Un team di trivellatori petroliferi sottomarini viene incaricato di ritrovare un sommergibile nucleare affondato nella zona, e viene a contatto con una forma di vita aliena.Un team di trivellatori petroliferi sottomarini viene incaricato di ritrovare un sommergibile nucleare affondato nella zona, e viene a contatto con una forma di vita aliena.Un team di trivellatori petroliferi sottomarini viene incaricato di ritrovare un sommergibile nucleare affondato nella zona, e viene a contatto con una forma di vita aliena.
- Vincitore di 1 Oscar
- 9 vittorie e 16 candidature totali
Captain Kidd Brewer Jr.
- Lew Finler
- (as Capt. Kidd Brewer Jr.)
Dick Warlock
- Dwight Perry
- (as Richard Warlock)
Recensioni in evidenza
When we think about aliens in the movies, I guess everybody immediately thinks about the series of "Alien" - movies, but there are some other fine examples and "The Abyss" may well be the best alternative I can come up with. Even though this was made by James Cameron, the same director who gave us "Aliens", both movies are very hard to compare.
When an American nuclear submarine is attacked during the cold war and crashes, the navy is convinced that it was the work of the Russians. They want to salvage the wreckage as soon as possible, because a storm is coming, but they aren't able to send a diving crew of their own that quickly. That's why they contact a group of workers of a nearby underwater oil rig, who reluctantly accept the job. They are joined by some navy SEALS who will help them to locate and investigate the cause of the crash. But they do not only find the crashed sub, they also find out that there is more down there in the deep than what they had ever expected to see.
What I liked so much about this movie was that this time the aliens didn't feel threatening at all. It was something completely different from what we were used to see and it worked perfectly. This was a beautiful, well-crafted movie with some very fine acting and with some excellent special effects. Even though this movie was created in 1989, the computer animations were still marvelous and breathtaking. In fact, this entire movie is breathtaking. It is very touching and powerful at the same time and I'm sure that many people will have a lot of difficulties not to show any emotions while watching it. I give this movie an 8/10. It sure doesn't deserve any less.
When an American nuclear submarine is attacked during the cold war and crashes, the navy is convinced that it was the work of the Russians. They want to salvage the wreckage as soon as possible, because a storm is coming, but they aren't able to send a diving crew of their own that quickly. That's why they contact a group of workers of a nearby underwater oil rig, who reluctantly accept the job. They are joined by some navy SEALS who will help them to locate and investigate the cause of the crash. But they do not only find the crashed sub, they also find out that there is more down there in the deep than what they had ever expected to see.
What I liked so much about this movie was that this time the aliens didn't feel threatening at all. It was something completely different from what we were used to see and it worked perfectly. This was a beautiful, well-crafted movie with some very fine acting and with some excellent special effects. Even though this movie was created in 1989, the computer animations were still marvelous and breathtaking. In fact, this entire movie is breathtaking. It is very touching and powerful at the same time and I'm sure that many people will have a lot of difficulties not to show any emotions while watching it. I give this movie an 8/10. It sure doesn't deserve any less.
I first saw this in the early 90s on a vhs.
Revisited the 171 mins version recently n completed the movie in one sitting.
Inspite of the runtime, the film is engrossing n visually breathtaking.
The dark trench and Ed Harris' character going down way below is more scary than most horror movies.
James Cameron is a genius n there's no doubt bah it but i am surprised that most fellas havent given credit to H. G. Wells, as he was the first to introduce the notion of a sea alien in his 1897 short story "In the Abyss".
Ed Harris n Michael Biehn both gave memorable performances.
Biehn's character is downright creepy.
The CPR scene is a bit far fetched n melodramatic.
Revisited the 171 mins version recently n completed the movie in one sitting.
Inspite of the runtime, the film is engrossing n visually breathtaking.
The dark trench and Ed Harris' character going down way below is more scary than most horror movies.
James Cameron is a genius n there's no doubt bah it but i am surprised that most fellas havent given credit to H. G. Wells, as he was the first to introduce the notion of a sea alien in his 1897 short story "In the Abyss".
Ed Harris n Michael Biehn both gave memorable performances.
Biehn's character is downright creepy.
The CPR scene is a bit far fetched n melodramatic.
I've never really heard of The Abyss except in Fox DVD commercials. When it came out, I was only 8 and not into sci-fi movies that weren't titled Star Wars. However, now I decided to check it out and was quite pleased with this solid sci-fi movie.
