La foresta dei pugnali volanti

China 859 AD,the once-mighty Tang dynasty is in decline.His corrupt government no longer controls the land,unrest sweeps the country.Village by village an underground alliance forms the ¨House of flying daggers¨.Based near the imperial capital ¨ The House¨ moves in the shadows.Stealing from the rich to give to the poor,they earn the support of the people.At the same time they are feared and hated by their bitter rivals,the local deputies. Mei(Zhang Zyi) is a gorgeous ,exotic, and rare beauty dancer, she's an intrepid and blind warrior(as Zaitochi,the blind samurai).She's suspicious of pertaining to revolutionary group.Two officials(Takeshi Kaneshiro and Andy Lau) are assigned their deadly mission : capture her and inquire where the band is hidden. Now the protagonists pull off a dangerous journey and they'll fight against warriors grasped to trees,impressive combats and battles of incredible scenarios. The same director¨Hero¨,Zhang Yimou, and the starring of¨Hero¨and ¨Crouching Tiger and hidden dragon¨,Zhang Zyi(memories of a geisha),bring us a new exciting film. Zhang Yimou makes the ultimate martial arts masterpiece.Spellbound struggles images illuminate the full-blown adventures of trio protagonist. Colorful chop-socky big budget with battles stunningly staged and groundbreaking production design. Eye-popping cinematography is specially reflected on breathtaking outdoors and luxurious interiors and overwhelming costumes. Fascinating gowns by Japan designer Emi Wada based on Tang dynasty. Riveting and atmospheric score with oriental sounds by Umebayashi. The motion picture was nominated to Academy award 2005 to the best cinematography and nominated to Golden Globe to the best foreigner film. The film is dedicated to the memory of Anita Moui. Rating :Astounding and awesome.

How much you enjoy "House of Flying Daggers" may depend strongly on how familiar you are of martial arts films as well as how accepting you are of the clichés in the genre. Some things in the film are utterly ridiculous and if you are the type who thinks too much, then you'll probably not be so impressed. For example, the film has one of the more familiar silly themes in Asian films (both Chinese and Japanese)--the blind warrior who is able to defeat practically anyone. Sure, there is a twist to it in this film, but the idea of a blind person being a master with the sword is pretty nutty. Also, the daggers that fly in this film defy every possible law of physics. So, you just have to accept this or your head might explode. And finally, only in a martial arts film can anyone fight on after having a bazillion fatal injuries (see "Throne of Blood" to see the ultimate scene like this).

The story, however, is wonderful and provided you can let yourself just sit back and absorb it all, you are in for a treat. Rarely have I seen a more exquisitely filmed movie. The use of birch trees and bamboo is amazingly artistic--as are the Fall colors. Also, the musical score is lovely and works so very well with the visual aesthetics. As far as the swordplay, martial arts and the like, it's also amazing--and light-years ahead of the wonderful old Shaw Brothers spectacles (which were great for their time). Overall, a real treat--a film full of excitement, romance and artistry. Well worth your time.

Seldom will you find, such beauty unrefined, a multi-coloured canvas, seductive elegance with prowess, that caresses like a breeze, a wind that sails throughout the trees, soaring high, gliding along, the ever changing seasons song.

As visually spectacular a piece of filmmaking that you're ever likely to come across, with some outstanding scenes choreographed to perfection, the acting and performances in perfect tune with the surroundings, all centred around deception, deceit and devotion, leaves a film that perpetually stands the test of time and nails a dagger to your heart each and every time you return.

Zhang Yimou set a new benchmark for martial arts movies with Hero. Visually both inventive and dazzling, whilst having a strong thematic thread, it still managed to kick ass, with energetic fight sequences. He continues in the same vein with House of Flying Daggers, with love and romance replacing Hero's chivalry and honour. It is at times as blisteringly exciting and exquisite to view, but there are a few problems.

Set in a similar time to Hero, the plot revolves around the mysterious House of Flying Daggers, a group of assassins leading a rebellion of sorts, against the rulers of their land. News has reached the local military captain Leo (Andy Lau) that the leader of the House can be found plying their trade in the local brothel. Sensing that this could be the key to ending their resistance he sends one of his men, Jin (Takeshi Kaneshiro), to infiltrate the establishment posing as a customer. This soon leads him to the beautiful blind dancer Mei (Zhang Ziyi), who may just be the daughter of the assassinated former leader of the House. What follows is his journey with edit her, through forests and meadows, as he vies to gain her trust, all the while intent on leading the army to their destination in an attempt to discover the leader of the House.

