Alex & Emma

I will admit that I went into "Alex & Emma" with great hesitation, but came out with a renewed feeling of surprisement. Here's a film that got bad word of mouth from press screenings and essentially flopped -- but I enjoyed it. It's not as clever a contrast between the sexes as "When Harry Met Sally...," and it's not quite as fun as "Sleepless in Seattle." But, for all it's worth, I consider one of the better romantic comedies of 2003.

Luke Wilson is Alex, a genius writer living in a crusty apartment in Manhattan. He has thirty days to write a full-length work of fiction and turn it into his publisher for over one hundred grand, otherwise the Cuban Mafia is going to hunt him down and kill him. Why? He owes them 100,000 dollars of his income.

Kate Hudson is Emma, a stenographer hired by Alex to transcribe his words onto paper, since his laptop was smashed up by the Cubans. She begins the job with hesitation and offers helpful advice from a reader's perspective throughout the process.

Meanwhile, we get a story-within-a-story when the film moves from Alex's world to Adam's, the subject of Alex's novel. Adam (Wilson) is heading to the fictional island of St. Charles, located near Maine. I missed why he was coming in the first place because I have a short attention span, but it had something to do with collecting a payment.

When he arrives, he meets a beautiful French woman (Sophie Marceau) and the man who wants to marry her (David Paymer). The only problem is that he finds himself falling for her, too. And the woman's servant, Ylsa, or Illsa, or...I forget, they kept changing her name, from Swedish to German to Latino to American. I don't remember who she finally turned out to be. Let's just say Ylsa ("spelled the way it sounds," Alex says), also played by Kate Hudson.

Life parallels fiction. Of course, I guessed the "surprise" twist of it all about a mile away. But that didn't matter, because this is a pretty funny movie. There are some great one-liners and little gags, especially for writers. It spoofs the process of it all. Of course, if you view the movie with a critical eye you'll find many flaws. (Roger Ebert pointed out that Alex, when dictating, never seems to pause to find words and never messes up sentences, but hey...it's a movie, how interesting would it be if he just kept starting his sentences over and over?)

But some of the jokes are very funny. For example, during his writing process, Emma interrupts to tell Alex that the name "Ylsa" is not spelled the way it sounds. He says it is. She says it would be, "Ilsa." He disagrees. So in his book, he makes the character Adam ask how it is spelled, and he has Ylsa, respond, "Y-l-s-a, spelled just how it sounds."

Rob Reiner takes a small role as Alex's publisher. When writing out his check to Alex he says, "Now, is it made out to Cuban Mafia or The Cuban Mafia?" I love this stuff. Reiner has directed some great films in his past ("This is Spinal Tap," "The Princess Bride," "When Harry Met Sally," "A Few Good Men," am I missing any?). He has directed another winner.

I really don't understand this film's negative reviews. Okay, so it isn't the most original film to come along in years, but what film is?Compared to so many other "romantic comedies," this one made me laugh. A lot more than I thought I would. After starting to grow weary of Luke Wilson after seeing his smug role in "Legally Blonde 2: Red, White & Blonde," I was surprised by his turn here. He's getting back to his roots. Kate Hudson (daughter of Goldie Hawn) has yet to really surprise me in any way, but she's not too bad.

When I occasionally enjoy a movie that got bad reviews, I can usually see why the movie got them. Here, on the other hand, I can not really see what the problem is. It's got a simple premise, a cute story, engaging leads, and an interesting story with more than a handful of laughs. I laughed less at last year's "The Hot Chick" and that was considered a comedy. So is this a bad movie? No, I don't think so. Not at all. But, apparently, many people do. It's too bad.

Note: There's a direct reference to "When Harry Met Sally..." in this film. Emma says she always turns to the last page of a book before she reads it. If you recall, Billy Crystal said the same thing one time back in 1989.

3/4 stars -

John Ulmer

No, Alex and Emma is not based on a Dostoyevsky story--it's based on an event in Dostoyevsky's life (1867). When he was 46, he married his 19-year-old stenographer whom he had hired while working on "The Gambler"--hastily written to fulfill a contractual obligation in order to pay off gambling debts. The stenographer was the calming influence in his life after a wild, doomed love affair with a woman who didn't mind spending his money but who refused to marry him.

