O Velho da Montanha

Animation and music have gone hand in glove since the sound era and probably beforehand. While Warner Brothers and MGM featured music prominently, Lantz and Fliescher went a step or two further, by creating series built around music (mostly jazz) and the Betty Boop shorts featured music frequently. This short is one of the best they did. The mix of the animation and the Cab Calloway song is fantastic! All the studios used music in the creative process for their animation, with varying success. Warner Brothers did so because they saw a way to utilize the large catalog of songs from their film library, while Disney saw the potential revenue streams music would afford them. Whatever the reason, some great cartoons were made, including quite few Betty Boops. This is a must see. Most highly recommended.

From the word Go, this cartoon will rock you: it's got a hot score by Cab Calloway's band that kicks in the second the credits are over and never lets up, and sounds better each time you hear it. Many of these Betty Boop cartoons from the early '30s featured top jazz artists, but this one has the absolute best music --the horn solo heard when the vulture's eggs are hatching is fantastic-- along with some bizarre, naughty gags that flash past before you can get a handle on them.

Our stylishly-attired heroine finds herself in an Alpine village that is being terrorized by the titular character, a fearsome ogre who has apparently been plundering the town and having his way with the local women. The supporting characters are humanoid animals (an owl, a bear, a pair of fish, etc.) but nonetheless it's startling when we're given to understand that The Old Man actually despoiled a lady hippo. Clearly, he is one baaaaaaad dude. But Betty is nothing if not spunky, and she charges up the mountain with a determined stride to confront the villain and challenge him in a musical duel.

The Old Man's Hi-De-Ho singing voice was supplied by Cab Calloway, whose dancing was "Rotoscoped" (filmed live and then traced, basically) by the Fleischer Studio animators, which pretty much gives Cab a co-starring role. Betty, meanwhile, is at her sexiest and sauciest here, not at all fazed at the raunchy goings-on in the Old Man's cave. Dig that eerie Food of the Gods ending, too, when the woodland creatures rise up against human corruption and restore order. Cartoons don't get any better than this!

This is based on a Cab Calloway tune which we get to see at the beginning. When all the denizens of the town at the foot of the mountain hear that the old man is coming, they set sail. Betty is not intimidated and goes to see what all the angst is about. Of course, she is dressed in her signature sexy costume and when she meets the guy, he begins to drool over her. They do a cartoon version of the song and then he gets down to business, chasing her, grabbing her. This must have raised a couple eyebrows in the day. I understand it was actually banned for quite some time after its original release because the Code came in. The music really makes the thing and Betty is at her sassy best.

In the early 1930s, the Betty Boop cartoons were among the most surrealistic and racy you could find. If pre-code animation had a picture next to it in the encyclopedia, then the most appropriate one would be of Betty herself. Though not the greatest Betty Boop cartoon, The Old Man of the Mountain (1933) is one of the greats, with fluid animation, trippy gags, and Cab Calloway scat-singing over the whole thing.

The cartoon is full of adult subject matter. The song Calloway sings over the action references drug use and the Old Man's plans for Betty are explicitly sexual, with him coming close to tearing off her clothes at one point. There's even a bit of implied rape when Betty meets one of the Old Man's former victims going down the mountain, a female hippo with three babies with whiskers in tow! It just goes to show, animation was not always stuck in the infamous "age ghetto." This stuff was for unashamedly adult viewing and unlike stuff like Family Guy, it didn't need to be infantile to entertain.

Like the previous year's MINNIE THE MOOCHER (a viewing of which preceded this one), this "Talkartoon" has its genesis in the current Cab Calloway hit; however, it also seems to take a leaf out of Dr. Seuss' Grinch stories as here we have the titular character whose coming terrorizes a rural town. In fact, his advance is made public by the lion town crier – who, hilariously, jumps atop two white rabbits, straps their ears around his feet and uses them to roller-skate down the mountain into town. This level of inventiveness is kept at a steady pace throughout its standard 7-minute running time.

Almost needless to say is the fact that, like its predecessor, it features Betty Boop and her faithful dog companion Bimbo and they are the ones who finally confront the notorious ancient bully but they get more than they bargained for – Betty ends up in her underwear and has to hide herself behind a tree (a scene which caused controversy at the time with the short's distributors Paramount being asked to tone these cartoons down)! Eventually, it is the angered animal population of the town who give the dirty old man his long-in-coming comeuppance.