Winsor McCay, the Famous Cartoonist of the N.Y. Herald and His Moving Comics

This is an interesting and creative little feature showcasing the work of animation pioneer Winsor McCay. There is a mini-plot built around McCay and his drawings, and the story is itself good for a couple of smiles, but the real highlight is in the animation displays themselves. There's no telling how fascinating this must have been to its original audience, and it is still entertaining to watch as you see the way that his ideas come together. All in all, this is an interesting historical curio that is definitely worth seeing.

Suddenly seeing Little Nemo and his friends from Slumberland come alive took my breath away and almost brought a tear to my eye. This is pure cinematic magic: ingenuous, fantastic, and charming. Like peeping into a world of harmless ghosts and fairies.

As someone else has pointed out in this forum, the action of LITTLE NEMO unfolds unrestricted by narrative conventions. Nemo and Flip stretch as if they're waking, and for a viewer today, that's where the marvel is. Nemo wakes in 1911 into the world of moving, hand drawn pictures and, after so many years of neglect, he wakes, again, for us.

Well, I could just go on for days expressing my enchantment with this jewel from the past.

Musidora

Winsor McCay, The Famous Cartoonist of the N.Y. Herald and his Moving Comics was a 1911 short I saw as part of the Landmarks of Early Film DVD. It was by far my favorite, beating out even the more popular Voyage to the Moon and The Great Train Robbery. This movie is simply perfect. A cartoonist is hired to draw thousands of pictures in order to make them into moving comics. Moving is used in two senses: the pictures actually move (animation), and they are surprisingly poignant. The comics that Winsor McCay makes are fantastic. Again, fantastic in two senses: They're weird, magical, and are fantasy. They're also funny and wonderful. This was the only short I watched twice. It was just so great to see the rigorous process of drawing a cartoon film by hand. A sort of educational film, catapulted into awesomeness through the light touch of the (in two senses) moving comic.

Hurray for Winsor McCay My Grade: 10/10

This is a really ingenious combination of vaudeville and cartoons. It starts with Winsor McKay making a bet that he can produce a moving picture within a month; then we see him loading up with giant barrels of ink, boxcarloads of paper etc., the whole slapstick routine. At the end, we see his drawings gradually come to life and we get a genuine little animated cartoon. Anybody who enjoys a good laugh will get a kick out of this one; it's a surprise to see that cartooning could be so sophisticated in 1911.

In the world of comic strips, Winsor McKay was easily one of the greatest artists of all time..and as an animator, his work is comparable. He was firmly convinced that he invented the animated cartoon, and although this is not the case, his work does stand alone. Take a good look at the work he did on the Lusitania sequence, and you will find that only the Fleischer Bros. Superman cartoons approach the realism in illustration, the light simulation, and the smooth, full animation. Also, you get a chance to see George McManus, creator of the "Bringing up Father" strip and a fantastic artist himself. If animation is your metier, it's required viewing..brilliant clear through.