I saw this story previously in the Russian film, "Sixty Days" (Hollywood just has to speed up the clock). This played at a film festival, is awaiting five votes on IMDb, and will probably never be available again for viewing.

But it was the better of the two movies.

I thought it was sort of cute, Luke Wilson once again achieves my high respects as does Rob and Kate. I adored the movie so much I watched it three times in two days. If you aren't impatient though, I wouldn't say this is a film for you. The ending was kind of unrealistic, but I don't think it really was supposed to be realistic. The part with the Flamingo Dancers was funny, and it had a great script. It was, oh, how could I say it? Charming. Rob Reiner did a great job directing it, and it just adds on to the long list of great films he's done. I would recommend it if you are a Hudson or Wilson fan.

The critic Ebert has a complete and accurate review, for anyone who wants to know more details. I saw it on VHS from my public library, when we see that Luke Wilson and Kate Hudson are in it, we can pretty well figure out what the ultimate outcome will be. So, the story requires that we witness how. He is an apparently good author who also is a bad gambler, and needs to complete a novel quickly to get out of debt and save his skin. She becomes his stenographer, even though he can't pay her yet, because she has a kind heart. The novelty of this movie is that we see the novel as it is being written, brought to life with Luke Wilson and Kate Hudson, plus a few others, as a movie within this movie. For me that kept my interest moderately high. How good may be the book, or its movie we see, is not the point. The point is the relationship that develops between Wilson and Hudson. Unfortunately for us, there is absolutely nothing particularly new or interesting about their relationship. Not a BAD romantic comedy, just not a particularly good one either.

August 2006 edit - I saw it again, I enjoyed it a bit better, knowing ahead of time how it was constructed.

Rob Reiner's return to the romantic comedy genre starts out pleasant but unremarkable -- that is, until the Central Casting Cuban loan sharks leave (though it's funny when they appear in the novel-within-the-movie as shady flamenco dancers) and wastrel writer Alex Sheldon (any relation to Paul Sheldon in Reiner's earlier adaptation of MISERY? Hmm... :-) starts dictating his novel to smart, opinionated stenographer Emma Dinsmore. That's when ALEX & EMMA springs to life like a goofy cross between ADAPTATION and PARIS WHEN IT SIZZLES. Luke Wilson is likable enough as Alex, but I must admit I think his brother Owen Wilson would've brought more verve and magnetism to the role. (Man, Owen Wilson and Kate Hudson together on the big screen -- I'd pay full admission price for that! But I digress... :-) As Emma, our household fave Kate Hudson plays a slightly starchier brunette version of her usual endearing self. In particular, she seems to be having great fun playing not only Emma, but also several variations of the same constantly-revamped au pair/cook/all-purpose domestic in Alex's novel-in-progress as it's enacted onscreen. I liked Emma as soon as I realized she and I share a certain quirk: we both like to read the end of books before buying them (albeit for slightly different reasons: Emma feels if the ending isn't good, it's a waste of time to read the book, whereas I like to see how the rest of the book happened to lead up to that particular ending. But I'm digressing again -- this movie had that effect on me; make of that what you will! :-)! I think writers would appreciate ALEX AND EMMA more than most moviegoers, if only because it does a pretty good job of getting into a writer's head, and the gags involving the novel-within-the-film are funny and inventive. Interestingly, ALEX & EMMA is very loosely based on Dostoyevsky's relationship with his stenographer, who he wed in real life. In fact, the movie's original title, LOOSELY BASED ON A TRUE LOVE STORY, would also have fit the novel-within-the-film, which turns out to have more parallels with Alex's real-life experiences than he'd previously admitted. (THOSE SWEET WORDS would've been a good title as well, especially since that's also the name of the Norah Jones song over the end credits.) Anyway, ALEX & EMMA would be a nice "date movie" for writers and the people who love them; now that it's available on home video, why not rent it for a snuggly movie-watching evening at home? :-)