Chocolate

I watch this movie in the last week in a cinema festival in my city called "Festival of Cinema Francês Varilux". The reasons who motivated me to see this movie was the circus theme, which pleases quite my particular taste, and I not regretted it one bit having assisted. The story based on real events was very well represented by their respective actors, and shows a clear way the difficulties and prejudices suffering black people in society in general during the nineteenth century. It's exciting and makes us us to reflect about the life of the clown Chocolat. I really enjoyed, is engaging and exciting. Script, scenery and costumes simply perfect. You feel in time the film is over, the places makes you travel centuries in the past. It seems that every detail has been thought out thoroughly, just impeccable.

I am the first to be surprised by this movie which I expected to be a comedy. It's usual that, in France, and not only in France, Black actors are used mainly in comedies, as buffoons, and I don't bear this. Omar Sy has been involved in many of this kind of stuff, unfortunately. But here, he is absolutely outstanding, poignant, convincing. He is a true actor, deserving an Academy Award for his performance. I think no one else could have played this role. The role of a totally forgotten Black artist who lived in the first years of the twentieth century, who raised for a very short fame before dying in poverty. In other words, we find here a pure American scheme: rise and fall. This kind of topic is used for gangsters films, or dramas involving artists, business men, politicians. I crave for these stories. But if you live the Wikipédia document, you'll notice that many lines have been forgotten about the true facts concerning the Chocolat's life. This film should have been longer or made through a short TV series, with four episodes.

A beautiful but sad drama which deserves to be widely known.

Outside of a couple of small roles in Hollywood blockbusters X-Men: Days of Future Past and Jurassic World, I'd only ever seen Omar Sy in Intouchables, which was excellent, and in which he was excellent. He is also excellent in Chocolat (not to be confused with the 2000 film Chocolat, which is unrelated. Entirely.).

Based on a true story (quite loosely, according to my very limited amount of research), Chocolat tells the story of a black man (Chocolat) who serves as a circus' "cannibal" before agreeing to partner with a famous, though struggling, clown named Foottit, in doing so becoming the first black clown to head an act in France. Their partnership quickly garners the attention and adoration of the country, and they're recruited into Paris' Nouveau Cirque, where their fame only continues to grow.

The performances by Sy and his counterpart James Thiérrée (playing George Foottit) are captivating as the two men show us a relationship where both parties care deeply for each other even as they resent their mutual reliance. While we do get a taste for Foottit's own struggles outside of the circus, the majority of the film focuses on Chocolat's adjustment to the big city and the people who live in it. While he is ecstatic about how much money he is making and loves the spotlight, he lets fame go to his head, develops a gambling problem (when he's not wasting all of his money on trivial purchases), and endures the racism that comes from all directions, even from his most devoted fans. Eventually he decides on a bold change of career.

Where the film let me down was in its disjointedness; the film leaps ahead many times, as biopics are wont to do. However, each time we leap ahead, the film leaves behind an element of the story, never to be seen again. We are left to assume, I suppose, that the problems still present at the culmination of one time-period have been settled by the time the next begins. This is a film without any sense of resolution, which, while adding to its tragic nature, also left me feeling unsatisfied as the credits began to roll. What happened to all of the other characters we met along the way? Why make such a big deal out of them if they mattered so little to the story?

Outside of the performances, which, again, were stellar, I also very much enjoyed the music, editing and cinematography. The film was put together very well in all technical aspects, even utilising some archive footage right at the end which was very touching.

I'm not sure that it's a film I'd recommend to the everyday movie- goer, due to its confusing storyline-abandonments and its general deviation from historical fact, but it is one that I'd recommend to fans of Omar Sy (and James Thiérrée, who, by the way, is the grandson of Charlie Chaplin, and this adds another element of entertainment to his physical antics). Chocolat is a poignant tragedy about the rise and fall of an incredibly gifted individual and the partner with whom he shared fame.

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We should care about performers for what they do, not for who they are and certainly not for who their family is, but I couldn't help it. I went to see CHOCOLAT because the actor playing second lead is Charlie Chaplin's grandson. And even if I'd been expecting Charlie Chaplin's reincarnation, I wouldn't have been disappointed. As the movie introduces his character, he does a tour-de-force of solo clowning that's jaw-dropping. Later on, the movie focuses rather more on the title character as he and the second lead make a revolutionary pairing of the white clown and the Auguste in the same act. We don't quite get an explanation of what the traditional white clown and the traditional Auguste are, but we do get a vivid, picturesque depiction of 19th- century France and a pretty strong story line.

Monsieur Chocolat takes you on a black man and his clown mentor's journey at the turn of the 20th Century.

Visually sumptuous, the film invites you to suspend your 21st-century habits and venture back into a time when everything was slower. Everything was tougher too though, depending on the cards you had been dealt in life.

If you allow yourself to enter this sometimes magical and sometimes scary world, you will be seduced by the rhythm and pace of the story as it unfolds and moved by the resilience of the human spirit.

The hard and soft edges of humanity stay with you long after you leave the cinema.