Aggiungi una trama nella tua linguaA serial killer escapes from a mental hospital and hides out in a small town. A local cop must catch him before he starts on another killing spree.A serial killer escapes from a mental hospital and hides out in a small town. A local cop must catch him before he starts on another killing spree.A serial killer escapes from a mental hospital and hides out in a small town. A local cop must catch him before he starts on another killing spree.
- Regia
- Sceneggiatura
- Star
Kay St. Germain Wells
- Neighbor
- (as Kay St. Germain)
Kurt Bryant
- Jim
- (as Curt Bryant)
Recensioni in evidenza
The Deadly Intruder is an 80's horror film which stars Danny Bonaduce in a very small role. The story is typical for slasher flicks, a man (whose face we don't see) escapes from a mental institution and over a period of time commits a few murders in a small town. The film centers around a lonely young woman who becomes romantically interested in a man who is new in town. They and two other friends have dinner on night while a drifter/homeless man lurks outside stalking the group. During the dinner, about two or three murders occur. They are sort of random murders and seem out of place to the rest of the film.
The homeless man eventually breaks into the woman's's house late at night and holds her hostage on her property. He seemingly just wants someone to talk too. Now he may be a creep, but is he the escaped mental patient? Maybe, maybe not. There are some good twists to the movie, but it's all out of place at times. The film doesn't know if it wants to be a crime thriller or a slasher. The conclusion where the killer's identity is revealed to us is done good though. The killer comes undone and starts losing it in a very creepy way. Molly Cheek, who is likely best known for her role in the American Pie films, does well in the lead role.
This is just one of many lost slasher films from the 80's. It was distributed by Thorn EMI Video and will probably never get a DVD release. The picture quality is very bad. During the first ten minutes, I had no clue what was going on. The nighttime scenes are dark and even the daytime scenes are dark. But this little unknown slasher isn't the worst I've seen. It's actually got potential and a good story. There is some nudity but very little gore. If you're a serious horror fan I say seek this one out. Otherwise, you probably won't get much out of this hard to find movie.
5/10
The homeless man eventually breaks into the woman's's house late at night and holds her hostage on her property. He seemingly just wants someone to talk too. Now he may be a creep, but is he the escaped mental patient? Maybe, maybe not. There are some good twists to the movie, but it's all out of place at times. The film doesn't know if it wants to be a crime thriller or a slasher. The conclusion where the killer's identity is revealed to us is done good though. The killer comes undone and starts losing it in a very creepy way. Molly Cheek, who is likely best known for her role in the American Pie films, does well in the lead role.
This is just one of many lost slasher films from the 80's. It was distributed by Thorn EMI Video and will probably never get a DVD release. The picture quality is very bad. During the first ten minutes, I had no clue what was going on. The nighttime scenes are dark and even the daytime scenes are dark. But this little unknown slasher isn't the worst I've seen. It's actually got potential and a good story. There is some nudity but very little gore. If you're a serious horror fan I say seek this one out. Otherwise, you probably won't get much out of this hard to find movie.
5/10
I'll admit this movie isn't original or special, but it has stuck with me since I saw it a long time ago (back when I was watching every horror movie available, so I have seen a lot). Basically, a girl is being stalked by a serial killer that is loose in a small town. There is a drifter wandering around, engaging in violent behaviour, as well as a mysterious newcomer that may be too nice. All in all, it's passable fair if you like the old 80's horror films (although this is more of a thriller than a horror). I must say, I really enjoyed the ending, and the very last shot of the film before the credits roll is excellent.
This film got lost in the glut of slasher flicks that avalanched into the vid stores back in the merry old 80's.
Mental hospital escapee tries to survive outside. And you just KNOW he's going to revert to his old homicidal ways. And of course you've got your lone cop trying to find him before he does.
The dark atmosphere helped a lot here. One got the impression one saw more in the shadows. I kept thinking I missed a few clues.
The acting itself was so-so at its best, but no one was bad, so I guess that's a plus.
The cover art on the video box sucked me in back in '88 or so when I saw this. I never regretted it. There's so much drek from when video got huge. This one is worth remembering.
Mental hospital escapee tries to survive outside. And you just KNOW he's going to revert to his old homicidal ways. And of course you've got your lone cop trying to find him before he does.
The dark atmosphere helped a lot here. One got the impression one saw more in the shadows. I kept thinking I missed a few clues.
The acting itself was so-so at its best, but no one was bad, so I guess that's a plus.
The cover art on the video box sucked me in back in '88 or so when I saw this. I never regretted it. There's so much drek from when video got huge. This one is worth remembering.
This movie was made back in the early 80's, and while it has elements of Halloween, it does not measure up to the standard Halloween set in the slasher/horror genre. But I'm not going to compare this movie to Halloween, because it is an altogether different movie in its own right, with its own atmosphere and tone.
