La città proibita

Me and my girlfriend watched this in Guangzhou, China. It isn't exactly a feel-good movie..

It's hard to describe what this film does, without spoiling the movie. And that structure is it's strength. Suffice to say, this is a very strongly woven movie, a movie where direction and production are the stars.

And that is also "Curse of the golden flower"'s weakness. This is, after all, a movie. Moviegoers are used to seeing the full spectrum of a movie; varied scenery and ambiance, multiple stories, realistic characters, a realistic society portrait, and so on. Certainly, this movie has strong characters, but like the imperial court setting, they are puppets. They never change their directions, they are forced to play the drama. Most of the action happens on the same 3-4 scenes, with the same characters. Like an opera; stereotypic, but intensely dramatic and glorious.

That said, this movie had an effect on me, and as mentioned, it is very well crafted. Without a doubt, it shows Yimou Zhang's skills in his profession, and I do recommend it. But don't expect a "movie" in the classical sense, expect Greek tragedy or opera-style drama.

Chinese filmmakers have a double curse. They have this tradition where individuals only matter in context, so when there is a spat between a man and his wife, it can only be illustrated in large sweeps of society. This is compounded by the ability to marshal (real, human) extras and extravagant sets on a scale unmatchable anywhere else.

I liked this filmmaker's earlier projects. "To Live" really was able to show the inside of a man by mapping it to lurches and sweeps in the world around him. "Daggers" was at least a masterpiece of ballet. And "Hero," probably my favorite, was the most cinematic, expressing real human qualities in luxurious cinematic terms. Who can forget the spatial existence of discovered deceit in the flickering flames in front of the throne?

This is a wholly different formula in how the internals of a family sweep into the environment. The setup is an extraordinary web of relationships between two families. Some commentors think this is drawn from soap opera, but I think they have a common ancestor instead. This is Greek, and though on daytime TeeVee you will get similar relationship complexities, they will have their tethers to the cosmos broken. They will be single souls adrift in the world.

These are souls that command the world, apparently. It could have worked.

Why it didn't I think is because the filmmaker decided to root himself in the magisterial. It probably was influenced by the fact that he is a former lover of the female star and there are some reflections between that situation and what we see. Its "Annie Hall" with flying ninjas instead of lobsters. Breasts instead of the swirling of engagement. Narrative mistrust where Woody had open exploration and experimentation. Diane and Woody were in a place, a city that colored them. These characters here ARE the city.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

First of all, this is a commercial movie of period drama with some sort of martial arts in it. If you're looking for anything deeper, then it's not for you although the movie is loosely based on a masterpiece of play in China.

That being said, I think it's actually a nice movie.

Story: B The story line is nothing amazing but flows well although not devoid of a few confusions or loopholes. For the people who're not familiar with all the power struggle, backstabbing stories of Chinese royal families, some relationships and emotions may seem a bit too much. And it did actually get a bit overheated at certain point possibly for theatrical tensions. But overall, it made sense to me. My major complaint is that he could have cut out some of the side stories while allowing the major line to a fuller development.

Acting: B+ This movie focuses on Gong Li and she's a good actress. So, yes, she did a great job even though I wish it could have been toned down a bit. Chow Yun-fat is also good but his role is not as rich as hers. Liu Ye (crown prince) is adequate for his role and the character also has a limited range. Jay Zhou (the second son)is not quite up to par with the others (after all, he's not a professional actor). But he got better in the end.

Visuals: A- Actually, I wanted to give it a B+ but I awarded it a higher mark for being so daring. It does have tons of colors and shades in it. Most of time, they actually work out cool, at least for me. But I totally understand if someone finds it way over-the-top. I actually like the fact that ZYM used bright colors, only if he had used fewer kinds of them. Those fighting scenes didn't quite catch my attention not because they're no good. Actually they're proper and effective. But since I've seem so many martial arts movies, they did not bring any surprises to me

Overall, it's an entertaining movie with an understandable story and believable characters.

I had the pleasure of seeing this film with special personal appearances by Zhang Yimou and Gong Li... I have to say I was blown away by it! I was not expecting a story with such depth...The cinematography, the art direction, and the sheer enormity of the visuals were staggering. Great sword work... exquisite wire sequences... and HUGE battles - but all done with an intensity that's stunning. And even more, the acting was superb - Chow Yung Fat is a master, and his scenes together with Gong Li are beautifully emotional. Gong Li is more beautiful than ever in a role that demands huge range from the first scene and never lets up... She does her best work ever! I have nothing but praise for this film. I can't wait to see it again.

Zhang Yimou was a very highly regarded filmmaker 5 years ago, before I had ever heard of him. Then he earned a place in my heart by directing both Hero and House of Flying Daggers. With those last two I felt like I was in martial arts movie heaven, so I would instantly be interested in any other future films that could approach those two in scope, talent, and action. Curse of the Golden Flower focuses mostly on the first two of those three traits, but besides, anything starring Chow Yun-Fat will earn my attention like a bullet to the head. I do own The Corrupter after all.

This is a film about a royal family, rather dysfunctional at that, in the 928 AD Tang Dynasty. Chow Yun-Fat is Emperor Ping, who from the way he handles his family and can anticipate any kind of attack or counterattack seems like quite the ruthless warlord. He has three sons: one is a teenager, who isn't given much regard but knows more than others think. The eldest of the three is the current crown prince, but doesn't seem to have any special talents, other than drawing the affections of the wrong women. The middle son is a great warrior and, of course, is now the favorite of the father. But these characters may be just pawns to Empress Phoenix (Gong Li), who is mother to the younger two brothers and step-mother to the eldest. Under normal circumstances she might be a great mother, wife, and Empress, but current circumstances, including a mystery illness, have forced her to take actions involving a secret plot to remove her husband from the throne.

This is not the action movie some might expect, though there is enough near the end to earn the R rating. It's basically a family drama, though in a rather fascinating and different setting for such a story. As you'd expect with a royal family, appearances are everything. Anything out of the ordinary has to happen in secret. All the normal everyday stuff is almost mechanical in nature. Whether you see dozens of servants getting up in the morning, or preparing food, or planting flowers, it all occurs in such a fiercely coordinated fashion. It would have been such a hard life, either being a royal or supporting one, but it would be a miserable life if one couldn't take any pride in what they did.

The filmmakers who designed and implemented all the sets and costumes should take a hell of a lot of pride in what they do. The family of this story, even while destroying themselves (and therefore their empire) from within, are living in the most lavish accommodations and outfits I've ever seen. I usually don't think much of costuming or set design, but I must say that after seeing Chow Yun-Fat's golden suit of armor, or anything Gong Li was in, or the design of their personal quarters, I really hope for some Oscar recognition. Perhaps the best I've ever seen in those areas.

Overall though, a good film, and a definite must for any Chow Yun-Fat fan to seem him play such a great villain, as with Sammo Hung in Sha Po Lang. It kept me interested throughout, but nothing too surprising happened in regards to story. It basically all went how I imagined it would.