County Lines

Delicately poignant. Toe-curling in moments, hands over eyes in others, grounded but nothing short of absolutely gripping. You were right there with them, all the time, which is a testament to the script and the cast.

Khan was phenomenal and gave outstanding performances throughout. This is completely moving and an ode to British filmmaking. The atmosphere built through the expressionist and nuanced cinematography was seriously next level and it's how it's been filmed that makes the picture so evocative.

That cold, bleak hue and fuzzy grain of a winter in working England is something I know strikes many of us watching. The complex interpersonal nature of family and our parents during adolescence. The nativity of youth and the regret and sorrow we so often feel. Craving that deep hug from a maternal figure, crying into their arms.

County Lines is a truly beautiful and timeless piece by Blake; a necessary work of catharsis, melancholy, bravery and poignancy.

Besides the educational value this movie, this movie is up to standard. It's tragic story and this could happen to any of the kids in our society.

I was set a challenge by a so called friend to find the bleakest film ever made. Will our friendship survive this torture? Well I've found it .... The bleakest film of all time. County Lines 2019 BBCIPlayer . It probably hits a nerve because those are the kids and families that I've been living within my neighbourhood and I've watched due to lack of funding and government drive with ever decreasing levels of success over the years spiral further down into poverty .

Desperate times calls for desperate measures.

County Lines is the term used for drug runners working in other cities or rural areas away from their own home patch, principally because they have no police record in that area and because they are young kids. Great acting from all the cast, all unknowns apart from one lad who is now in Eastenders. It's a simple but very real story, 9/10 (thinking about it THE ROAD is the bleakest movie if all time)

Having worked with youngsters in care, watching this was like watching a documentary. It could be a child or a few I have supported or read the case file of. What you see here isn't sensational and over the top. Police and social services have a lack of resources and time to deal with supporting young people who are exploited. The odds are ever stacked against youngsters who get into a cycle of exploitation. Would recommend this as a training resource. And an educational resource for youngsters. Drugs are rife and out of control on the uk. I hope this sheds a light on a very real situation in the uk 2024.

All my life I've heard people say "They were asking for it--" regarding nearly every imaginable kind of hardship folks see others facing (including rape). Easy to be smug at your own puny achievements when you observe the calamities of others, but tomorrow you might be hit by a bus as you digit the nth tweet of the morning. Today's "culture" is so sick it's a miracle the lights are still on. As with the storyline here in "County Lines", life itself has become one endless turf war, digging private trenches, mostly invisible: your kids my kids, your stuff my stuff. And then the banality of ordinary evil, the sudden event that re-ignites neglected bonds (married couples, parents with their kids, former friends). We make mistakes, briefly show remorse, but then invariably lapse back into our old ways of utter self-interest. True renewal is an extreme accomplishment. The heroes here in "County Lines" are perhaps not the mother (albeit commendable), but the other adults around Tyler of no blood relation who invest in him: his teachers and the social worker, those silent and mainly invisible individuals who hold the rich and complex tapestry of our society together. This restrained yet subtly ambitious film belongs with Ken Loach's "Sweet Sixteen", Andrea Arnold's "Fish Tank", and not least Clio Barnard's "Selfish Giant". Thanks to a wonderful cast, and thanks to you Mr Blake for bringing them together.