VALUTAZIONE IMDb
6,2/10
73.347
LA TUA VALUTAZIONE
Un vedovo deve prendersi cura della sua precoce figlia e ricostruire la sua vita e la sua carriera dopo essere stato messo da parte a causa di una tragedia inaspettata e di uno scoppio d'ira... Leggi tuttoUn vedovo deve prendersi cura della sua precoce figlia e ricostruire la sua vita e la sua carriera dopo essere stato messo da parte a causa di una tragedia inaspettata e di uno scoppio d'ira personale.Un vedovo deve prendersi cura della sua precoce figlia e ricostruire la sua vita e la sua carriera dopo essere stato messo da parte a causa di una tragedia inaspettata e di uno scoppio d'ira personale.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 8 candidature totali
Paulie Litt
- Bryan
- (as Paulie Litowsky)
Jennifer Schwalbach Smith
- Susan
- (as Jennifer Schwalbach)
Recensioni in evidenza
I find ironic that people who enjoyed Kevin Smith's other movies hated this one. That right there pretty much explains most of the haters (i.e. those recommending Mallrats and JSB over this). I thoroughly enjoyed this movie and I was laughing my ass during most of it. I am obviously not an actor, but I didn't find any problems with the acting or the dialogue. It sounded real and believable. Sure, there may moments that are corny or make you want to wince, but every movie has moments like that. Raquel Castro and Liv Tyler really stole the show, George Carlin had just the right pizzaz as a crusty old Pop, and some of us can relate to Ben Affleck's character.
I'm certain that if I had been Kevin Smith, approached by Miramax with this idea and screenplay, I would definitely have turned it down.
Maybe that's exactly why he had chosen to do it. And what a wise decision it was indeed... The movie didn't promise much judging it by the trailers, but in the end, I was quite satisfied with it when I finally saw it. I'm sure, that an average, or below-the-average Hollywood director would have made it into a blunt, silly, sentimental, and instantly forgettable, "soap-bubble-like" movie. But not Smith... There were many, many crucial points along the storyline that just called and yelled for directors to commit fatal errors... Smith had succeeded to avoid these errors, creating a really enjoyable, lovable, deeply emotional and yet funny piece of work. But still... this isn't the Kevin Smith that I admire so much. I believe that with "Dogma" he created a milestone in American film-making, by daring to speak fiercely openly and frankly about very delicate issues. I missed this part of him from "Jersey Girl" - but there was no room for it because of the plot.
With "Jersey Girl" he had showed more real emotions than he ever did in all of his works. He had proved himself an expert of human emotions. He showed the audience that he really understands about deep feelings, love, loss, family ties, ambition...
The only thing this film is lacking is really great acting. None of the actors gave bad performances, not by long shot, but still... there could have been some more... especially from Affleck. Tyler gave a surprisingly fresh, and believable performance, showing some real theatrical talents in the scene when she performs in Gertie's 'musical'.
The unavoidable Star Wars jokes, and celebrity "nose-pricks" are present of course, maintaining the overall "Smith-feel" to the movie. To be adequate, I quote Darth Vader: "Impressive... Most impressive."
Maybe that's exactly why he had chosen to do it. And what a wise decision it was indeed... The movie didn't promise much judging it by the trailers, but in the end, I was quite satisfied with it when I finally saw it. I'm sure, that an average, or below-the-average Hollywood director would have made it into a blunt, silly, sentimental, and instantly forgettable, "soap-bubble-like" movie. But not Smith... There were many, many crucial points along the storyline that just called and yelled for directors to commit fatal errors... Smith had succeeded to avoid these errors, creating a really enjoyable, lovable, deeply emotional and yet funny piece of work. But still... this isn't the Kevin Smith that I admire so much. I believe that with "Dogma" he created a milestone in American film-making, by daring to speak fiercely openly and frankly about very delicate issues. I missed this part of him from "Jersey Girl" - but there was no room for it because of the plot.
With "Jersey Girl" he had showed more real emotions than he ever did in all of his works. He had proved himself an expert of human emotions. He showed the audience that he really understands about deep feelings, love, loss, family ties, ambition...
The only thing this film is lacking is really great acting. None of the actors gave bad performances, not by long shot, but still... there could have been some more... especially from Affleck. Tyler gave a surprisingly fresh, and believable performance, showing some real theatrical talents in the scene when she performs in Gertie's 'musical'.