At first, I wasn't quite sure why this was considered sci-fi. It seemed pretty normal with the sinking of a nuclear sub and the hiring of an oil crew to save it. It wasn't for a while till we really got to meet the "extraterrestrial" creatures. The special effects for representing these characters were quite good, and I especially liked the water creature that toured around the rescue vessel. It's also neat to see that effect inspire a similar one used in Terminator 2.
As I said, the story took a little while to gain steam, but it was pretty interesting from then on. The acting was good too, most notably by Ed Harris and Mary Elizabeth Mastrantonio. The other actors didn't do anything really extraordinary but serve as solid supporting characters.
Overall, I wouldn't say The Abyss is the best sci-fi movie out there or that it will dethrone Star Wars anytime soon, but rather it's a solid addition for any sci-fi fan's collection.
My IMDb Rating: 8/10. My Yahoo! Grade: B+ (Memorable)
At first, I wasn't quite sure why this was considered sci-fi. It seemed pretty normal with the sinking of a nuclear sub and the hiring of an oil crew to save it. It wasn't for a while till we really got to meet the "extraterrestrial" creatures. The special effects for representing these characters were quite good, and I especially liked the water creature that toured around the rescue vessel. It's also neat to see that effect inspire a similar one used in Terminator 2.
As I said, the story took a little while to gain steam, but it was pretty interesting from then on. The acting was good too, most notably by Ed Harris and Mary Elizabeth Mastrantonio. The other actors didn't do anything really extraordinary but serve as solid supporting characters.
Overall, I wouldn't say The Abyss is the best sci-fi movie out there or that it will dethrone Star Wars anytime soon, but rather it's a solid addition for any sci-fi fan's collection.
My IMDb Rating: 8/10. My Yahoo! Grade: B+ (Memorable)
This movie is extremely well made. Make sure you get the original director's cut, or Special Edition as they are calling it on the DVD. It includes the real ending, along with more than 20 minutes of additional footage. The morons from the studio in Hollywood decided that the public wouldn't want to see a nearly 3-hour underwater adventure, and forced James Cameron to cut it down and change the ending. The ending the studios insisted on is your typical boring old done-a-million-times happy ending, and does not work. It betrays the message of the film, and makes it nothing more than a good underwater shoot-em-up. This movie is much more than that. See the REAL ending to understand why it is so important to this film. As opposed to the canned studio ending, the REAL one makes you think. Well, what did you expect? Hollywood executives make movies for the common herd, they dumb them down to make sure every patron goes away feeling happy. God forbid that anyone actually may have to think a little. At the time, despite a few solid hits (such as the original Terminator), James Cameron wasn't enough of a power in La-La land to force the studios to release the movie as he wanted it to be. After Titanic, they will do whatever he says, so we can now expect some great Cameron films to look forward to, rather than having to wait for the REAL movie to come out years later on a Special Edition DVD.
The story of The Abyss starts with a mysterious crash of a US nuclear submarine that is armed with the appropriate nuclear weaponry for its time. With reports of it down, we want to get it before the Russians do.
When it rains it pours, literally in this case. A fast moving storm forces the Navy to use the crew and equipment from a nearby underwater deep sea drilling platform and the oil roughnecks are promised some big government checks for their help.
Crew chief Ed Harris gives his reluctant consent, made even more reluctant by the fact that his estranged wife Mary Elizabeth Mastrantonio has designed some new equipment for use in the really deep waters of The Abyss of the Atlantic Ocean.
The Navy people and the oil people are a bad fit to start with, but when the deep depths effect Navy SEAL Michael Biehn by bringing out the worst aspects of the military authoritarian personality things get real interesting down in the deep.
The spectacle does dwarf the story which is the only real criticism I can make of The Abyss. What the submarine made accidental contact with is some incredible alien life form which I can't go into further because that's the whole point of the film. Of course Biehn still believes it's all a Russian plot of some kind and therein lies the conflict exacerbated by the extreme paranoia he develops.
Unlike Cameron's Titanic, the spectacle at the end just overwhelms the human players in this film. But it was those special effects that go The Abyss its Academy Award recognition. The Abyss was also nominated for Sound and Art&Set Direction and Cinematography. It could have been a winner in any of those categories. In fact the biggest mistake you can make which is the one I did make, to see The Abyss on the small screen and formatted. This film is what IMAX was developed for.
