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IMDbPro

A Mão Invisível

Título original: Death on the Diamond
  • 1934
  • Approved
  • 1 h 11 min
AVALIAÇÃO DA IMDb
6,0/10
481
SUA AVALIAÇÃO
Robert Young and Madge Evans in A Mão Invisível (1934)
CrimeDramaMysterySport

Adicionar um enredo no seu idiomaA losing baseball team starts losing its players to strange killings, and the team's new pitcher takes a swing at finding the killer.A losing baseball team starts losing its players to strange killings, and the team's new pitcher takes a swing at finding the killer.A losing baseball team starts losing its players to strange killings, and the team's new pitcher takes a swing at finding the killer.

  • Direção
    • Edward Sedgwick
  • Roteiristas
    • Harvey F. Thew
    • Joseph Sherman
    • Ralph Spence
  • Artistas
    • Robert Young
    • Madge Evans
    • Nat Pendleton
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    481
    SUA AVALIAÇÃO
    • Direção
      • Edward Sedgwick
    • Roteiristas
      • Harvey F. Thew
      • Joseph Sherman
      • Ralph Spence
    • Artistas
      • Robert Young
      • Madge Evans
      • Nat Pendleton
    • 22Avaliações de usuários
    • 9Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos11

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    Elenco principal74

    Editar
    Robert Young
    Robert Young
    • Larry Kelly
    Madge Evans
    Madge Evans
    • Frances Clark
    Nat Pendleton
    Nat Pendleton
    • 'Truck' Hogan
    Ted Healy
    Ted Healy
    • Terrence O'Toole
    C. Henry Gordon
    C. Henry Gordon
    • Joe Karnes
    Paul Kelly
    Paul Kelly
    • Jimmie Downey
    David Landau
    David Landau
    • 'Pop' Clark
    DeWitt Jennings
    DeWitt Jennings
    • Patterson
    Edward Brophy
    Edward Brophy
    • Grogan
    Willard Robertson
    Willard Robertson
    • Cato
    Mickey Rooney
    Mickey Rooney
    • Mickey
    Robert Livingston
    Robert Livingston
    • Higgins
    Joe Sawyer
    Joe Sawyer
    • 'Dunk' Spencer
    • (as Joe Sauers)
    Carmen Gould
    Ernie Alexander
    • Dick
    • (não creditado)
    Brooks Benedict
    Brooks Benedict
    • Game Radio Announcer
    • (não creditado)
    Bruce Bennett
    Bruce Bennett
    • Man on Ticket Line
    • (não creditado)
    Red Berger
    • Baseball player
    • (não creditado)
    • Direção
      • Edward Sedgwick
    • Roteiristas
      • Harvey F. Thew
      • Joseph Sherman
      • Ralph Spence
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários22

    6,0481
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    Avaliações em destaque

    Michael_Elliott

    Too Small to Cover Bigger Story

    Death on the Diamond (1934)

    ** (out of 4)

    I love a good murder-mystery but I think there are probably lines that shouldn't be crossed. This film passes that line and just keeps going and going and going. The Manager/Owner of the St. Louis Cardinals pays good money to bring in star pitcher Larry Kelly (Robert Young) so that they can win a championship and save the team. Someone else doesn't want them to win and soon players are being killed one by one. It's up to Kelly and the owner's daughter (Madge Evans) to try and strike up a relationship as well as catch the madman. I think having a murder-mystery set on a baseball field is pretty far-fetched but I guess with the right screenplay something entertaining could have been done with it. Sadly, this isn't the screenplay and in the end one can't help be rather bored by the actual story but nevertheless the film manages to be entertaining simply because you haven't seen anything like it before (or since). I think the biggest problem is that the story, in its "B" picture form, just doesn't have enough to make it interesting. Can you imagine if baseball players were really getting picked out what type of stuff would be happening? Terror from the players, the opposite team, the fans coming to the game and I'm pretty sure the media would be all over a player being shot and killed while rounding third base. The story here pretty much looks at the players, the owner and a few cops so there's nothing big or believable that happens. The film offers up everyone as a red herring and I must admit that I laughed out loud when the killer was finally shown. How we learn who it is and what follows almost makes this movie an instant classic. Young and Evans both turn in decent performances and the two seem to be having a good time with all the flirting. Nat Pendleton and Ted Healy are on board and the supporting cast includes Joe Sawyer in a small role and we even have a very young Mickey Rooney playing the ball boy. Ward Bond and Walter Brennan also have small, uncredited roles. Fans of the genre will probably want to check this out if they're like me and just want to see every film of its kind. Others will probably hit the stop button well before the ending but the strangeness of this film and the weird story keeps its mildly entertaining.
    chris-48

    An atmospheric mystery

    As a mystery, Death on the Diamond contains all of the genre trappings to keep you guessing until the end. Nearly half of the cast is set up as "red herrings" and if the unmasking of the real killer is something of a disappointment, it really doesn't matter. The real reason to watch this curio is its cast. Robert Young, one of Hollywood's most underrated leading men, is fine as the cocky star pitcher; his opening scene with Madge Bellamy, who is equally good, crackles with snappy dialogue. Nat Pendleton, as a beefy slugger, and Ted Healy, as a touchy umpire, make a fine comic duo. [Healy's reaction to his pal's untimely demise is surprisingly touching.] And look fast for Walter Brennan as a hot dog vendor and Ward Bond as a cop. The film is rife with an atmosphere of golden age baseball, which helps elevate an average mystery into something imminently watchable.
    6AlsExGal

    A passable time passer centered around America's pastime

    This is an OK film. If you have 70 minutes to kill, this isn't something you'll regret killing them with, but it won't stick with you years later.