The unavoidable Star Wars jokes, and celebrity "nose-pricks" are present of course, maintaining the overall "Smith-feel" to the movie. To be adequate, I quote Darth Vader: "Impressive... Most impressive."
I don't much like these kind of movies but this one even made me cry( being a guy and all) the only movie ever to that before was My Life with Micheal Keaton.
Nothing short of being a good movie
I never thought Kevin could make a movie this good not using the JAy and silent bob chars.
But he did it. And i think the will smith part was hilarious.
If you want to watch a good moview rent this you will not be disappointed.
They say I need to add more but I have no more to say
Nothing short of being a good movie
I never thought Kevin could make a movie this good not using the JAy and silent bob chars.
But he did it. And i think the will smith part was hilarious.
If you want to watch a good moview rent this you will not be disappointed.
They say I need to add more but I have no more to say
Oliver Trinke (Ben Affleck) is an up & coming music promoter. Its his job to whip up a frenzy for concerts and interviews. Although he is from "Joysey" , he works and lives in Manhattan with his beautiful wife, Gertrude (Jennifer Lopez), also a professional. They are expecting a baby and everyone is excited, including Ollie's Dad, Bart (George Carlin) , who runs the street sweeper in their NJ town. Sorrow suddenly descends, as Gertrude dies of an aneurysm giving birth to a daughter. Grieving greatly, Ollie parks his newborn daughter, also Gertie, with his Dad for the first month while he focuses on work. Naturally, this approach is a disaster and Ollie has a meltdown which gets him fired. Now, he must get to know his little girl and go limping back home to work in the same department as his Dad in Jersey. Flash forwarding seven years, Gertie is a spirited gal who charms even as she pushes buttons. Especially on her mind is a musical revue her class is doing for the parents; Gert insists they do a song from Sweeney Todd! Her dad will help her do it, with Gpa and his two closest friends also playing second fiddles. Meanwhile, Ollie has two new events in his life. One is the attractive sales clerk, Maya (Liv Tyler) at the video store who makes a pass at him. But, surprisingly, he also gets a job interview with a company similar to the one that fired him. Here is his chance to get back into a "classier", more exciting, more lucrative place in life. Or is it so? This movie, written and directed by Kevin Smith of Clerks and Chasing Amy, has its charms and humor. Especially wonderful is Affleck, Lopez, Carlin, Tyler, and little Raquel Castro as the younger Gert. Also nice is the Jersey scenery and the edgy talk and themes. Since all of us romcom fans have to "look back in time" to find new delights, I heartily recommend searching for this one.
In New York, the young executive Oliver "Ollie" Trinke (Ben Affleck) is a successful PR of the music industry. He meets and falls in love for Gertrude Steiney (Jennifer Lopez), who soon gets pregnant. However, she dies in the childbirth and Ollie decides to return to his father's home in New Jersey. Pressed by the situation of lonely father, the workaholic Ollie blows-up in an important press conference and makes a fatal statement, losing his job and becoming blacklisted in his publicist career. He promises to be the "best father in the world" to the young Gertie, and stays single, grieving his beloved wife, without dating any woman for seven years and trying to retrieve a position of public relation. One day, he meets the rental clerk Maya (Liv Tyler), they become friends and she helps him to supersede his past life.
"Jersey Girl" is a very sweet movie about family, and honestly I could never expect such sensitive story from Kevin Smith. I like his work a lot, and I have all his movies in my collection. "Clerks" and "Chasing Amy" are amazing, and I must confess that I was tired of "Jay and Silent Bob". The shift in his career could not be better. The story is great and very well balanced with drama, comedy and romance. Liv Tyler is fantastic, showing a great chemistry with Ben Affleck. George Carlin is great, without being corny, in the role of Bart Trinke. But the girl Raquel Castro is stunning: very bright and smart, she steals all the scenes and seems to be a future star. I really loved this movie. My vote is eight.
