The Triumph of Sherlock Holmes

An excellent Holmes story that benefits greatly by going directly to the source (mainly Arthur Conan Doyle's "The Valley Of Fear") and not only sticking pretty much to the original plot but also using a lot of the great dialog that Doyle wrote for Holmes. The problem with translating Sherlock Holmes to the screen (or writing new Holmes stories in full-length novel form) is that Doyle's original creation was such a brilliant detective he solved most mysteries almost instantly. Therefore, the short story was the best medium in which to present his adventures. If a story has to be stretched out to novel or feature film length, some other means had to be found to fill out the time and pages. Thus, beginning with Basil Rathbone (or maybe even earlier with William Gillette's original play), Sherlock Holmes became an action hero rather than a thinker. Arthur Wotner's Holmes and the script of "Triumph" retains the original essence of "the best and wisest man I have ever known" and shows us that he can delight and thrill us even more by seeing him as he was intended to be seen.

Am a huge fan of Sherlock Holmes and get a lot of enjoyment out of Arthur Conan Doyle's stories. Also love Basil Rathbone's and especially Jeremy Brett's interpretations to death. So would naturally see any Sherlock Holmes adaptation that comes my way, regardless of its reception.

Furthermore, interest in seeing early films based on Conan Doyle's Sherlock Holmes stories and wanting to see as many adaptations of any Sherlock Holmes stories as possible sparked my interest in seeing 'The Triumph of Sherlock Holmes', part of the series of film with Arthur Wontner. Would also see anything that has Holmes encountering his arch-nemesis Professor Moriaty.

'The Triumph of Sherlock Holmes', based on one of Conan Doyle's longer and best stories, turned out to be very much worthwhile. Not one of the best Sherlock Holmes adaptations certainly, the best of the Jeremy Brett adaptations and films of Basil Rathone fit under this category. It's also not among the worst, being much better than any of the Matt Frewer films (particularly 'The Sign of Four') and the abominable Peter Cook 'The Hound of the Baskervilles'.

It's not perfect. The sound quality is less than great, while some of the pace could have been tighter, the over-reliance on the flashback structure bogs it down a bit, and some of the dialogue unnecessarily rambles a bit. The Holmes retiring aspect is agreed out of character.

However, the period detail is handsome and evocative. The writing generally is thought-provoking, Holmes' deductions and crime solving are a huge part of the fun as well as very true in detail and spirit to Conan Doyle's writing, the mystery and suspense is generally intact and the story is intriguing and not hard to follow.

Arthur Wontner may technically have been too old for Holmes but he did not look too old and his portrayal is on the money, handling the personality and mannerisms of the character spot on without over-doing or under-playing. Ian Fleming is a charming, loyal, intelligent and amusing Watson, with nice chemistry between him and Wontner, really liked his inferior attempts at deduction. The support is solid, with the best coming from Lyn Harding's sinister Moriaty.

In summary, not quite triumphant but very worthwhile. 7/10 Bethany Cox

Good camerawork helps this stylishly shot although slightly stagily performed version of Doyle's THE VALLEY OF FEAR. The principals are excellent in their roles, but the supporting actors tend to ham it up a bit. Wontner gives a witty performance as Holmes and Ian Fleming -- no, not that Ian Fleming -- is an intelligent Watson.

"The Valley of Fear" is an interesting part of the Sherlock Holmes canon. Most with casual interest in the great detective don't know much about this story. It concerns a brotherhood of evil that runs a town and its people. The implication is that they are drunk with power and may go beyond their current climes. In the movie, Professor Moriarity is furious that Holmes has gotten in his way on numerous occasions, "inconveniencing" him. He is the evil equal of Holmes and usually gets what he wants. This film has a nice mix of a flashback, which takes place in America. There is revenge and spying and romance. There is secrecy and surprise. For a fairly low budget film, this captures the spirit of the original pretty well. Holmes is really at the center of things for only a few moments. This is acceptable because much of his talent for solving crimes takes place between his ears. I would urge someone who enjoys some of the less often dramatized Holmes stories to enjoy this one. It's quite good.

I am thoroughly enjoying making my way through my Mystery DVD set. One of the simple pleasures is in coming across an unheralded, long-forgotten movie that is a cut above. The "Triumph of Sherlock Holmes" is one of these. I thought the story was absorbing and it was well-acted down to the smallest role, although somewhat stagey. I struggled with the soundtrack and took into account that the film is almost 75 years old and may have been copied from a copy, and that the sound system may have been primitive to begin with.

I am beginning to think that Arthur Wontner is the definitive Sherlock Holmes. I enjoy his characterization and that of Lyn Harding, who makes a sinister Moriarty. Other entries have given capsule summaries and filled in some background. I just want to endorse this picture as well worth the time. I try to pretend how well some of them would work on a big screen, as in a movie theater, and this one would be worth the price of admission.

Warts and all, I give it a rating of 8.