Um veterano traumatizado, sem medo de violência, acompanha a falta de garotas para ganhar a vida. Quando um emprego não funciona de acordo com o planejado, seus pesadelos o dominam enquanto ... Ler tudoUm veterano traumatizado, sem medo de violência, acompanha a falta de garotas para ganhar a vida. Quando um emprego não funciona de acordo com o planejado, seus pesadelos o dominam enquanto descobre uma conspiração que pode levar tanto a sua morte quanto a seu despertar.Um veterano traumatizado, sem medo de violência, acompanha a falta de garotas para ganhar a vida. Quando um emprego não funciona de acordo com o planejado, seus pesadelos o dominam enquanto descobre uma conspiração que pode levar tanto a sua morte quanto a seu despertar.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 prêmio BAFTA
- 24 vitórias e 78 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I'm a huge fan of art films. This film is definitely inspired by taxi driver and that's one of the reasons why it caught my attention as I love that movie, but this film is a huge let down. It's not good. The acting is 10/10, the cinematography and camerawork is 10/10, but the plot is horrible and boring. Take blade runner 2049's slow (but awesome) pacing and slow it down, throw in an uninteresting predictable repetitive recycled plot we've seen a billion times which could have been told within 20 minutes, give the main character psychological traumatic issues and show us random crap that's going on in his mind, and you have this movie. It brings nothing new to the table and is done in a way that simply bores you. I love dramas, I know this movie is one, an art drama film, but there Wonder, no suspense, no clever conversations, no anything really. I felt like I was watching a long video demonstrating Joaquin Phoenix's phenomenal acting.
In a nutshell this film is a drama with your typical basic story line with phenomenal acting that you will forget within a couple of days. I can only recommend it if love movies with beautiful cinematography and are a huge fan of Joaquin Phoenix, but if you're looking for an original unforgettable drama, a crime revenge film, or whatever else you were expecting, I recommend staying away from this.
In a nutshell this film is a drama with your typical basic story line with phenomenal acting that you will forget within a couple of days. I can only recommend it if love movies with beautiful cinematography and are a huge fan of Joaquin Phoenix, but if you're looking for an original unforgettable drama, a crime revenge film, or whatever else you were expecting, I recommend staying away from this.
Probably the strangest movie I've seen in a while... It's hard to describe the feeling you get when you finish this film. The best way I can say is; there could have been more. It kind of ends on a bittersweet note, and it will piss off some, that is for sure. Overall though, it does a good job of showing how a traumatized man views the world. One word that sums up this movie would be PTSD. The film essentially is a PTSD fest. Throughout it's 1h30 runtime you aren't sure if what you're seeing is actually happening for real.
'You Were Never Really Here' compelled me to watch it from the start. The fact that people were describing it as an unconventional thriller interested me, there are not many of those these days (speaking as a fan of thrillers), and then you have an extremely talented actor in Joaquin Phoenix in the lead role. The positive word of mouth and cool advertising added further to the promise.
Seeing it, 'You Were Never Really Here' came over as very good and very impressive. Can totally understand why it is divisive here and it is not surprising that some were alienated by it and not used to a thriller being done differently. It's hardly the first or only divisive film from 2018 so far, 'A Quiet Place' and 'Hereditary' were very different horrors that were critically acclaimed but polarising with audiences, personally loved both, especially 'A Quiet Place'. For me, that it was unconventional was a large part of why 'You Were Never Really Here' worked as well as it did. It is not quite a masterpiece and it just falls short of being one of my very favourite films of the year (though it is still towards the top).
It is not perfect. 'You Were Never Really Here' does have moments where the story could have done with more clarity, the vagueness did cause a little confusion at times.
Would have liked much more development to the supporting characters, while the protagonist is splendidly drawn the rest are sketchy.
However, there is so much to like about 'You Were Never Really Here'. The production values are extremely stylish with some very creative shots and film techniques, the rescue is particularly gritty and purposefully grainy in a security camera way. The minimal dialogue was a good choice, it let the atmosphere fully sear and the uncompromising brutality and unsettlement ensures plenty of deliberately slow-burning tension which helps make the story absorbing.
Lynne Ramsay directs cleverly, with a keen eye for visual style, letting the atmosphere speak for itself and never letting the deliberate pacing to become dull or self-indulgent. That's personal opinion, just to make that clear to anybody who will vehemently disagree. 'You Were Never Really Here' is successful in avoiding clichés and having the action scenes brief, not frequent and mostly off-screen provided to be a bold and good move. Joaquin Phoenix is excellent in the lead role, the intensity dripping off him at every turn. The rest of the cast do well but not to the same level of Phoenix, but only because he is something else.