The plot is actually far more complicated than my short synopsis could come close to. We are treated to a twisty turny adventure, punctuated with set pieces of (excuse the tired terminology) balletic grace. Yimou sets a number of scenes within symmetrically perfect backgrounds, the picture set up like a work of art. We find ourselves in a dance hall encircled with drums, where the camera moves with a sense of fluidity, as though part of the dance, as we see Mei play a game of "echoes" with the Captain. Each time he hits a drum with a flicked nut, she follows, striking it with her flowing robes. The scene has a steady tempo, finally hitting a crescendo as the whole bowl is flung, nuts flying everywhere like missiles striking every drum. The sound of each strike reverberates like thunder.

For me the other set pieces never quite match the "echo" dance for majesty, rhythm or look. We get to see numerous showdowns between, with Mei and Jin taking on the soldiers that chase them, all the while with Jin trying to maintain his cover. The fights very much feel like a dance, and are filled with POV shots of arrows, sharpened bits of wood and of course flying daggers. I thought this camera trick felt overused, it looks good, but eventually started to feel tired as yet another dagger is seen boomeranging into action.

As events reach a climax, the plot gets pretty messy, as revelation after revelation is thrown about. In contrast to Hero's coda, where the action became about what's doing right for the good of the whole country, House of Flying Daggers has one of a more personal nature. It never quite rings true, there just isn't the emotion on display for this to work. The final act is somewhat botched, with a "it's over, no it isn't" feel to it, which caused a few "no ways" to be uttered in my vicinity. It is yet another gloriously shot scene, but we'd already seen some extraordinary moments. I felt it seemed to be reaching a more natural conclusion, and with a bit of editing a tighter last half hour would've made this a classic.

As it stands House of Flying Daggers is a fine movie, never quite as good as Hero, and probably behind Crouching Tiger too, and maybe it goes on a bit too long, but it's far superior to most of the formulaic actioners Hollywood produces. Out of ten, I'd give it an eight.

After absolutely loving 'Hero', I couldn't wait for Zhang Yimou's latest Wuxia Pien feature to arrive on DVD. After watching it, I'm happy to say I wasn't disappointed, as it is another sumptuous, stylistic feature, which deserves all the accolades it is likely to receive.

The plot of the film is told in a more linear narrative when compared to that of 'Hero', but that is not to say it is any more straightforward. Set in the Tang Dynasty, the basic premise is nothing to write home about, featuring government officials on the trail of an underground rebel alliance 'The House of Flying Daggers'. However, there is enough characterisation and depth to hold your attention, while the (sometimes predictable) plot twists keep you guessing. Unfortunately, there is nothing entirely new about this story and it's probably familiar ground to fans of the wuxia genre. Nevertheless, it flows at a decent pace and is punctuated with enough stylistic action sequences that the 2-hour running time is quickly exhausted.

As with Yimou's impressive previous feature, Tony Ching Siu-tung takes over the action direction, producing another sterling performance. In my opinion, he is currently the top fight choreographer around after spending so many years being considered second fiddle to the likes of Yuen Wo-ping and Sammo Hung; he now deserves to be considered above them on his current output. In this instance, much of the overt stylisation evident in Hero is played down in favour of more grounded, natural martial artistry. There is still plenty of wire work and a spattering of CGI to aid the sequences, however, it is plain to see that much of the action displayed is a mix of genuine swordplay and actual technique. All the performers acquit themselves well considering none of them are formally trained in martial arts – especially Zhang Ziyi who performs impressively from start to finish.

As you would expect from a Zhang Yimou film, the visuals are majestic, with primary colours and panoramic landscapes making up much of what we see. Unfortunately, many people do not seem to take to this artistic approach, and will label the film another case of style over substance. I would disagree, as I believe it contains plenty of both with a strong cast, interesting characters and high quality action to provide the foundation for the kind of bold, sumptuous visuals, which are rare to find in modern film.

Overall, I personally prefer 'Hero' but know of plenty who would disagree. As a result, I recommend it as a definite purchase to any fan of films from this genre.