Sotto assedio - White House Down

I recently watched White House Down (2013) on Hulu. The storyline follows a Capitol police officer who wishes to become part of the President's Secret Service. His history doesn't make it likely, and he takes his daughter on a tour of the White House as part of the interview process. Of course, the President is attacked during this tour, giving the officer a chance to prove his doubters wrong.

This film is directed by Roland Emmerich (Stargate) and stars Jamie Foxx (Ray), Channing Tatum (Magic Mike), Maggie Gyllenhaal (The Dark Knight), Jason Clarke (Terminator Genisys), Joey King (Slender Man), and James Woods (Casino).

The storyline is over the top and unbelievable, but you still want to see how it unfolds. The cast is impressive on paper, and everyone delivers the performance you'd expect. James Woods is always a solid villain and easy to root against. The dialogue is well-written with some clever remarks and fun zings. The action scenes are fun, over the top, and exactly what you'd expect-essentially a poor man's Die Hard. The entire film is fairly predictable, straightforward, and everything turns out as you'd expect.

In conclusion, White House Down is a mindless, unbelievable action movie that's only worth a watch if that's exactly what you're looking for. I would score this a 5/10 and only recommend it with the appropriate expectations.

I'll never fully understand why people flock to films like "Iron Man I-III" and then completely ignore a fun action film like "White House Down". After reading so many bad reviews, I started watching Emmerich's latest noise-opera only because I wanted to get tired enough to go to bed. I had planned to watch the first 5 minutes and to then fast forward through the rest of the film and have a quick look at the expensive special effects. Never did I expect to actually enjoy myself - and yet I did. In fact, I enjoyed myself so much that I couldn't stop watching for the entire 2 hours, and I didn't even get up to go to the bathroom. Right from the start I realized that this movie doesn't take itself too seriously and that this is Emmerich having fun (destroying the White House - if you count freezing it - for the fourth time). But despite all the silliness and the tongue-in-cheek moments, this is a suspenseful ride which never lets up and kept me hooked the entire time. There are quite a few unexpected twists and turns along the way, and the wonderful supporting cast (James Woods, Richard Jenkins and Jason Clarke, to name a few) keep even the most clichéd characters fun and interesting. So my verdict: Great, silly, cheesy action film! Suspend your disbelief and you will have one hell of a good time. I rate it 7 out of 10.

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Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/

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Dumb, cliched, and like most every Roland Emmerich film, wildly entertaining. Emmerich seems to specialize in making medium-budgeted films with mid-level stars that are blatant rip-offs of more popular blockbusters, such as INDEPENDENCE DAY or THE DAY AFTER TOMORROW or even his first English language film MAKING CONTACT. With WHITE HOUSE DOWN, Emmerich decided to make DIE HARD meets AIR FORCE ONE, with Channing Tatum playing a DC Police officer who happens to be touring the White House with his daughter the same day it's taken over by terrorists and then finds himself protecting the president, Jamie Foxx. With a solid supporting cast that includes Maggie Gyllenhaal, James Woods, the always great Richard Jenkins, Michael Murphy, Lance Reddick, Matt Craven, Jake Weber, and a young Joey King as Tatum's daughter, which was funny seeing her as an actual school girl compared to her school girl assassin she played in BULLET TRAIN. Characters are so underdeveloped and cliched that pretty much any actor could have played any of the roles, the only exceptions being James Woods as the villainous turncoat secret service agent, which is made extra fun when you know Woods' real-life extremist views and that he may be spouting crazy rhetoric he actually believes. Joey King is also surprisingly memorable for a child performer as Tatum's daughter who hopes to be a YouTuber and when she secretly records the terrorists becomes a viral sensation. Jenkins maybe makes the list too, though he doesn't get any good scenes until the very end. This would be a movie that would be super easy to tear down, but it's so fun and unpretentious (they even put Tatum in a John McClain white t-shirt at one point, acknowledging the copycat elephant in the room.) Overall, the plot unfolds strictly by the numbers and there are zero surprises, but I was consistently entertained and never bored. Go into this film expecting solid action, likable actors, and nothing original, and you will likely find yourself entertained.

White House Down offers very little that's new or interesting. It's a convoluted mess that's caught in no man's land. It takes itself far too seriously yet offers ridiculous action (ridiculous as in dumb, not as in wild or fun) and even more ridiculous characters. It wants to be taken seriously but functions in bizarre surroundings with a foolish plot. A calamity of underdeveloped ideas, half the film is flat out brain damaged and the other half is pure schlock. Do yourself a favor and avoid this dumb and actually boring farce.

This movie simply can't stand on its own as a film. Does often joyless, dark and dumb appeal to even the popcorn crowds? The rest of us want way more in our summer movies.

14 September 2013. White House Down starts with a lofty humanistic developing story that has substantive drama, but unlike its contemporary cousin Olympus Has Fallen (2013) becomes more a derivative of John McTiernan's action thriller Die Hard (1988). The result is an uneasy attempt at light humor along with a more darker plot that literally destroys a national American symbol. The plot elements in this deliberately twisting action thriller sometimes fails logic and later descends into a more chaotic and at times manipulative story.

Even with a rather ingenious double, double cross there is the over simplified demise of one of the more colorful villain, action scenes that seem to become more cluttered confusion and literally driving around in strange circles that defies believability. Even with the sincere and poignant if not manipulative scene with the daughter towards the climax of the movie, there are just too many moments where escape plans are abruptly and conveniently and contortedly altered.

While the beginning of the movie offered a polished and genuinely felt corridors of high power well folded as a solid backdrop to the humanity of the developing characters and an interesting liberal conspiracy theory embraced by the President himself, the tone of the movie becomes uneasy. Unlike Olympus Has Fallen which takes itself more thoughtfully seriously both the take over of the White House, the rebellious counter measures, and the consistent appealing emotive tone, White House Down just can't bring the same level of dry humor and entertainment as Die Hard.