Crime em Budapeste

Budapest Noir: Budapest, October 1936, dark, smokey, misty, it certainly has the feel of Raymond Chandler Noir but a tad colder. The Hungarian Prime Minister Gombos has striven to align Hungary with Hitler's Germany but now returns home in a coffin after dying in Munich. Anti-Semitism is on the rise and a Budapest City Square is named after Hitler. Gordon (Krisztián Kolovratnik) is a reporter on the crime beat rather than a PI but has many of the attributes of Philip marlowe.

A young woman (Franciska Törocsik) is found dead on a street in the red light district, she has no means of identification apart from a Jewish prayer book. Gordon briefly encountered this woman before and is unwilling to just pass the death off as "just" the murder of a prostitute as the police are keen to do. Joined by his former lover, photographer Krisztina (Reká Tenki) he pursues the case with the determination of a detective rather than just a journalist. Krisztina is all too aware of the rising political tension and Anti-Semitism having just returned from Berlin. As the investigation continues Gordon is warned off by the formerly honest police chief Gellert (Zsolt Anger), he is beaten up by thugs, pistol-whipped by a mobster and Krisztina suffers similar indignities, for this case is bringing them closer to the higher echelons of Hungarian political and business circles.. In a scene reminiscent of Casablanca, Gordon beats up fascists in a bar who object to a "Jewish" song, he is involved in a car chase pursued by communists, yes, this is no ordinary murder. But he goes where the evidence takes him.

The Budapest of 1936 is vividly recreated by director Eva Gardos along with cinematographer Elemer Ragalyi and set designer Pater Sparrow. Tight outdoor shots in present day Budapest avoid the necessity of CGI. Beautiful interiors have been crafted with an elite nightclub providing boxing matches between women over dinner and politicians playing cards upstairs, in a high class brothel women may be chosen from a pictorial menu. This contrasts with street corner card games and bare-knuckle boxing in the streets. Adapted from the eponymous novel by Vilmos Kondor, with the screenplay written by Andras Szeker. 8/10

For starters, the book upon which the film iss based is creating atmosphere, historical authenticity, character building and suspenseful storytelling, all of which are, surprisingly, missing in the movie. Moreover, the actors play horribly, as if they'd lost forgotten metier, the cinematographer ditto. Hungary used to be driving on the left-hand side - the scenes in the underground are set accordingly but all the cars in the movie have wheels on the left - probably the rental of appropriate cars would've been to expensive. The noir aspect is depicted with tons of smoking and blighted courtyards and nothing else. The former issue may be correct in terms of authenticity, but the inner city of Budapest in the 1930s was still shiny and rather brand-vnew as it was mostly constructed 30 to 40 years upon. All the direct facade and ruined courtyards are the products of the neglect during the socialist period. As to the storyline, the movie is as suspenseful as a dead fish. All in all, it is a missed opportunity, the book, as well as other books in the series, is brilliant, and the movie is simply bad, despite the talented artists and actors, and the huge pile of money spent on it.

And this really isn't have english subtitle and audio on Netfilx??? What a madness. I don't really like hungarian films, because lot of them is very silly and lowbudget feeling like old czech films but badder because of they are very forced. So if somebody can tell you the truth listen to me, it's deserve to watch (if somewhere you can get the subtitle, i dont searched for, i just watched it on teh Netflix where it doesen't have). This and "The Whiskey Bandit (2017)" is the greatest hungarian films since "The Stationmaster Meets His Match (1980)" and the old blacknwhite hungarian films what had high quality of entertainment.

Having read the original novel, I was excited to see this movie since I loved the book.

As always, movies introduce changes from their original books to make the movie more "movie-like", and while I understand that it is difficult to have source material that is hundreds of pages long, something has got to go, I felt that they made some significant changes that lead to a worse movie.

In the books Zsigmond Gordon is quite a nice guy. He treats his girlfriend/wife all in all pretty well. In the movie he is portrayed as a bit of a chauvinist, a womanizer. The madame at the wh**e-house was also portrayed in a very different way, in the book she was sad and lonely. And so on, there are several changes like this.

Several of the locations felt very much like shot in a studio lot, which was also a shame since it would've given much more authenticity to the movie if more was shot in Budapest. But a difficult thing to pull of, logistically. The direction and acting was stiff at times, but all in all, not bad for a Hungarian movie with a limited budget.

In any case, a watchable movie!

"Budapoest Noir" (2017 release from Hungary; 95 min.) brings the story of Zsigmond Gordon, a newspaper reporter on the crime beat, investigating a murder in 1936 Budapest. As the movie opens, a train rolls in the station, and we see the casket carrying the body of Prime Minister Gyula Gömbös. We then get to know Gordon, always looking for the next good crime story. At lunch, a mysterious woman asks him to light her cigarette (and manages to have him pay for lunch too). Then one day, he gets a tip that a woman is found dead in the streets. And wouldn't you know, it's the very same woman who had asked for a light. Turns out the woman is Jewish. As the country is readying for the Prime Minister's funeral, Gordon is determined to find the killer... At this point we are 10 min. into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the big screen adaptation of the Hungarian bestseller, reportedly the first book noir in Hungary's history. I haven't read the book so I can't comment on how close the film stays to the book (or not). What I can comment on is that, regretfully, the movie lacks on all levels. The performers act in a wooden and very staged way, and you can practically hear the director yell "and... ACTION" at the beginning of each scene. I can't recall the last time i saw a film so incredibly awkward. As to the film's "noir" element, there's a lot (and I mean, a LOT) of cigarette smoking going on... That's about the only aspect I detected as being "noir". Bottom line: at no time did I feel ever any emotional connection or involvement with the movie's characters. I should care who murdered the young woman and wonder why she was murdered, but I simply didn't...

I recently saw this film at the 2019 Jewish & Israeli Film Festival here in Cincinnati, celebrating its 30th anniversary this year. I have attended the festival for years, and most of the time the festival's planning committee does an excellent job in putting together a worthwhile and engaging program. Alas, on this one, they simply whiffed and I cannot recommend "Budapest Noir" to anyone in good conscience, sorry.