L'isola dell'ingiustizia - Alcatraz

My comments are directed to the claim that this film is based on a true story. The true facts of Henri Young's case are significantly different from the story told in the movie. For instance, Young was not just a petty thief when he came to Alcatraz -- he was already doing time for bank robbery and murder. Nor was he kept in an underground dungeon for three years as punishment for an escape attempt -- his punishment was served in an isolation cell on the prison's first floor with the normal facilities that all prisoners' cells had. His case did not lead directly to the closing of Alcatraz; it continued as a Federal prison for over twenty years after his trial. Of course, there were some abuses at Alcatraz (as at virtually all prisons). Young's trial had some impact on correcting those abuses, but not to the extent suggested by the film.

If you're interested in another view of the Henri Young case, visit the Bureau of Prisons web site (I can't give the URL because that would violate the comments posting guidelines) and search for "Murder in the First".

In any film based on a true event, some license must be granted to the screenwriter. There's no way they can know exactly what was said in every conversation, so representative dialogue has to be written. Some minor characters will probably be composites. These things are understandable. But when the film blatantly distorts the main characters and the main events of the story, I can't help but think that the point the film is making is probably built on shaky ground. "Murder in the First" may be entertaining in some people's opinion, but no one should come away from this film thinking they have seen history portrayed accurately.

This is clearly Kevin Bacon's best performance. It's a shame he was not nominated for an academy award for his role. A truly emotional movie that ranks among the top Alcatraz movies made! Gary Oldman also puts in a very solid performance. Christian Slater plays a youthful, inexperienced attorney to perfection.

In showing another side of Alcatraz the movie breaks away from typical escaped based Alcatraz films. While "Escape from Alcatraz" may still be the top movie in this topic area, "Murder in the First" provides a new twist that involves a different type of drama. Kevin Bacon was surely jilted for not being nominated here!

This was a very entertaining film about the horrible treatment of a certain prisoner at Alcatraz named Henri Young who robbed a store for five dollars ($5.00) and was sent to prison. Henri Young was played by Kevin Bacon who did a fantastic job of acting and captured your attention through out the film. There were many scenes filmed on the Island of Alcatraz and some old time footage of the first time Warden of Alcatraz, James R. Johnston. Christian Slater, (James Stamphill) was the lawyer assigned for Henri Young's defense, who had a hard job trying to rehabilitate his client so he could stand trial and even speak a few words. Young was in such bad shape mentally from being put into the solitary confinement for three (3) years, he was like an animal instead of a human being. This Hollywood version is not all completely true about Henri Young, he really had a long history of crime and mental problems. However, this film is very entertaining and Kevin Bacon put his heart and soul into this role. Enjoy.

Having caught up again with this film on t.v., I can only support all other commentators who have observed how utterly ridiculous is the American Academy Award system for not having even nominated the utterly brilliant performance by Kevin Bacon in this film for the best actor award, let alone in not giving him the damned thing! I am always impressed by whatever Kevin Bacon does, and am constantly surprised that he is one of those stars who always seems to creep under the public's radar of appreciation and awareness. As to the comments about the film not exactly being the "true" story of Henri Young, there again it always come down to the precise meaning and interpretation of a film's initial caveat of "inspired by a true story". Certainly, the film will have me searching the internet for more of the "true" facts of this harrowing story. And whether exactly the film was totally "true" or not, as any visitor to Alcatraz (as I have been myself) can tell you, just imagine yourself in any part of that prison in its heyday and say whether any filmic representation needs to be totally 100% accurate to convey the horrendous nature of what it must have been like there. Returning to the antics of the members of the U.S. Academy Award, their failures over this Kevin Bacon performance remind me of the time they robbed Cate Blanchett for her out of this world outstanding performance in "Elizabeth" in favour of that whimpering blonde piece of fluffy air Gwyneth Paltrow for the paltry "Shakespeare in Love".

This movie didn't do well, in fact drove a talented filmmaker away from directing.

Its because it has powerful characters and powerful actors that viewers snap to one of the six viewing modes they have and read it as a "character-driven" drama. Others were upset that the story deviates from real events rather drastically.

My own view is that this is one of the very few films we have that features a building as a character. This is a traditional trial form, where conflicting and synthesized realities are understood to exist by ordinary viewers. Usually this form is used to support battling stories, or versions of reality. Powerful characters can exist ("Mockingbird," "Few Good Men"), but they are there only as representatives of conflicting realities.

What makes this so interesting is that it is the building itself that is on trial. This is exploited by Rocco to an extraordinary extent. Fincher tried to take this notion to the next level in "Panic Room," but got fired. Too bad, because it is a cinematic thrill of sorts to see someone try to present a space as a character.

Sure, it is unusual and many viewers thought the man was going crazy with his odd camera angels, his swoops, his unusual blocking. But I ask you to watch this and see how the prison is introduced to us, and the supposed core, its antebellum dungeons. Then see the contrasting "open" space of the courtroom where it is to be tried. Slater's opening statement is an amazing exploration of space with one multi-encircling movement.

Ted's Evaluation -- 3 of 3: Worth watching.