Altogether, very good but so many great things. With better fleshed out characters and more clarity in some of the plotting, it would have been even better. 8/10 Bethany Cox
Seeing it, 'You Were Never Really Here' came over as very good and very impressive. Can totally understand why it is divisive here and it is not surprising that some were alienated by it and not used to a thriller being done differently. It's hardly the first or only divisive film from 2018 so far, 'A Quiet Place' and 'Hereditary' were very different horrors that were critically acclaimed but polarising with audiences, personally loved both, especially 'A Quiet Place'. For me, that it was unconventional was a large part of why 'You Were Never Really Here' worked as well as it did. It is not quite a masterpiece and it just falls short of being one of my very favourite films of the year (though it is still towards the top).
It is not perfect. 'You Were Never Really Here' does have moments where the story could have done with more clarity, the vagueness did cause a little confusion at times.
Would have liked much more development to the supporting characters, while the protagonist is splendidly drawn the rest are sketchy.
However, there is so much to like about 'You Were Never Really Here'. The production values are extremely stylish with some very creative shots and film techniques, the rescue is particularly gritty and purposefully grainy in a security camera way. The minimal dialogue was a good choice, it let the atmosphere fully sear and the uncompromising brutality and unsettlement ensures plenty of deliberately slow-burning tension which helps make the story absorbing.
Lynne Ramsay directs cleverly, with a keen eye for visual style, letting the atmosphere speak for itself and never letting the deliberate pacing to become dull or self-indulgent. That's personal opinion, just to make that clear to anybody who will vehemently disagree. 'You Were Never Really Here' is successful in avoiding clichés and having the action scenes brief, not frequent and mostly off-screen provided to be a bold and good move. Joaquin Phoenix is excellent in the lead role, the intensity dripping off him at every turn. The rest of the cast do well but not to the same level of Phoenix, but only because he is something else.
Altogether, very good but so many great things. With better fleshed out characters and more clarity in some of the plotting, it would have been even better. 8/10 Bethany Cox
I'm still processing this. The comparisons to "Taxi Driver" are fair: the performances, the director's vision and exectution, the understated script..... those are some of the similarities. The major differences, for me include the depth to which the protagonist's trauma is not played out for us to view as observers, but drip-fed in increasing doses, often from a first-person perspective, which in my watching felt more like we were experiencing Joe's trauma with him, rather than seeing it played out for us. The film also has a lot of relevance to current discussions of modern masculinity, and here the gendering of social roles is presented very much more as a question than a statement.
If you prefer to finish watching a film with your friends and be able to agree pretty much without discussion on what it was about, then I suspect you might find this film pretentious or light on plot. If you're the type who enjoys discovering what your friends think they just saw, and don't mind spending a lot the movie time watching Joaquin Phoenix' face doing some really admirable acting, then this film might be as worthwhile for you as it was for me.
If you prefer to finish watching a film with your friends and be able to agree pretty much without discussion on what it was about, then I suspect you might find this film pretentious or light on plot. If you're the type who enjoys discovering what your friends think they just saw, and don't mind spending a lot the movie time watching Joaquin Phoenix' face doing some really admirable acting, then this film might be as worthwhile for you as it was for me.
Yes I am aware that many thought this film was slow. However, it the slow and thoughtful burn of this film that makes it so unique and well done. It is, overall, a story about trauma and how this trauma has afflicted the protagonist. This is what trauma looks like. I already loved it but could further appreciate it after viewing a video by screened titled " How to Show Trauma" Just watch this video and then decide for yourself. Everything about this film was very much intentional and for good reason.
Você sabia?
- CuriosidadesAccording to the director Lynne Ramsay, the scene where Joaquin Phoenix's character lies down on the floor next to the agent and begins singing was improvised by Phoenix.
- Erros de gravaçãoScott gives the security code as 4392, but the first number we see Joe punching is on the upper right of the keypad.
- Cenas durante ou pós-créditosThe indistinct conversation from the diner continues through the end credits, even when the music changes.
- ConexõesFeatured in WatchMojo: Top 10 Amazing Movies You Missed This Spring (2018)
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- How long is You Were Never Really Here?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Nunca estarás a salvo
- Locações de filme
- Astoria, Queens, Nova Iorque, Nova Iorque, EUA(Elevated subway platform)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.528.078
- Fim de semana de estreia nos EUA e Canadá
- US$ 132.829
- 8 de abr. de 2018
- Faturamento bruto mundial
- US$ 9.360.514
- Tempo de duração1 hora 29 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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