Ennio

Wonderful documentary. Not only about Ennio's music, but also about films. Italian, French and US films of 1970s, 80s and later. I found myself wanting to rewatch or watch films mentioned in this doc, some of which I didn't even know existed. It makes me appreciate and respect more the Italian cinema of the 20th century, including the so called "spaghetti westerns" of Leone and Corbucci. The doc is masterfully edited and directed, and sound quality is also excellent. It is a bit long but absolutely worth your time, if you appreciate good music and films. I think it's important to watch it in a good cinema, because of quality of music and the images. And finally: was Morricone a genius? Yes, I think he was.

S a kid I grew up in the 50s watching the Academy Awards and was baffled by it. Not by the glitz or the movie stars but by why the average Joe would watch an awards ceremony that would honor film cinematographers, editors, animators, foreign films, costume designers composers and a lot more. But I cared because I loved film and watched adoringly. Especially film music where there was no recognition elsewhere at all. ENNIO: THE MAESTRO is about a film music composer so I don't expect a lot of people to share what I thought of the film.

Given that, I need to express what a monumental achievement Giuseppe Tornatore has created. Having followed all kinds of film composers over the years I have always had a passion for a small group that transcended that title and made their careers literally a musical journey through every musical byway that they were challenged with. As Morricone says in this piece film composers are asked to do anything. I have seen dozens of film composer biographies over the years like "In The Tracks of" series, BBC epics and Fred Carlin's Jerry Goldsmith piece. But Tornatore has used his ample filmic skills to pay tribute to one of the greatest, most prolific, wide ranging film composers who ever lived by relating his journey, while he was still alive, and getting him to express the passion that usually comes out only in his music. He does this by every means possible with documentary footage, home movies, old TV shows, interviews, concert footage, snapshots and mostly through Ennio's own words. It is two and a half hours long and all who I talked to (including Marshall Harvey a film editor!) wished it was longer.

Morricone himself relates everything from his childhood to the days his dad, and then he, played trumpet on a number of Italian film scores. It is astounding to watch Ennio describe in detail what he brought to his early arrangements and then compositions to make them different, to make them stand out. The interviews, old and new, are far ranging including his teachers, musicians, singers, film directors, artists he influenced, a number of fellow Italian film composers and a few American ones like Hans Zimmer and John Williams. The film is totally dense with detail to the point I HAVE to see it again. The film ends on the ultimate film music conundrum, is it as purely expressive as absolute music? Is that snobbishness that resulted justified? Morricone answers that decisively. Tornatore has created the ideal tribute/biography that I will not see the likes of again.

Lastly I saw it with a more than half full audience masked and vaccinated. I know this is not possible for many but If you can see it with an audience do so. There are a lot of laughs, emotional moments and audible reactions that will not be there seeing it at home no matter how large a screen you have.

This is a 70 year old's dream film music tribute come true. I was an emotional wreck by the end of it. Thank you Giuseppe.

A beautiful tribute, this by Tornatore, to an authentic genius whose value will be understood and metabolized more and more over the years, and not only with regard to film music. On the other hand Morricone was not only the author of some of the most famous soundtracks of the second half of the twentieth century, but also of numerous musical pieces brought to success in the 60s and 70s, as well as symphonies and pieces of contemporary music. (the first, true love of his musical career). Tornatore, who had the privilege of working with him and interviewed him here shortly before he left us, thus manages to show a portrait that for an enthusiast represents a sort of immersion in the history of cinema itself, and becomes gradually more intense. In investigating, thanks also to interviews with directors, actors and producers that Morricone met in his long career, the maniacal perfection of an author born trumpeter in the foretaste, who grew up later at the school of Goffredo Petrassi and literally exploded in the 60s. A career as a true workaholic of the note, but without affecting the production of a long series of masterpieces that have rightfully entered musical history. Two and a half hours of pure enjoyment that every film lover should indulge in.

From the moment we step into Ennio Moriccone's home we become immersed in the man and his work with over 60 years of magnificent music to sample along the way. Yes, we are obviously treated to a segment on his magnificent soundtrack to Once Upon a Time in the West, my personal favourite, together with all the other best known of his cinema accompaniments, but the viewer is also treated to dozens of other snippets of fine music many of which were unknown to me and which I now need to sample. There's an array of luminaries from the world of music and cinema to sing his praises as well but arguably the most engaging feature of this is the man himself, sat at home taking us through his life's work. It's a very long film but the music is so good it doesn't drag for an instant. An impressive piece of work.

Moving, exiting, fulfilling. I ended up in tears. Go see this movie. It's a work of art, the worthy tribute for the great artist and humble man. Grazie, Giuseppe Tornatore, we owe you.