Pássaros de Verão

Birds of Paradise takes a familiar subject, the Colombian drug scene in the '60's and '70's, and makes it into a watchable Godfather saga. Family is the center of the action leading to, you guessed it, warring drug kingdoms. The cinematography is lush, the actors authentic, and the themes eternal.

The stuff that makes the world happy, weed, comes down from the mountains to the small airplanes, which fly north to the US, a pleased customer bringing prosperity to otherwise impoverished Colombians. Marriage promises families forever linked until capitalism, not communism, rends even the strongest familial ties.

The five "cantos" embrace happiness and misery in equal measure: wild grass, the graves, prosperity, the war, and limbo. The coming out party of gorgeous Zaida (Natalia Reyes) presages a bright future for her Wayuu tribe with a blazing-red silk dress and stunning face paint. However, the imposing mother Ursula (Carmina Martinez) demands an expensive dowry that suitor Rapayet (Jose Acosta) might have difficulty offering. This matriarch gives the lie to any theory that Latino culture is purely patriarchal.

Ambition leads to drug running, family feuding, and temporary wealth. The riches are embodied in the colorful fabrics that are flamboyant and garish at the same time. The dark downfalls could be written about anywhere.

Birds of Passage is an engaging and beautiful gloss on the effects of tribalism and the corruptions of wealth and power, exacerbated by the obsession with the belief in family to die for at all costs. It is a glowing and menacing reprise of the Colombian Corleone days set amongst the indigenous Wayuu, for whom only a few moments are in paradise.

"Birds of Passage" (2018 release from Colombia; 125 min.) is a drug drama about a Wayuu (northern Colombia) family. As the movie opens, Zaida has completed her year of confinement "with grace and dignity" according to her mom, and now the village is celebrating Zaida becoming a woman. Rapayet, a young man in the village, has his eyes on her, and his uncle asks Zaida's family. The family, however, is demanding a dowry of 30 goats and 20 cows, among other things. Rapayet needs to come up with money, lots of money, and by coincidence (when a Peace Corps guy is looking for weed) gets involved in the drug trade... At this point we're less than 15 min. into the movie but to tell you more of the plot will spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the latest movie from Ciro Guera (who previously brought us the equally excellent "Embrace of the Serpent") and Cristina Gallego. "Birds of Passage" follows one particular family's involvement in the drug trade from 1968 to 1980, and the movie is brought in 5 chapters (called "Songs" in the movie: Song I Wild Grass 1968' Song II The Graves 1971, etc. When you heard the words "drug trade" and "Colombia", we typically associate them with movies like "Escobar: Paradise Lost". "Birds of Passage" is a completely different type drug drama, mostly because this deal with an isolated clan, where family and tradition means everything (literally), and due to the small and remoteness of this clan, everything becomes personal very quickly. The cast, unknowns but for Natalia Reyes (who plays Zaida), is generally outstanding. Last but not least, be sure to check out the scenery, which is almost a character in and of itself.

"Bird of Passage" premiered at last year's Cannes film festival to great acclaim, and it finally appeared this weekend at my local art-house movie theater, I couldn't wait to see it. The Sunday matinee screening where I saw this at was attended poorly (6 people including myself). If you are interested in seeing a Colombia drug drama from a very different perspective that what you probably envision, I'd readily suggest you check this out, be it in the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.

This film is without a doubt a thought- provoking, chaotic and memorable experience. A lot of films choose to talk about the drug wars and the effects that power and money can have to humans, but this one feels like no other. It is griping and intense and handles its subject material in the best of ways. It is obvious that the creator of the film did everything he could so that the movie feels realistic and interesting to the viewer. Its beautiful and colorful visuals, the exceptional sound design and the strong and immersive soundtrack made you feel as a part of a whole and the film never felt boring or cliche. It is masterfully crafted and really well-paced. Every conversation and direction that the film takes feels logical and you can feel the chaos slowly coming to the surface and destroying this tribe's life. Also, whenever a certain ritual was taking place, like the bird-like dance or the spitting by the old lady that is the matriarch o the tribe, I was instantly hooked by it. Its a movie about life and death and how a small change could lead to a larger one and to a larger one and in the end to death and chaos. Its a story about people which are trapped in their own deadly webs and are unable to escape. Everything that was young and beautiful,the red dress of the young actress, the insects and the kids, the dances and that feel of family, togetherness and spirituality is lost and overshadowed by dullness and corrupted and greedy people, who seek power but in the end find death. Tragic indeed 8/10 and who knows? maybe a 9 on a second watch

Guerra & Gallego's Wayuu crime epic is dense and beautiful, but a necessary part of its long maudlin descent is that it becomes a serious drag especially towards the end. It's not as transformatively psychedelic as Guerra's Embrace which I adore but it has some seriously brilliant sequences and the sprawling (mainly Wayuu) ensemble cast gives it a beautiful foundational weight. I felt like I learned a lot about this period and place as well as the dark ripples which a sudden influx of money can have on people's choices, on power and greed. It's harrowing because although it is set somewhere very specific, it feels like it could have happened anywhere.

This marvelous movie takes place in Colombia, within the Peninsula of the Guajirain, a sparsely populated and arid area, and mostly played with Wayuu autochthons. This timeless univers is characterized by a rather pronounced communitarianism, each village highlighting its differences with the surrounding ones, while the origin of these differences remains, as often, unexplained and obscure. Nevertheless, they share ancestral traditions, folklore and values such as honor and family bonds. Thus, during the first 30 minutes, we do not really know when the film takes place, until the informative and surprising appearance of cars. Thus, we may guess that we are in the 60s / 70s. A marriage proposal between a man and a woman from two neighboring tribes will be, by a strange combination of circumstances related to an exorbitant dowry, the opportunity to integrate the marijuana trafficking, which is a very lucrative universe while slowly distorting personalities. Like in a Greek tragedy, these families will ineluctably suffer a descent into hell, via the classical 'eye for eye, tooth for tooth' philosophy.

The film is visually sober and simple, but of an exacerbated aestheticism, with an unusual care about details, including birds. Moreover, the actors are excellent, especially the two main ones: José Acosta (Rapayet) and Carmiña Martínez (Úrsula).