    The film centers on a series of bizarre murders of top players on a losing St. Louis baseball team. The owner (David Landau as Pop Clark) has mortgaged everything to recruit pitcher Larry (Robert Young). If the season is bad he loses everything to his creditors. There is "the obvious suspect" in one particular gangster and gambler who seems unhappy about the improving stats of the St. Louis team with Larry on the mound, but that's the point. He seems just a little too obvious.

    The first criminal thing to happen is that a tire on the car that Larry is riding in being shot out. The car rolls over and Larry could have been killed, but he's not, and that doesn't seem to have been the intention. There are clearly at least two people involved in this first shooting, but they are anonymous. All of the crimes that follow are actually murders or attempted murders and very un-gangland like - poison being substituted for mustard, a player being strangled with the murderer's bare hands, etc. So, Larry, now recovered, is the team's only hope of winning the pennant. Will he play or will he stay safe? Watch and find out.

    This film is noteworthy for several reasons. For one, it really is a mystery as to who is doing all of this, as the gangland gambler is the only obvious suspect, and keeps the film interesting. It also gives David Landau, who played so many villains, a chance to play a good but crusty fellow for a change. Paul Kelly as a newspaperman who is investigating the murders as much as he is covering the team by the time the film is over is always a welcome sight with his likable wise-guy persona. The police are certainly messing up this investigation, so it is good to have Kelly on the case.

    And now the not so good stuff. The romance between Pop's daughter (Madge Evans) and Larry falls flat as a pancake. There is zero chemistry there - Gable and Harlow these two are not. They were both good supporting players, but until Robert Young took on his TV roles when he was older, I just never thought much of him as a leading man, particularly over at MGM. Then there is Ted Healy. He is just not funny. When he cut the Three Stooges loose it was the best thing that could have happened to them.

    I'd still recommend it for the murder mystery.
    6boblipton

    It's A Crime To Kill A Cardinal

    David Landau is the owner-manager of the St. Louis Cardinals -- for the moment. The franchise's finances have been underwater for a while. Everything he has is mortgaged, and he's spent his last moment buying pitcher Robert Young. If the team can't take the World Series this year, he's finished. But the team performs and it looks like they may go to the World Series, until key players are murdered.

    It's a pretty good effort from MGM, with Madge Evans as Landau's daughter and Young's love interest, Nat Pendleton, Ted Healy, Henry Gordon, and the usual assortment of MGM players to add gloss. The mystery is ok, although Young does not do the real investigating. That's up to Paul Kelly. It's the sort of enjoyable programmer that MGM could turn out when they weren't trying for greatness.
    5bkoganbing

    Shooting Redbirds In Season

    Seeing that this film was released in September of 1934 when in real life the St. Louis Cardinals were in a tight pennant race with the New York Giants, it's a wonder that this film didn't give some miscreant the idea of doing in the Dean brothers who were to lead the famous Gashouse Gang to the National League pennant and World Series that year.

    The Cardinals are in desperate financial straights this year as owner/manager David Landau and daughter Madge Evans put the team in hock to get star pitcher Robert Young. Madge has a thing for Bob, but other players have a thing for Madge.

    In the meantime the rejuvenated Cardinals are screwing up all kinds of gambling interests who don't want to see the long-shot Cardinals win the pennant. They'll stop at nothing including murder to see the Redbirds of St. Louis don't triumph. Murders of three players do occur before the culprit is found.

    Nat Pendleton and Ted Healy provide the comic relief as a perpetually quarreling catcher and umpire. Someone did some research for this film or was a fan because legendary umpire Bill Klem who was still active in 1934 had an unbelievable aversion to the name of 'Catfish'. In Healy's case Pendleton calls him 'Crawfish' to get his goat.

    Some establishing shots will give you a look at Sportsman's Park in St. Louis which is long gone now. Otherwise the cast MGM put together for this film shot it in and around Wrigley Field in Los Angeles, the minor league park of the Los Angeles Angels of the Pacific Coast League which also now history.

    The ending of the film is the very least bizarre. Nearly the entire cast is suspect at one point, but the guilty party in this baseball mystery comes right out of left field. No, the left fielder didn't do it.

    Paul Kelly has a very good role as a sportswriter with a nose for news that serves him well, the scoops he does get in this film.

    I might have liked the film better had the ending which I can't reveal been so bizarre. It did give one player an opportunity for a grand piece of scenery chewing.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Fred Graham was working in the MGM sound department and also playing baseball semi-professionally in his off-time. He was hired to tutor star Robert Young in baseball techniques. He also was hired to double Nat Pendleton in his scenes as a catcher, thereby beginning a nearly 40-year career as an actor and stuntman.
    • Erros de gravação
      When the game resumes, after the bad guy is caught, the camera pans across the scoreboard to show that the game is tied, 2-2. The radio announcer then states, "Cincinnati hasn't scored since Kelly threw that ball into the dugout and let the tying run come in." Cincinnati was the visiting team and the last run it scored, in the top of the second inning, would have made the score 2-1 (Cincinnati leading). It would not have been a tying run.
    • Trilhas sonoras
      Take Me Out to the Ball Game
      (1908) (uncredited)

      Music by Albert von Tilzer

      Lyrics by Jack Norworth

      Played during the opening and closing credits

      Played as background music often

    Principais escolhas

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    Detalhes

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    • Data de lançamento
      • 14 de setembro de 1934 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Death on the Diamond
    • Locações de filme
      • St. Louis, Missouri, EUA(baseball diamond and grandstand backgrounds)
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 11 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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