Áustria no século XVIII. As florestas cercam os vilarejos. Ao matar um bebê, uma mulher é condenada à morte. Agnes se prepara para a vida de casada com seu amado. Mas sua mente e seu coração... Ler tudoÁustria no século XVIII. As florestas cercam os vilarejos. Ao matar um bebê, uma mulher é condenada à morte. Agnes se prepara para a vida de casada com seu amado. Mas sua mente e seu coração ficam pesados.Áustria no século XVIII. As florestas cercam os vilarejos. Ao matar um bebê, uma mulher é condenada à morte. Agnes se prepara para a vida de casada com seu amado. Mas sua mente e seu coração ficam pesados.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 15 vitórias e 10 indicações no total
Natalija Baranova
- Ewa Schikin
- (as Natalya Baranova)
Tim Valerian Alberti
- Schaulustiger
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
3.75 STARS - This is worth watching for the main actress's performance alone. She did a great job here, capturing the essence of the character in such a way that you truly sympathize with her plight, though you are horrified with what she feels driven to do once she is in "The Devil's Bath." I had no idea about the true events/practice this movie was based on so there were some things that confused and annoyed me initially. Once I realized what was happening, my perception about the film changed, especially after reading further into the facts this story was based on. Part of me thinks that if I'd known about these events before watching the movie, I probably wouldn't have taken the time to check it out. Especially since it's not your typical "horror" flick (though the events here are truly horrific). But I'm not sorry to have seen it, and in the end my only real complaint is that at two hours long, there were moments where this dragged more than it needed to. However, that's not really enough to keep me from recommending The Devil's Bath. Video review on my Cyn's Corner YouTube channel.
This film is about depression and suicide in 18th century rural Austria.
It is wonderfully shot and we're told it is historically accurate and based on true events of actual women from that period.
This is not a horror film to be clear.
This is not a must-see film, either.
I think it may be an interesting film for psychology students or teachers, and perhaps for film students.
If one is familiar with depression and interested in it's historical interpretation, this film is relevant.
Other than those instances, I would not watch this film. Its simply bleak from start to finish and there's no redemption for anyone. You'll feel bad during and after your viewing.
Again, this is a well-shot, historical perspective on suicide by proxy. I felt that it was unnecessary to watch this film to understand that phenomenon.
It is wonderfully shot and we're told it is historically accurate and based on true events of actual women from that period.
This is not a horror film to be clear.
This is not a must-see film, either.
I think it may be an interesting film for psychology students or teachers, and perhaps for film students.
If one is familiar with depression and interested in it's historical interpretation, this film is relevant.
Other than those instances, I would not watch this film. Its simply bleak from start to finish and there's no redemption for anyone. You'll feel bad during and after your viewing.
Again, this is a well-shot, historical perspective on suicide by proxy. I felt that it was unnecessary to watch this film to understand that phenomenon.
"Des Teufels Bad" is an interesting period drama with folk horror undertones. The extremely well-written script tells the true story of those dissatisfied with their lives in 18th-century Austria, especially women. This theme revolves around the protagonist, whose life spirals downward, as her environment and religion play an important role in her psychology. The performances are incredible, the cinematography is beautiful and even gloomy in some scenes, and the filming locations are fully utilized. The costume design is majestic, and the editing is superb, enhancing the film's powerful scenes. "Des Teufels Bad" is a unique film, a first-class production that showcases historical elements of great interest.
The filmmaking duo Veronika Franz and Severin Fiala have already proven their mettle to global audiences with their chilling films "Goodnight Mommy" (2014) and "The Lodge" (2019). As a horror aficionado, their latest project, "Des Teufels Bad," has been a source of immense anticipation for me.
This Austrian/German co-production transports us to 18th century Europe, where the characters we encounter are the ancestors of those depicted in Robert Eggers' "The Witch" (2015).
While monotheistic Middle Eastern religions have tried to impose their dogma on humanity for 5,000 years, it hasn't been easy to eradicate our pagan roots. Even today, from rural America to the Mesopotamian shores of Turkey, Muslims, Jews, and Christians lead lives intertwined with pagan culture, despite the prohibitions of their respective faiths.
