O Rebanho

The scenery is strikingly beautiful, but the whole story is so bizarre and disturbing.

Polish filmmaker Malgorzata Szumowska, together with writer C.S. McMuller, presents a visually stunning, excellently performed, unsubtle and ideologically rich look at the cult/messiah phenomena, gendered power, narcissism and emotional imprisonment. It's a smart slow-burner with a touch too slight on some of the presented themes & threatens to be style>substance throughout, but it's a journey worth taking.

"The Other Lamb" is a revenge/female empowerment fable, a story about a Shepherd and his flock, or, in other words, a self-proclaimed narcissistic Messiah (played by Michiel Huisman) who's been devoting his life to creating a cult where he can be the only man, with multiple wives and daughters. The movie puts us in the mind of Selah (portrayed compellingly by Raffey Cassidy) as we go through her journey from being an utter devotee to the cult's 'cause' to the inevitable table-turn and revenge. Szumowska's direction and Cassidy's powerful and relatable performance grants a success at putting the viewer where it wishes to. "The Other Lamb", as compared to other movies about cults, doesn't explore the evil, abuse or psychology behind it all on a satisfactory level, meaning we don't get any real closure. However, it redeems some of the flaws with being visually captivating, the cinematography's patient, environments are scarily beautiful, coloring is eye-pleasing, and it's all presented in a somewhat rare, full 1920*1080 aspect ratio. Without a doubt, a lot in "The Other Lamb" relies on atmosphere of isolation, both physical and mental, and this shot the director does not miss. Despite the subjective substance flaws, at the end of it all "The Other Lamb" still has a strong perspective on actual issues, showed through a prism of cult politics and gender inequality.

It's no "Midsommar" or "The Wicker Man", holds back in the department of violence and shock, but, as far as horror movies go, "The Other Lamb" is a fairly great addition to the slow-burn, atmospheric, visually beautiful shelf of horror movies. Also, even though set in this century, it very much feels like a folk horror. My rating: 7/10.

Despite its spellbinding cinematography, thoughtful imagery, and captivating performances from Raffey Cassidy and Michiel Huisman, 'The Other Lamb' strays pretty far from being an engaging presentation due to the lacks of tension and stakes needed on its story to make this film as fascinating as it had the potential to be.

I saw this film at TIFF 2019. I didn't know what to expect going in, having never seen any of Malgorzata Szumowska's films. While I can understand that this film won't be everyone's cup of tea, I was mesmerized by the stunning visuals, the dreamlike atmosphere, and the slow-burn storytelling, all of which culminate in a violent but ultimately satisfying climax. Raffey Cassidy is excellent as the female lead, and Michiel Huisman, who I'm usually lukewarm on, does a surprisingly good job at playing a villain you love to hate. Over time, I can see The Other Lamb becoming a cult classic of sorts. And the film's final shot is one for the ages!

Beyond the synopsis there really isn't anything else to this movie. What you read is what you get, that's the entire plot, there's no real spoilers or even anything to spoil at all. This is a movie that is a good 80% exposition without dialogue or plot development, you're just watching them move around or stare off into space. It also bounces around a little bit at times just to keep you guessing if something is actually happening or imagined...but it doesn't really matter because nothing is ever actually explained because there's no narrative or plot.

It's not a good movie, the acting is hard to judge because you don't really know what they're aiming for, and honestly it just doesn't make much sense overall since nothing is explained. The cinematography is fantastic, the cast looks great, but there's no real acting or story to see here. I just felt it seemed very pointless by the end.