Alex & Emma

Rob Reiner's return to the romantic comedy genre starts out pleasant but unremarkable -- that is, until the Central Casting Cuban loan sharks leave (though it's funny when they appear in the novel-within-the-movie as shady flamenco dancers) and wastrel writer Alex Sheldon (any relation to Paul Sheldon in Reiner's earlier adaptation of MISERY? Hmm... :-) starts dictating his novel to smart, opinionated stenographer Emma Dinsmore. That's when ALEX & EMMA springs to life like a goofy cross between ADAPTATION and PARIS WHEN IT SIZZLES. Luke Wilson is likable enough as Alex, but I must admit I think his brother Owen Wilson would've brought more verve and magnetism to the role. (Man, Owen Wilson and Kate Hudson together on the big screen -- I'd pay full admission price for that! But I digress... :-) As Emma, our household fave Kate Hudson plays a slightly starchier brunette version of her usual endearing self. In particular, she seems to be having great fun playing not only Emma, but also several variations of the same constantly-revamped au pair/cook/all-purpose domestic in Alex's novel-in-progress as it's enacted onscreen. I liked Emma as soon as I realized she and I share a certain quirk: we both like to read the end of books before buying them (albeit for slightly different reasons: Emma feels if the ending isn't good, it's a waste of time to read the book, whereas I like to see how the rest of the book happened to lead up to that particular ending. But I'm digressing again -- this movie had that effect on me; make of that what you will! :-)! I think writers would appreciate ALEX AND EMMA more than most moviegoers, if only because it does a pretty good job of getting into a writer's head, and the gags involving the novel-within-the-film are funny and inventive. Interestingly, ALEX & EMMA is very loosely based on Dostoyevsky's relationship with his stenographer, who he wed in real life. In fact, the movie's original title, LOOSELY BASED ON A TRUE LOVE STORY, would also have fit the novel-within-the-film, which turns out to have more parallels with Alex's real-life experiences than he'd previously admitted. (THOSE SWEET WORDS would've been a good title as well, especially since that's also the name of the Norah Jones song over the end credits.) Anyway, ALEX & EMMA would be a nice "date movie" for writers and the people who love them; now that it's available on home video, why not rent it for a snuggly movie-watching evening at home? :-)

Alex and Emma (2003) Luke Wilson, Kate Hudson, Sophie Marceau, David Paymer, Alexander Wauthier, Leili Kramer, Rob Reiner, Rip Taylor, Cloris Leachman, D: Rob Reiner. Disappointingly lightweight WHEN HARRY MET SALLY-ish romantic comedy, especially with Reiner's stroke of novelty and use of charm, has Hudson in five roles with not all of them genuine. Deceitful hypochondriac (Wilson) who writes books for a living gets himself in a jam when he has to make a $100 grand for a pair of Cuban Mafia loan sharks in thirty days by writing another work of fiction so he doesn't wind up six feet under. So he hires an opinionated stenographer (Hudson) to help him sculpt a love triangle on paper that then percolates into a real-life romance budding between the two. Though both stories soon come together, the trouble with the film is that it flips pages back and forth from its outside story set in contemporary Boston to a New England island set in the 1920s for its story within a story, which is rich in tedium. A line spoken from Hudson about Wilson's fictional triangle is exactly like the film itself; the story shoves itself into a corner, where it has nowhere to go except a typically old-fashioned and too quickly enfolded finale. What redeems the film is its endearing leads and airy sense of romance, and occasionally a witty one-liner. Running Time: 96 minutes and rated PG-13 for language and sexual content. **

In "Alex & Emma" Alex, a writer, Alex (Wilson), spends most of the run dictating a romance novel to his stenographer, Emma (Hudson), in his Boston apartment. As the novel develops, Emma becomes more involved in the process and, of course, in Alex. Periodically the film cuts away to vignettes in the world of the novel with Wilson and Hudson playing the lead characters. As a result we get to watch the couple slowly gravitate toward one another with predictable results. Overall the film is watchable though not memorable, eminently predictable, and relies heavily on Wilson and Hudson. Production value is par, the chemistry is just so-so, the ending is clever and twisty, and the sum of the parts is something which will be most enjoyed by sentimental romcom junkies. (C+)

I was actually looking forward to going to see Alex and Emma. I think Kate Hudson is a terrific actress and Luke Wilson is a good actor as long as he plays the right role. Sadly these two could not hold this movie together.

The movie's whole plot is really ridiculous. Luke Wilson's character Alex is supposed to finish writing his second novel in a month in order to pay off the mob. So Kate Hudson's character (Emma) works with Alex to help him write the book as he recites it. Well after that the movie starts getting rather slow and drags on. The only thing that makes this movie any fun is the arguments between Alex and Emma about how the scene in the book should be written. This makes most of the movie enjoyable. Another thing I enjoyed was Kate Hudson playing many different roles. They were amusing. Other than that, this film was very dull and forgettable. It's a shame because this movie, I think, had a lot of potential but the writing on this baby was pretty bad. The movie also has a very unoriginal ending which I am sure anyone without seeing the movie can guess. I really wonder why writers cannot create a different and unique ending for romantic movies.

Alex and Emma is not worth the night showing at the theater but it is worth a matinee or Video rental. I would have to give Alex and Emma a 6/10.

No, Alex and Emma is not based on a Dostoyevsky story--it's based on an event in Dostoyevsky's life (1867). When he was 46, he married his 19-year-old stenographer whom he had hired while working on "The Gambler"--hastily written to fulfill a contractual obligation in order to pay off gambling debts. The stenographer was the calming influence in his life after a wild, doomed love affair with a woman who didn't mind spending his money but who refused to marry him.

I saw this story previously in the Russian film, "Sixty Days" (Hollywood just has to speed up the clock). This played at a film festival, is awaiting five votes on IMDb, and will probably never be available again for viewing.

But it was the better of the two movies.