night with Cooper, because of a storm, the plot becomes highly dramatic and heads towards tragedy, which while moving seems a little rushed.