Facendo una satira sull'intero concept del Late Night Show, lo scozzese Craig Ferguson conduce il suo spettacolo con uno scheletro robotico e un «cavallo» come aiutanti.Facendo una satira sull'intero concept del Late Night Show, lo scozzese Craig Ferguson conduce il suo spettacolo con uno scheletro robotico e un «cavallo» come aiutanti.Facendo una satira sull'intero concept del Late Night Show, lo scozzese Craig Ferguson conduce il suo spettacolo con uno scheletro robotico e un «cavallo» come aiutanti.
- Candidato a 1 Primetime Emmy
- 2 vittorie e 8 candidature totali
Recensioni in evidenza
We have more than enough of this formulaic dross already. Frenzied audience, whooping and hollering with evangelical hysteria for no apparent reason. Check. Embarrassingly unfunny opening monologue. Check. Pointless house band. Check. Pre-recorded sketches with celebrities doing "hilarious" stuff to show us they are oh so self-effacing and down to earth (pre-approved by their publicists and lawyers of course). Check. The host fawning over the guests du jour with sycophantic waffle "I just loved your new movie/book/album", "You are a legend/my hero/EVERYBODY loves you" and my personal favourite "Just listen to them.." (wide camera shot of brain dead audience on their feet clapping,chanting, whooping, ) Check.
This latest offering is just more of the same; produced, packaged and tied in a neat little bow. Late night Fallon, Kimmel, Leno, Letterman and yes, I'm looking at you too, Ellen. There is enough day time and evening dumbed downed fluff to fill a pillow the size of the Atlantic. Could late night TV not at least try to be a haven for some sort of integrity? What are the advertisers afraid of? Do they think their particular brand of insomniac medicine dulls the senses that much? Corden, at least, takes proctology to new heights; with each and every star utterance he either guffaws like a demented banshee or gazes open mouthed like a teenager in love.
It is as pointless to compare this to Craig Ferguson's show as it is to compare "Twelve Angry Men" to "Fifty Shades of Grey". I am, however, reminded of one scene from the former LLS. The opening sequence, Craig and Secretariat, their faces mere inches from the camera, both just staring wide eyed. Seconds pass. Nothing happens. Finally Craig says "We're seeing who blinks first". Pointless, infantile, laugh out loud genius. Groucho Marx would have loved it. It will be interesting to see which, if any, of the networks blinks first.
He is brilliant and hilarious and no matter who comes on the show, he will leave you rolling on the floor laughing. Why can't we have Craig come on earlier? He is a natural born comedian. Craig is such a pleasure to watch, he does not have to jump around, walk funny or act like fool to make us laugh. He is the BEST LATE NIGHT TALK SHOW HOST. Thank you guy for making me laugh so hard, it's been so long since I have done that.
Your forever fan Christine (in Canada)
I first caught his show because Gerard Butler was to be a guest, as I would listen to Gerry read the telephone directory. That interview was the most fun interview of all time, anywhere, with those two guys together, my sides hurt from laughter.
I enjoy watching Craig with his other guests, too, but mostly because of Craig, himself, and his monologue is the best part of the show. It would be nice if he was on earlier so more people would catch his show, perhaps, but I will be there with bells on, no matter what time it is.
Thank you, Scotland - Again!
Lo sapevi?
- QuizCraig Ferguson's sidekick Geoff Peterson was created by MythBusters (2003) regular Grant Imahara after losing a wager to Ferguson that his Twitter followers couldn't get Imahara one hundred thousand Twitter followers of his own.
- Citazioni
Craig Ferguson: [referring to Halloween or Friday the 13th] Just a warning: If you're a bunch of sexy teenagers at a lake where other sexy teenagers were killed 30 years ago, leave! The guy in the forest with a hockey mask... maybe doesn't play hockey.
- ConnessioniFeatured in Nudes in the News: Show #173 (2007)
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