Último Alvo

I was expecting another Liam Neeson driven action flick but this is a more thoughtful movie. It is slow paced for sure but I feel unfolds nicely. You really get the sense the guy at the end regrets his choices in life. You also get the sense he was destined for that life. I think the development of Liams character over the course of the movie builds your feelings for him. This is a flawed/violent person who at the end grows more desperate to reconcile with the family he walked away from. The movie touches a lot on inter-generational abuse and neglect and the chaos and struggle that leads to generation after generation. Also, I felt the movie was exceptionally written. If you're willing to give it the time and enjoy Neesons more subtle performances you should enjoy this.

Liam Neeson plays a low level gangster who tries to connect with his daughter after being diagnosed with a brain disease.

Look at like this, the reason why this has such a low rating is because most people were expecting An action movie, it's not, it's a slow burn drama and it's quite good.

The movie was no doubt marketed wrong and the wrong crowd watched it in between watching tik tok reels.

This is neesons best role in years and I loved the score.

If for instance it was produced by A24 and had Ralph Fienes in the lead this would probably be rated at 6.4 at least.

Like I say go into this with low expectations and you will have a great time.

This movie, in the career of Liam Neeson, is nearly a cliché, a pleonasm. For his age, he has done far far worse since a decade now. He is good in this story which can remind some movies from the seventies. This scheme of an aging hitman or gangster or cop, a character who lives his last moments on this earth, this scheme is not new, it has been told hundreds of times before, but this diminishes nothing to the efficiency of this movie. Liam Neeson is poignant here, no problem. Me, I like this movie, this kind of story. Liam Neeson have made and will make more films like this one in the future. He has no more choice.... This plot and main character reminds me Craig Fairbrass in THE VILLAIN (2020).

Set in Boston, the film follows a former boxer turned low level enforcer (Liam Neeson) working for local crime boss Charlie Connor (Ron Perlman). After he starts forgetting things, the enforcer goes to a doctor who informs him that a lifetime of taking continuous blows to the head has left him with CTE. With no treatment or medicine available and an unclear estimation of how much time he has left, the enforcer starts preparing to get his affairs in order including re-establishing contact with his estranged daughter Rosie (Frankie Shaw).

Absolution is the latest vehicle for Liam Neeson who in over the past 20 years has become synonymous with these mid budgeted thrillers and crime films that while not the blockbusters they were 20 years ago are still profitable thanks to "downstream revenues" (streaming rights, international sales, etc.). Absolution sees Neeson reteaming with director Hans Petter Moland after the two collaborated on Cold Pursuit (remade from Moland's own In Order of Disappearance) and written by writer Joe Gayton. Despite being marketed as another Neeson fronted action film, absolution is really more of a noir tinged drama with some genre elements that while more ambitious than some films he's done isn't all that successful.

As per usual Neeson is playing a very standard "seasoned tough guy" as his career has taken a route previously taken by actors such as Charles Bronson, but there is at least an attempt to give him something as he plays a character slowly losing his cognitive faculties and now taking stock of his less than admirable life. The scenes where he's struggling to remember things like his dead son or what he actually intended to do are the highlights of the film and it honestly makes me wish the movie had just ditched the well worn thriller/noir trappings and been more of a character drama as it really wants to be. During the first two thirds Absolution juggles many different plot elements like his relationship with a woman played by Yolonda Ross (who disappears after the second act), the jobs he's running for Charlie Connor, or a recurring dream sequence involving his father and a boat that just feels really out of place. Once we're in the third act it basically just gives up and becomes a standard Neeson rampage but by that point those who came expecting it may feel it's too little too late while those invested in the character drama will be disappointed that it doesn't really payoff. If you want to see a movie like this that's a character study of a degenerative brain disease with crime thriller elements, you're really better off just watching Knox Goes Away from earlier this year as it did a better job of combing the two elements (with some minor missteps) and actually felt like a more fully formed vision.

Absolution tries to add a little something extra to the well worn conveyor of Liam Neeson led genre films but it's such a rough mixture of haphazard character drama and noir cliches without doing either well enough to warrant even a minimal recommendation. If you want this kind of movie but better, just watch Knox Goes Away.

BEWARE: all you Liam Neeson action fans, this is a subtle DRAMA and NOT a hardhitting gangster movie AT ALL. Best suited for an arthouse movie audience!

The good: Liam Neeson is still starring in solid movies at his age. He is still convincingly portraying these old gangster characters with a heart. And this story is all about ageing and nearing the end of ones life and trying to heal family bonds that were long lost. It isnt a riveting drama, but a quite slowburning and subtle one and for those who are interested in this genre it could be worth a watch, but dont expect fireworks!

The bad: I love to see Liam Neeson in his hardhitting old man gangster roles in which he fights and shoots bad guys. But this movie has very little of that and therefore I got a bit bored with it half way through.

NOT suited for the Liam Neeson action gangster fans. Best suited for an arthouse movie audience which likes to watch a subtle slowburning character drama...