The film's premiere at the Berlin International Film Festival and its disqualification from Eurimages funding demonstrate Shudder's unwavering commitment to quality horror cinema.
Martin Gschlacht's exceptional cinematography, coupled with Anja Plaschg's (of the band Soap&Skin) haunting score, elevates this disturbing story into the pantheon of unforgettable folk/horror films. The meticulous attention to ambiance and authentic historical detail, combined with a screenplay based on extensive research into the era when chronic depression drove hundreds in Europe - mostly women - to escape the hell of their daily lives through murder, make "Des Teufels Bad" truly deserving of all the praise and awards it has received.
"Des Teufels Bad" is a German idiom that describes a dangerous, risky situation with potentially dire consequences. It's often used when someone, intentionally or not, puts themselves in harm's way. I hadn't heard this expression since my school days at the German High School in Istanbul, where it appeared in a few assigned texts. The film stirred up those old memories, adding another layer of unease to the experience.
I've read in a few places that the film's story is inspired by real events, but I neither believe it nor would be surprised if it were true. Hollywood has a history of manipulating moviegoers' emotions with such claims in their PR campaigns, but the history of Abrahamic religions is indeed rife with such tragic events.
In short, I hope SHUDDER releases this film on Blu-Ray so I can add it to my collection.
This Austrian/German co-production transports us to 18th century Europe, where the characters we encounter are the ancestors of those depicted in Robert Eggers' "The Witch" (2015).
While monotheistic Middle Eastern religions have tried to impose their dogma on humanity for 5,000 years, it hasn't been easy to eradicate our pagan roots. Even today, from rural America to the Mesopotamian shores of Turkey, Muslims, Jews, and Christians lead lives intertwined with pagan culture, despite the prohibitions of their respective faiths.
The film's premiere at the Berlin International Film Festival and its disqualification from Eurimages funding demonstrate Shudder's unwavering commitment to quality horror cinema.
Martin Gschlacht's exceptional cinematography, coupled with Anja Plaschg's (of the band Soap&Skin) haunting score, elevates this disturbing story into the pantheon of unforgettable folk/horror films. The meticulous attention to ambiance and authentic historical detail, combined with a screenplay based on extensive research into the era when chronic depression drove hundreds in Europe - mostly women - to escape the hell of their daily lives through murder, make "Des Teufels Bad" truly deserving of all the praise and awards it has received.
"Des Teufels Bad" is a German idiom that describes a dangerous, risky situation with potentially dire consequences. It's often used when someone, intentionally or not, puts themselves in harm's way. I hadn't heard this expression since my school days at the German High School in Istanbul, where it appeared in a few assigned texts. The film stirred up those old memories, adding another layer of unease to the experience.
I've read in a few places that the film's story is inspired by real events, but I neither believe it nor would be surprised if it were true. Hollywood has a history of manipulating moviegoers' emotions with such claims in their PR campaigns, but the history of Abrahamic religions is indeed rife with such tragic events.
In short, I hope SHUDDER releases this film on Blu-Ray so I can add it to my collection.
I went into this with low expectations. It started off seemingly innocent enough. I wasn't sure where the movie was going. Without giving anything away, I will say that the movie shocks you before long. There are some scenes that run on too long but overall the movie was pretty good. The depiction of life in 1750s Germany was grim but there were moments of happiness. The main character's descent into mental illness was sad to say the least. The treatment at the hands of the barbers of the time only made things worse. I couldn't believe that things like that actually happened and was horrified to find out how often these things took place.
My only complaint is thst there was no explanation for why people were punished in certain ways.
My only complaint is thst there was no explanation for why people were punished in certain ways.
Você sabia?
- CuriosidadesInspired by the book "Suicide by Proxy in Early Modern Germany" by Kathy Stuart
- Erros de gravaçãoDuring an intimate moment between the couple, the front-facing shot shows the male character completely unclothed, consistent with the context. However, when the perspective shifts to a rear angle, he appears to be fully clothed, creating inconsistency.
- ConexõesReferenced in Close-Up: The Best Films and Other Results of 2024 (2024)
- Trilhas sonorasDepression
composed by Anja Plaschg
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- El baño del diablo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 54.259
- Tempo de duração2 horas 1 minuto
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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