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Ennio Morricone in Ennio (2021)

Recensioni di Metacritic

Ennio

75

Metascore

16 recensioni · Fornito da Metacritic.com
  • 80
    Little White LiesSaskia Lloyd Gaiger
    Little White LiesSaskia Lloyd Gaiger
    Although it celebrates Morricone’s particular genius, this documentary is not greedy with the nostalgia it generates as it casts light on so many parts of 20th century culture.
  • 80
    The GuardianLeslie Felperin
    The GuardianLeslie Felperin
    It’s not so much the running time of 156 minutes that will tire you out as the incredible sonic, visual and emotional overload generated by the work itself; perhaps this is ideally seen first in a cinema for maximum impact and then again in small, digestible chunks at home.
  • 80
    The Hollywood ReporterJohn DeFore
    The Hollywood ReporterJohn DeFore
    Happily, the film is more than a greatest-hits rundown (and at nearly three hours, it had better be): In addition to nuts-and-bolts musicology, it offers real engagement with a complicated character, endearingly stubborn and self-effacing, whose inventiveness changed both his chosen field (“absolute” music) and the one, film scoring, he entered only reluctantly.
  • 80
    The New York TimesManohla Dargis
    The New York TimesManohla Dargis
    One of the movie’s nice surprises is that Morricone turns out to be a total charmer, a low-key showman with a demure gaze that he works like a vamp and an impish smile that routinely punctuates one of his anecdotes.
  • 80
    Wall Street JournalKyle Smith
    Wall Street JournalKyle Smith
    The bad news about the Ennio Morricone documentary Ennio is its length: 2 1/2 hours. Far too short!
  • 75
    IndieWireDavid Ehrlich
    IndieWireDavid Ehrlich
    There’s no doubt that Tornatore could have created a more artistically self-possessed homage to his most iconic collaborator, but then again, didn’t he already do that with “Cinema Paradiso?”
  • 60
    The Irish TimesTara Brady
    The Irish TimesTara Brady
    In common with Edgar Wright’s recent portrait of Sparks, Tornatore’s film largely eschews such niceties as documentary structure in favour of enthusiastic chronology. And then Ennio worked with Pasolini; and then he worked with Dario Argento. And so on. It’s an interesting biography, nonetheless.
  • 60
    NMEMark Beaumont
    NMEMark Beaumont
    A career of such breadth and note deserves deep exploration, certainly, but so much of the greatness of Morricone’s music speaks for itself that exposing the workings rarely enhances the piece.
  • 60
    The Observer (UK)Wendy Ide
    The Observer (UK)Wendy Ide
    As a tribute to the man and his legacy it’s fascinating stuff.
  • 50
    The New YorkerAnthony Lane
    The New YorkerAnthony Lane
    Ennio turns out to be overlong, overblown, and larded with such praises that Morricone, a modest if determined soul, would blush to hear them.
  • Visualizza tutte le 16 recensioni su Metacritic.com
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