Title (Brazil): "Menina dos Olhos" ("Apple of the Eyes" meaning something very dear")
"Jersey Girl" is a very sweet movie about family, and honestly I could never expect such sensitive story from Kevin Smith. I like his work a lot, and I have all his movies in my collection. "Clerks" and "Chasing Amy" are amazing, and I must confess that I was tired of "Jay and Silent Bob". The shift in his career could not be better. The story is great and very well balanced with drama, comedy and romance. Liv Tyler is fantastic, showing a great chemistry with Ben Affleck. George Carlin is great, without being corny, in the role of Bart Trinke. But the girl Raquel Castro is stunning: very bright and smart, she steals all the scenes and seems to be a future star. I really loved this movie. My vote is eight.
Title (Brazil): "Menina dos Olhos" ("Apple of the Eyes" meaning something very dear")
Lo sapevi?
- QuizFollowing the failure of Amore estremo - Tough Love (2003), Miramax removed all images of Jennifer Lopez from all promotional spots, out of fear that people would think it was another Ben Affleck-Jennifer Lopez vehicle. The release date for Jersey Girl (2004) was pushed back from autumn 2003 to early 2004 and the studio also attempted to play down the presence of Lopez's character, Gertrude, in the movie, which included a public revelation about her character's fate.
- BlooperOllie rips the buttons off his blue shirt as he gets into the costume for the Sweeney Todd skit. After the skit, the buttons are sewn back on and he isn't wearing the white T-shirt underneath.
- Curiosità sui creditiTHE DIRECTOR WOULD LIKE TO THANK: God - Who still seems to be a fan of mine. And vice versa. Jenny - The proof that God's still a fan. I love you so, so much, my muse. Scott - Love you too. You're the James Brown of film, dude. Mom - Thanks for raising me right. Harley - The original Jersey Girl. Gail and Byron - The Glue. Philbert - aka Mosier Junior. Laura - She who makes it all happen. Lehrman - An A.D. so good, he was practically the D. Vilmos - The master of light. Ben - You were flat out brilliant. George - Funny, smart, and a great actor. It's just not fair. Liv - My new favorite actress. You elevated Maya. Raquel - Kid, you're a star. Jen - Who inspired Ben to greatness and while being great herself. Root and Starr - The mid-life Jay and Silent Bob. Biggs - You've now lived down the Pie. Betty - The best teacher the kids could have. Will - I love you all the way to the moon and back down to the dirt. The Crew - The true filmmakers. Carol - For riding shotgun. Sue - For grace under pressure. Charlie - For our third act show-stopper. Jon G. - Officially Miramax, unofficially View Askew. You're the fourth Beatle, dude. Harvey - For an excellent suggestion. Phil - My deal-maker and friend. Sloss - The legal eagle. Pierson - Who keeps me honest. Mas - For support from day one. Sondheim - For "Sweeney" in both our movie and real life. The Boss - For lending us his art. Twice. Stevie, Aimee, Ben, and Pete - For flick-defining tunes. Joey, Zack, and Donald - For lots of Crystal Light, Baja Fresh chicken, and smoke runs. Carol - Who keeps me rolling in dough. Ming - The Architect. Chappy - My merch partner in crime. The City of Philadelphia - For being great hosts. The Town of Paulsboro - For the locations and the street. The Town of Highlands - For giving a fat kid a nice place to grow up. And the Tabloids - For nothing. When in Red Bank, New Jersey, visit Jay and Silent Bob's Secret Stash. When in Jay and Silent Bob's Secret Stash, Red Bank, New Jersey, purchase a ton of quality merchandise manufactured by Graphitti Designs.
- Versioni alternativeKevin Smith has a 2 hour and 20 minute "director's cut" version that has screened in Los Angeles and in New Jersey at his 2005 Vulgarthon all-day film events. Smith says he will release the longer version on DVD for the film's tenth anniversary in 2014. As of 2014, that never materialized. This current year, 2024, is the films' 20th anniversary, and there is still no word of the original version of Jersey Girl being released on DVD/Blue-Ray.
- ConnessioniFeatured in This Film Is Not Yet Rated (2006)
- Colonne sonoreEveryone's A Kid At Christmas
Written by Aurora Miller and Ronald Miller
Performed by Stevie Wonder
Courtesy of Motown under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Padre soltero
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 35.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 25.268.157 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.300.000 USD
- 28 mar 2004
- Lordo in tutto il mondo
- 35.492.921 USD
- Tempo di esecuzione1 ora 42 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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