The first 15 minutes are all you really need to see of this movie, and really, it is because of the first 15 minutes I remembered this movie to begin with. A psycho escapes from the sanitarium in the middle of the night to begin what psychos do best - stalk. Early the next morning, he slips into a woman's kitchen while she is getting her breakfast ready at the sink, and proceeds to kill her by drowning her in the sink. This scene alone is among the most violent and realistic drowning scenes I've seen in any movie, and - let this be a fair warning - the woman's bathrobe becomes undone during the attack and her breasts are exposed. Honestly, this scene is really the only memorable scene in the entire movie. After that, the movie is rather slow and boring, with an attempt at character development and an interesting ending. As far as slasher movies go, this is a bit slow moving and doesn't really have much suspense. And for all you gore fans out there, don't bother with this movie, as there really isn't any notable gore.
I gave this movie 7 stars out of 10 only because the first minutes contain some of the most disturbing, cold-blooded, and violent attacks toward women I've seen in film. It was meant to grab your attention, and it certainly did.
The first 15 minutes are all you really need to see of this movie, and really, it is because of the first 15 minutes I remembered this movie to begin with. A psycho escapes from the sanitarium in the middle of the night to begin what psychos do best - stalk. Early the next morning, he slips into a woman's kitchen while she is getting her breakfast ready at the sink, and proceeds to kill her by drowning her in the sink. This scene alone is among the most violent and realistic drowning scenes I've seen in any movie, and - let this be a fair warning - the woman's bathrobe becomes undone during the attack and her breasts are exposed. Honestly, this scene is really the only memorable scene in the entire movie. After that, the movie is rather slow and boring, with an attempt at character development and an interesting ending. As far as slasher movies go, this is a bit slow moving and doesn't really have much suspense. And for all you gore fans out there, don't bother with this movie, as there really isn't any notable gore.
I gave this movie 7 stars out of 10 only because the first minutes contain some of the most disturbing, cold-blooded, and violent attacks toward women I've seen in film. It was meant to grab your attention, and it certainly did.
"Deadly Intruder" errs dangerously close to becoming the dullest slasher movie ever made. It sort-of redeems itself with some twists on the tired formula at the end of the movie, but these are too little too late, and are handled so badly that you might miss them, even if by some miracle you are still paying attention.
The movie's opening is singularly underwhelming. The entire thing is filmed at night, and so dimly lit you can't really understand what's going on. I got that we are witnessing an escape of some kind, but beyond that, you're on your own. It looks like one of the easiest escapes I've ever seen in a movie, but maybe I just couldn't make out the difficulty.
We then see some murders in suburbia, where people don't lock their doors. We see a woman drowned in a sink, her bathrobe coming open to show one of her breasts.
Then we get some random scenes of suburban activity, filled with people who make no impression on the audience whatsoever. If the ridiculous lighting didn't lose you, these boring scenes probably will.
One of the women we have been introduced to has a mysterious vagrant show up on her front door and scare her a little bit. Is he the escaped man from the beginning of the movie?
The movie does have one kill that actually brought out feelings in me other than boredom. A man is shown working on a car, lying underneath it. The killer lowers the car onto the man, crushing him. This actually disturbed me a little bit, so credit to the filmmakers for that one, I guess.
The movie strays from the typical slasher path toward the end, after giving us one of the lamest body-double nudity scenes I've ever seen, where a naked woman plays the lead actress from the neck down and there is little attempt to convince you that you're looking at the same person. It just leaves you wondering how much they paid the naked lady to do that... and why they really bothered.
Where it gets different is when the lead actress is taken hostage. I'm not sure if I've seen that in a slasher before. There is also a surprise ending that is more confusing than anything. The characters aren't drawn well enough for you to really be surprised. It feels like an interesting ending squandered by a filmmaker with no idea how to use it.
The movie's opening is singularly underwhelming. The entire thing is filmed at night, and so dimly lit you can't really understand what's going on. I got that we are witnessing an escape of some kind, but beyond that, you're on your own. It looks like one of the easiest escapes I've ever seen in a movie, but maybe I just couldn't make out the difficulty.
We then see some murders in suburbia, where people don't lock their doors. We see a woman drowned in a sink, her bathrobe coming open to show one of her breasts.
Then we get some random scenes of suburban activity, filled with people who make no impression on the audience whatsoever. If the ridiculous lighting didn't lose you, these boring scenes probably will.
One of the women we have been introduced to has a mysterious vagrant show up on her front door and scare her a little bit. Is he the escaped man from the beginning of the movie?
The movie does have one kill that actually brought out feelings in me other than boredom. A man is shown working on a car, lying underneath it. The killer lowers the car onto the man, crushing him. This actually disturbed me a little bit, so credit to the filmmakers for that one, I guess.
The movie strays from the typical slasher path toward the end, after giving us one of the lamest body-double nudity scenes I've ever seen, where a naked woman plays the lead actress from the neck down and there is little attempt to convince you that you're looking at the same person. It just leaves you wondering how much they paid the naked lady to do that... and why they really bothered.
Where it gets different is when the lead actress is taken hostage. I'm not sure if I've seen that in a slasher before. There is also a surprise ending that is more confusing than anything. The characters aren't drawn well enough for you to really be surprised. It feels like an interesting ending squandered by a filmmaker with no idea how to use it.
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- ConnessioniReferenced in The Big Box: The Ritz (2009)
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By what name was Deadly Intruder (1985) officially released in Canada in English?
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