An American Haunting

Whatever possesses the demon in "An American Haunting" to ruin the lives of the Bell family is never made clear. Nor are we ever sure that it was the curse put upon the family by a woman who felt cheated by the father in a land dispute. And why all the attention is put on the girl (RACHEL HURD-WOOD) instead of the father (DONALD SUTHERLAND) is another factor never really explained. He's the one the entity really wanted to destroy but he's not the first target. He's excellent in a rather underwritten role that makes him an ambiguous figure.

With all of these reservations aside, the film is beautifully filmed and despite being shot on location in Rumania has an American Gothic look that is appropriate for the story. The acting is uniformly good. SISSY SPACEK excels as the worried mother who sees how tormented her daughter is by the demon. JAMES D'ARCY is interesting as the teacher who has a hard time realizing there is a real haunting going on, his disbelief being another factor hard to rationalize. THOM FELL is fine as the stalwart son anxious to protect his sister.

And for a story about things that go bump in the night, it has plenty of chilling moments for lovers of films of this genre. And yet, despite all of the good elements--the settings, the photography, the fine performances--it never manages to be completely convincing, especially as it tries to explain things toward the end. The book-ending that frames the story with an opening and closing in present time seems an unnecessary touch.

At times, it's so overdone that it's hard to believe it's based on a true story. I'm sure there's some truth at the core, but surely the writers embellished the tale with a lot of manufactured dream elements reminiscent of the "Nightmare on Elm Street" variety, letting their imaginations run wild with menacing wolves and the howling wind.

A project that could have been so much better if it just concentrated on the real ghost story at the center of the tale.

I really don't have any major complaints about the film except it was more of a visual-audio experience than a memorable story. That makes me wonder how times I would watch this, since I already own a lot of great visual movies. Cinematography-wise, this film reminded me a bit of Sleepy Hollow, but not quite as dramatically filmed as that. There also is excellent 5.1surround sound in here. Being a ghost story, and one that is trying to scare the viewer here and there, sudden jolts of sound is important and utilized well here.

I also appreciated this was done without almost any profanity and with famous actors like Donald Sutherland and Sissy Spacek. I expected some Bible-bashing since that's normally the case in these ghost or witch stories, but it wasn't bad here. However, the "surprise" almost political-correctness ending didn't really surprise me, considering how films are these days.

A decent movie but 50-50 whether I would watch it again.

A divorced mother is living in the woods with her daughter suffering from nightmares. She finds a letter from 1848 by the previous occupant recounting the tale of the Bell Witch. It's 1817 Red River, Tennessee. The church finds John Bell (Donald Sutherland) of usury for charging 20% interest against rumored witch Kate Batts. However Batts doesn't get her expected reciprocity and vows revenge on him and his beloved daughter Betsy (Rachel Hurd-Wood).

It looks good but there are few scares. The jump scares come with regularity which only makes it less scary. It's a lot of loud surprise noises and horror soundtrack. Sutherland and Sissy Spacek seem to be slumming it here in this one. This could work with Rachel Hurd-Wood front and center. Instead the movie starts with another girl in a different time period. It takes awhile to get to her and the movie keeps going back to the veterans. The reveal is problematic and a little bit confusing. This is a fair ghost story but it isn't scary.

Out of sheer curiosity I was offered to attend a screening of the world premier of 'American Haunting" -- so I went assuming it was going to be just another kind of scary -- kind of twisted -- kind of blasphemous -- kind of whatever -- kind of films -- WoW I was completely wrong in more ways than I can possible say! WOW! That is the best I can muster! This film kicked my butt up down and sideways. From the moment it starts up until the very last breath it toys with you, teases you, and never prepares you for something so intelligent at the climax that its hard to guess why someone hasn't done this kind of film before. My guess, is they don't have the talent or the guts that the filmmaker had -- not to mention the cast; or the composer for that matter. My god it rocked me and I'm betting it will definitely rock a hell of a lot of people who dare go see it. WoW! Count the days til this comes out -- you wont regret it -- seriously. Its one of a kind on all fronts. I decided to write this because I cant stop telling every single person I know how freaking scary the damn thing was. WOW!

There are countless scenes of poor Betsy being held up and pimp-slapped around by an invisible force. Perhaps it speaks to my own maturity, but it just kept getting funnier every time it happened.

That aside, this is overall a dull story. The framing device of a modern-day single mother moving into an old house and reading a letter is clunky, and the fact that the present day scenes only exist as bookends just makes them feel disconnected. Perhaps if the film had jumped back and forth between past and present it would have worked better? As it was, by the time it gets back to the present, I'd all but forgotten that I wasn't watching a period piece.

With the period piece, which makes up most of the run time, it feels like they didn't know quite where the story was going, and it drags on and on. The twist ending is pretty obvious, but the director chose to include a sequence of flashbacks to all the times it was foreshadowed, which frankly feels a bit insulting - "See, it's been happening all along under your nose, aren't I sneaky?"

I admit to being scared easily, but this film isn't scary. There's no tension built, nor really any scares throughout, it never seems to get going, and as I mentioned before, the dramatic scenes came across as comical. The soundtrack is melodramatic and the intricate sweeping camera work and shifts between colour and black and white don't serve any purpose.

All in all, this feels like a good idea that needed a lot of refinement and a better director. I will probably watch poor Betsy get smacked up again though, if only to cackle at it.