Though the story does get lost somewhat in the special effects the point is still made about man being ready and open to all kinds of possibilities of life that can exist anywhere. See The Abyss, but wait for a revival showing at a theater.
When it rains it pours, literally in this case. A fast moving storm forces the Navy to use the crew and equipment from a nearby underwater deep sea drilling platform and the oil roughnecks are promised some big government checks for their help.
Crew chief Ed Harris gives his reluctant consent, made even more reluctant by the fact that his estranged wife Mary Elizabeth Mastrantonio has designed some new equipment for use in the really deep waters of The Abyss of the Atlantic Ocean.
The Navy people and the oil people are a bad fit to start with, but when the deep depths effect Navy SEAL Michael Biehn by bringing out the worst aspects of the military authoritarian personality things get real interesting down in the deep.
The spectacle does dwarf the story which is the only real criticism I can make of The Abyss. What the submarine made accidental contact with is some incredible alien life form which I can't go into further because that's the whole point of the film. Of course Biehn still believes it's all a Russian plot of some kind and therein lies the conflict exacerbated by the extreme paranoia he develops.
Unlike Cameron's Titanic, the spectacle at the end just overwhelms the human players in this film. But it was those special effects that go The Abyss its Academy Award recognition. The Abyss was also nominated for Sound and Art&Set Direction and Cinematography. It could have been a winner in any of those categories. In fact the biggest mistake you can make which is the one I did make, to see The Abyss on the small screen and formatted. This film is what IMAX was developed for.
Though the story does get lost somewhat in the special effects the point is still made about man being ready and open to all kinds of possibilities of life that can exist anywhere. See The Abyss, but wait for a revival showing at a theater.
Lo sapevi?
- QuizDuring the rigorous and problematic shoot, the cast and crew began calling the film by various derogatory names such as "Son Of Abyss," "The Abuse," and "Life's Abyss And Then You Dive." Director James Cameron said that he got so tired from working 6 days a week, 10 hours a day (sometimes more), that he would sometimes fall asleep during dinner in bed, waking up in the morning with a half-eaten plate on his chest and clenching a fork in his hand. Mary Elizabeth Mastrantonio reportedly suffered a physical and emotional breakdown because she was pushed so hard on the set, and Ed Harris had to pull over his car at one time while driving home, because he burst into spontaneous crying.
- BlooperAt the depth the crew is diving, they would be breathing a mixture of gases to include helium. Regular conversations while breathing this mix of gases results in the typical "helium speech," like if you breathed in a helium balloon. Normal conversations during the entire film at depth would have been with helium speech, and not regular voices.
- Citazioni
Virgil 'Bud' Brigman: When it comes to the safety of these people, there's me and then there's God, understand?
- Curiosità sui creditiIn the cast list, Super Seal Rover is credited as Big Geek and Mini Rover Mk II is credited as Little Geek. These are the actual models used for the unmanned submarines.
- Versioni alternativeThe end credits were famously shortened to run under 5 minutes in 1989 in order to hit a target runtime and maximize daily showings; doing so also made the crawl almost illegibly tiny and fast. The credits on the extended edition were almost 10 minutes, with a bigger and slower crawl, and extended/alternate music. Several home video releases of the theatrical edition on laserdisc and DVD actually use the newer credits, so they are not entirely faithful! One VHS tape (Fox Video Selections 1561), at least, uses the original short credits; though the tape is formatted for 4:3, the credits merely gain picture information above and below the intended window (which, for some reason, is very high up in the frame after the first few names). However the new HD master, which has popped up on a few HDTV broadcasts (like Cinemax) go back to the original shortened credits, plus is in the original theatrical aspect ratio, making it the most faithful version available.
- Colonne sonoreWilling
Written by Lowell George
Performed by Linda Ronstadt
Courtesy of CEMA Special Markets and Capitol Records, Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- El secreto del abismo
- Luoghi delle riprese
- Cherokee Nuclear Power Plant, Gaffney, South Carolina, Stati Uniti(two tanks - underwater scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 70.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 54.981.151 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.319.797 USD
- 13 ago 1989
- Lordo in tutto il mondo
- 90.520.202 USD
- Tempo di esecuzione
- 2h 20min(140 min)
- Colore
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