paul-allaer

As "I Love You Forever" (2024 release; 89 min.) opens, Mackenzie attend the birthday party of her friend Ally, and there she strikes up a conversation with a guy named Finn. Finn is super-charming, and Mackenzie is intrigued. At this point we are 10 min into the movie.

Couple of comments: this is written and directed by Cazzie David and Elisa Kalani (both from "Eighty-Sixed"). And for good measure Cazzie also pays the role of Ally. Without going into any of the plot's details, the movie starts slowly and then when the relationship starts to sour, the transformation is as quickly as it is disturbing. Ray Nicholson (son of Jack) is outstanding as Finn, playing a deeply dislikeable character (his dad will approve!). During some of these scenes, I thought to myself "this is in essence a "feel-bad" movie, but it's so well made!" To be honest, I think Ray Nicholson needs to diversify upcoming roles, as otherwise he risks getting stereotyped in a same or similar role. Please note that Diabolo Cody is credited as a Producer, and that makes perfect sense to me.

"I Love You Forever" premiered at the 2024 SXSW film fest, yes over a year ago. I don't recall whether it played in US theaters at all. Regardless, it's now streaming on Netflix, where I caught it the other night. The movie is currently rated 80% Certified Fresh on Rotten Tomatoes, which feels a bit generous to me. It is a "feel-bad" movie after all. If you like another take on "modern relationships", I'd readily suggest you check it out and draw your own conclusion.

As "Apocalypse In the Tropics" (2024 release; 119 min) opens, the movie's director, Petra Costa, herself Brazilian, recounts in a voiceover how surprised she was upon returning there in 2016 to fins that Brazil's political landscape was rapidly transforming as a result of the record growth of evangelicals (from 5% to 30% in the last 40 years). Costa decides to look into this phenom and was granted wide access. At this point we are 10 minutes into the movie.

Couple of comments: Oscar-nominated documentarian Petra Costa ("The Edge of Democracy") brings another highly-charged political documentary. This time reflecting on how evangelicals have overtaken the hard right, resulting in the astonishing election of Bolsonaro in 2018, and all the things that came after that. If is a fascinating watch. I was vaguely familiar with much of this, but to see it laid out as precise and clear as Costa does here, it all pits it into a new perspective. Also this: Bolsonaro copies pretty much every move by Trump, with a two year delay. Absolutely amazing. Please note that Brad Pitt is one of the movie's Executive Producers.

"Apocalypse in the Tropics" premiered at the Venice Film Festival in August, 2024, to immediate and universal critical acclaim. It is now streaming on Netflix, where I caught it just the other night. The documentary is currently rated 92% Certified Fresh on Rotten Tomatoes, and for good reason. If you are interested in geopolitics, or in the ever-growing influence of evangelicals, in this case in Brazil, over the political scene, I'd readily suggest you check this out and draw your own conclusion.

As "Wall to Wall" (2025 release from South Korea; 118 min.; original title "84 m2") opens, we are in "Seoul 2021" and as we watch Seoul's endless sea of skyscrapers, Noh Woo-sung purchases a small condo measuring 84 square meters (900 sqaure feet). We the go to "Seoul, August 2024" and Woo-sung struggles to keep up with his mortgage, maintenance fees and other expenses. On top of that, he notices strange noises coming from his neighbor below. Or is it his neighbor upstairs? At this point we are 10 minutes into the movie.

Couple of comments: houses, condos and apartments in Asia are typically a lot smaller than what we are used to in the West, and certainly in the US, where there is never-ending space everywhere except a few major cities like New York and Chicago. This South Korean movie starts out as your typical drama: how to deal with noise pollution presumably coming from your neighbors. But the movie morphs into something quite different in its second hour. This movie is super plot-heavy so the less about that, the better and I won't spoil any of it. I quite enjoyed the second half of the movie, more so than the first half. The non-names cast (for me anyway) does quite well. And of course Seoul, itself a character in the movie, is an amazing place.

"Wall to Wall" started streaming in Netflix about a week ago. I happen to read a positive review of it in the British weekly The Economist, and that was good enough for me to check it out. The movie is currently rated 62% Certified Fresh on Rotten Tomatoes, and that sounds about right to me. If you are in the mood for a foreign drama/thriller about life in a small condo set in a skyscraper, I'd readily suggest you check this out, and draw your own conclusion.