Un poliziotto cerca di convincere un giovane a non saltare dal bordo di un grattacielo. L'ufficiale non sa che il marito dell'amante del giovane gli ha dato l'ultimatum di farlo a mezzogiorn... Leggi tuttoUn poliziotto cerca di convincere un giovane a non saltare dal bordo di un grattacielo. L'ufficiale non sa che il marito dell'amante del giovane gli ha dato l'ultimatum di farlo a mezzogiorno, altrimenti sarà lei a morire.Un poliziotto cerca di convincere un giovane a non saltare dal bordo di un grattacielo. L'ufficiale non sa che il marito dell'amante del giovane gli ha dato l'ultimatum di farlo a mezzogiorno, altrimenti sarà lei a morire.
- Premi
- 1 candidatura in totale
- Chris
- (as Chris Gorham)
- Frank
- (as Dean West)
- Housekeeper
- (non citato nei titoli originali)
- Detective
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- Cameraman
- (non citato nei titoli originali)
- Patricia Wilson
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- …
Recensioni in evidenza
One of the marks of this film's fascination is that it can be read in many different ways--essentially a thriller, it is also a story that questions the nature of human love, of our place in the universe, as well as the human relationship to whatever God might be worshiped. It features some outstanding ensemble acting by a quartet of four, each of whom defines a character with both strengths and flaws...rather perversely, one waits out the film to see a possible suicide, and as Hitchcock so often implicates members of the audience as voyeurs, one feels similarly (if willingly) manipulated here.
I thought all the characters seemed believable, both in their lines and beliefs. The storytelling bounces around a bit which I love, it allows you to make assumptions and try to figure everything out before its revealed.
I thoroughly enjoyed watching The Ledge, and I plan on buying it on DVD so I can lend it to people. I can only hope that this does alright and more atheist protagonists are created.
There is a massive delusion among Christians that fundamentalism and religiously inspired bigotry only manifest in a small percentage of extremists. This just isn't true. If it was, I'd feel dramatically safer and more comfortable in public discussing atheism with a stranger!
The atmosphere is very realistic, and the uncomfortable (at times) dialog is accurate to the reality of proselytism in the guise of philosophical discussion. The movie even captures how many atheists feel when observing prayer, and this is very rare to see in the spot light.
I really wasn't convinced by any of the characters' back-stories. They seemed unnecessarily extreme in a movie that is driven by its subtleties. They really contrasted with the rest of the writing, and broke the illusion of realism. I also didn't find the acting convincing on this level. In particular: Given Shauna's history, she seemed to be unrealistically open and trusting towards Gavin—their interactions felt a bit contrived and very rushed.
Unfortunately the film doesn't explore its topics at much depth, while presenting more rudimentary/common arguments. However, this only added realism to the dialog for me. I feel it has more intellectually to offer symbolically than literally.
The Ledge displays a psychological perspective of an atheist through its atmosphere, and that alone makes it unique and worth seeing.
Unlike most modern cinema, rather than skirting the big issues of philosophy and meaning this movie tackles the hard questions head on. It was very refreshing to see how these ideas interacted with the characters and their motivations. I really don't want to give it away. Go see it, make your own decision.
Lo sapevi?
- QuizThe film's premise is somewhat similar of the Stephen King short story, also called "The Ledge".
- BlooperAt 1:12:27 into the movie, as the camera pans to Gavin on the ledge talking to Hollis, the sun is high casting only a partial shadow ton the gray building in the background. The camera then switches to just Hollis looking out of the window, and when it goes back to show Gavin again, the shadow on the gray building behind him covers it almost completely. But the next two times we see Gavin at the same spot the shadow moves back and forth, revealing that the scenes were shot earlier but cut in for the sake of the narrative.
- Citazioni
Gavin Nichols: [after Shana tells Gavin she and Joe are going to a new church that does missionary work in Uganda, that's against smoking, drinking, immodest dress for women and secular music]
[scoffs]
Gavin Nichols: Jesus Christ. Restrings your guitar one day, stops you from playing it the next.
Shana Harris: You're so flippant, aren't you? You have no idea what it's like to lose everything and to try and put it all back together again.
- ConnessioniFeatured in Conan: An Atheist Named Faith (2011)
- Colonne sonoreEverything
Written by Nathan Barr and Lisbeth Scott
Performed by Lisbeth Scott
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- The Ledge
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9216 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5176 USD
- 10 lug 2011
- Lordo in tutto il mondo
- 1.345.871 USD
- Tempo di esecuzione
- 1h 41min(101 min)
- Colore
- Proporzioni
- 1.85 : 1