I gesuiti spagnoli del diciottesimo secolo tentano di proteggere una remota tribù sudamericana che rischia di cadere vittima della schiavitù del Portogallo.I gesuiti spagnoli del diciottesimo secolo tentano di proteggere una remota tribù sudamericana che rischia di cadere vittima della schiavitù del Portogallo.I gesuiti spagnoli del diciottesimo secolo tentano di proteggere una remota tribù sudamericana che rischia di cadere vittima della schiavitù del Portogallo.
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- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 15 vittorie e 27 candidature totali
Recensioni in evidenza
After hearing a quick clip from the soundtrack recently I decided to have another look at 'The Mission' which I hadn't seen for more than ten years. Interesting viewing in these days when epics abound: Lord of the Rings, Gladiator, Troy etc.
The first thing that struck me was the intelligence of the script which often seems an afterthought in today's big budget jobs. Robert Bolt weaves an intriguing web of characters; mercenary, slavetrader, starcrossed lover, papal emissary and man of faith. The passion of Robert de Niro's Mendoza beautifully contrasts the quiet firm conviction of Jeremy Irons' Gabriel. And the moral dilemma facing the Catholic Church, whether to abandon influence abroad for the sake of power at home, is ably brought to life in the tortured mind of Ray McAnally's Altamirano. This man sent from Rome by the Pope himself has the power of life and death over the Guarani Indians and the Jesuit priests who have dedicated their lives to Christian service in the deepest regions of the South American rainforest.
The film isn't perfect by any means: I would have liked better representation of at least one Guarani character but the integrity of Joffe's direction and Chris Menges' spectacular camera-work make this one film you have to see. And there's that lovely soundtrack by Ennio Morricone.
We may be more sophisticated these days in terms of technology, sound engineering and special effects but the lesson from 'The Mission' for today's directors has to be: it's the story, stupid.
The first thing that struck me was the intelligence of the script which often seems an afterthought in today's big budget jobs. Robert Bolt weaves an intriguing web of characters; mercenary, slavetrader, starcrossed lover, papal emissary and man of faith. The passion of Robert de Niro's Mendoza beautifully contrasts the quiet firm conviction of Jeremy Irons' Gabriel. And the moral dilemma facing the Catholic Church, whether to abandon influence abroad for the sake of power at home, is ably brought to life in the tortured mind of Ray McAnally's Altamirano. This man sent from Rome by the Pope himself has the power of life and death over the Guarani Indians and the Jesuit priests who have dedicated their lives to Christian service in the deepest regions of the South American rainforest.
The film isn't perfect by any means: I would have liked better representation of at least one Guarani character but the integrity of Joffe's direction and Chris Menges' spectacular camera-work make this one film you have to see. And there's that lovely soundtrack by Ennio Morricone.
We may be more sophisticated these days in terms of technology, sound engineering and special effects but the lesson from 'The Mission' for today's directors has to be: it's the story, stupid.
I had the good fortune to see The Mission on the big screen in 1986 when it was first released. I went into the theater knowing only the title, the two lead actors, and that it had something to do with South America. Two hours later I was a puddle of tears, both from the subject matter and from the knowledge that I had just witnessed a cinematic masterpiece. It is perhaps the most intelligently spiritual film I've ever seen. The cinematography is gorgeous throughout, the settings are stunning, the acting is top-notch across the board, the musical score is breathtaking, and the screenplay is brilliantly eloquent. Roland Joffé did a fantastic job directing The Killing Fields, but this one is even better. I just watched it again on DVD, and nearly 25 years later, the film has not aged or lost any of its power. Still one of the greatest and most underrated films of all time.
This movie changed my life. One day I would like to thank Jeremy Irons!
After seeing his portrayal of Father Gabriel, I decided that I wanted to be like him. I wanted to have his faith, to be capable of loving like he did in the movie.
This film made me become a missionary. I went on to work, as missionary, in Italy, Mexico, Guatemala, Morocco, Malawi, and my home country Portugal.
I don't want to tell the things I did, but I just want to recognize, that a good film can change a life and change so many others.
Great Film. Thank you Jeremy Irons, I still want to be as Father Gabriel, after all this years.
After seeing his portrayal of Father Gabriel, I decided that I wanted to be like him. I wanted to have his faith, to be capable of loving like he did in the movie.
This film made me become a missionary. I went on to work, as missionary, in Italy, Mexico, Guatemala, Morocco, Malawi, and my home country Portugal.
I don't want to tell the things I did, but I just want to recognize, that a good film can change a life and change so many others.
Great Film. Thank you Jeremy Irons, I still want to be as Father Gabriel, after all this years.
I would have to say that this movie is one of the most "real" and beautiful movies that I have ever seen!! One's own life is drawn upon by watching this film.... It is hard to watch all of this movie without wanting to break down and cry... being as young as I am, I find it difficult to understand some of the things in life that happen, and why so many people and groups are treated without respect and dignity. This film helped me to understand that all god's creatures are unique and special and are EQUAL!!! The music is so strong it makes the movie so much better to watch. I think this movie would be NOTHING without the powerful music that is played throughout it... I am glad that I had the opportunity to see this film in a high level Spanish class because it taught me, about me!! What a wonderful movie!!
In 1750, Spain ceded part of Jesuit Paraguay to Portugal. The Jesuits had converted many of the Guaranis. The Guaranis above the waterfalls still reject the church sending a crucified priest over the falls. Father Gabriel (Jeremy Irons) climbs up the falls and converts the tribe with his music. He confronts slaver Rodrigo Mendoza (Robert De Niro) who is now hunting above the falls. Mendoza returns to town to find his fiancée and his brother Felipe (Aidan Quinn) are now in love. In a jealous rage, he kills his brother. He is despondent and Gabriel offers him work with the Guaranis as penance. Together with Gabriel and other brothers like Fielding (Liam Neeson), they make the mission thrive. Papal emissary Cardinal Altamirano (Ray McAnally) arrives to decide if the church will continue to protect the missions from the slave running Portugese now that the land has been transfer from Spanish protection.
The location is magnificent. The actors are terrific. And the music score from Ennio Morricone is both epic and haunting. This is an amazing historical drama. The story ends in a heart wrenching battle. Director Roland Joffé pulls together one of the best movie of the year.
The location is magnificent. The actors are terrific. And the music score from Ennio Morricone is both epic and haunting. This is an amazing historical drama. The story ends in a heart wrenching battle. Director Roland Joffé pulls together one of the best movie of the year.
Lo sapevi?
- QuizRobert De Niro was one of the few who did not became ill with amoebic dysentery.
- BlooperThe indigenous characters speak Wawnana, a Colombian indigenous language, not Guarani, the indigenous language of Paraguay.
- Curiosità sui creditiAt the film's end, after the final credits, Altamirano gives the audience an ambiguous, almost accusing look, as if he were asking, "Would you or would you not have done this?"
- Versioni alternativeIn the Blu-ray version, the Warner Bros. Pictures logo is plastered with the 2003 variant.
- ConnessioniEdited into The Nostalgia Critic: Signs (2012)
- Colonne sonoreGabriel's Oboe
Composed by Ennio Morricone
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- La misión
- Luoghi delle riprese
- Iguazú National Park, Argentina(on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 24.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 17.218.023 USD
- Fine settimana di apertura Stati Uniti e Canada
- 40.366 USD
- 2 nov 1986
- Lordo in tutto il mondo
- 17.504.819 USD
- Tempo di esecuzione
- 2h 5min(125 min)
- Colore
- Proporzioni
- 2.39 : 1
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