VALUTAZIONE IMDb
7,3/10
32.072
LA TUA VALUTAZIONE
Un giovane avvocato appassionato e idealista difende un prigioniero di Alcatraz accusato di aver ucciso un compagno di prigione. Le circostanze attenuanti: il suo cliente aveva appena trasco... Leggi tuttoUn giovane avvocato appassionato e idealista difende un prigioniero di Alcatraz accusato di aver ucciso un compagno di prigione. Le circostanze attenuanti: il suo cliente aveva appena trascorso più di tre anni in isolamento.Un giovane avvocato appassionato e idealista difende un prigioniero di Alcatraz accusato di aver ucciso un compagno di prigione. Le circostanze attenuanti: il suo cliente aveva appena trascorso più di tre anni in isolamento.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 2 candidature totali
William H. Macy
- William McNeil
- (as Bill Macy)
Alex Bookston
- Alcatraz Doc
- (as Alexander Bookston)
David Michael Sterling
- Inmate Rufus 'Ray' McCain
- (as David Sterling)
Recensioni in evidenza
This is one of my favorite movies;; and I have a not about this on my Electrifying performances by both Kevin Bacon and Slater.
Very few movies come across that are that gripping.Moves you up to your seat. And then there is always this tension and drama, anxiety about what's next to come.
The fact that this is based on a true life story makes it a more powerful saga. A saga that smells courage, conviction and commitment. How many movies like this exist. This movies falls under the ranks of Shaw Shank redemption.. Pappion, The Holocaust, Its a wonderful life.. et all..
really a bone of a movie. I have watched it so many times that each and every scene is tattooed on my brain. I can even close my eyes and see the trail unfold.
If you haven't watched it - you are not just missing an American Classic but also you are missing examples and stories to tell your kids - what happened once upon a west.. Cheers Olga Lednichenko
Very few movies come across that are that gripping.Moves you up to your seat. And then there is always this tension and drama, anxiety about what's next to come.
The fact that this is based on a true life story makes it a more powerful saga. A saga that smells courage, conviction and commitment. How many movies like this exist. This movies falls under the ranks of Shaw Shank redemption.. Pappion, The Holocaust, Its a wonderful life.. et all..
really a bone of a movie. I have watched it so many times that each and every scene is tattooed on my brain. I can even close my eyes and see the trail unfold.
If you haven't watched it - you are not just missing an American Classic but also you are missing examples and stories to tell your kids - what happened once upon a west.. Cheers Olga Lednichenko
As Wayne would have it---"DENIED!!"
how this film escaped the attention of Oscar and Globe voters is one of the great Hollywood mysteries of our time...if Bacon ain't Oscar meat here, i don't know what is...an absolutely brilliant performance in the kind of role the voters usually jump all over at ballot time...ya really gotta wonder...
conspiracy theories aside, this is one helluva flick...besides our pal Kevin, there's outstanding work from Christian Slater, Gary Oldman, and everybody's favorite drill sergeant, Lee Ermey...Moe Greene's kid, Marc Rocco, gets a great period feeling economically...solid work by the wardrobe and make-up units...this film deserved a much better fate at the box office and at awards season in '96...if you haven't seen this one yet, you're missing a real gem...
how this film escaped the attention of Oscar and Globe voters is one of the great Hollywood mysteries of our time...if Bacon ain't Oscar meat here, i don't know what is...an absolutely brilliant performance in the kind of role the voters usually jump all over at ballot time...ya really gotta wonder...
conspiracy theories aside, this is one helluva flick...besides our pal Kevin, there's outstanding work from Christian Slater, Gary Oldman, and everybody's favorite drill sergeant, Lee Ermey...Moe Greene's kid, Marc Rocco, gets a great period feeling economically...solid work by the wardrobe and make-up units...this film deserved a much better fate at the box office and at awards season in '96...if you haven't seen this one yet, you're missing a real gem...
This was a very entertaining film about the horrible treatment of a certain prisoner at Alcatraz named Henri Young who robbed a store for five dollars ($5.00) and was sent to prison. Henri Young was played by Kevin Bacon who did a fantastic job of acting and captured your attention through out the film. There were many scenes filmed on the Island of Alcatraz and some old time footage of the first time Warden of Alcatraz, James R. Johnston. Christian Slater, (James Stamphill) was the lawyer assigned for Henri Young's defense, who had a hard job trying to rehabilitate his client so he could stand trial and even speak a few words. Young was in such bad shape mentally from being put into the solitary confinement for three (3) years, he was like an animal instead of a human being. This Hollywood version is not all completely true about Henri Young, he really had a long history of crime and mental problems. However, this film is very entertaining and Kevin Bacon put his heart and soul into this role. Enjoy.
This movie didn't do well, in fact drove a talented filmmaker away from directing.
Its because it has powerful characters and powerful actors that viewers snap to one of the six viewing modes they have and read it as a "character-driven" drama. Others were upset that the story deviates from real events rather drastically.
My own view is that this is one of the very few films we have that features a building as a character. This is a traditional trial form, where conflicting and synthesized realities are understood to exist by ordinary viewers. Usually this form is used to support battling stories, or versions of reality. Powerful characters can exist ("Mockingbird," "Few Good Men"), but they are there only as representatives of conflicting realities.
What makes this so interesting is that it is the building itself that is on trial. This is exploited by Rocco to an extraordinary extent. Fincher tried to take this notion to the next level in "Panic Room," but got fired. Too bad, because it is a cinematic thrill of sorts to see someone try to present a space as a character.
Sure, it is unusual and many viewers thought the man was going crazy with his odd camera angels, his swoops, his unusual blocking. But I ask you to watch this and see how the prison is introduced to us, and the supposed core, its antebellum dungeons. Then see the contrasting "open" space of the courtroom where it is to be tried. Slater's opening statement is an amazing exploration of space with one multi-encircling movement.
Ted's Evaluation -- 3 of 3: Worth watching.
Its because it has powerful characters and powerful actors that viewers snap to one of the six viewing modes they have and read it as a "character-driven" drama. Others were upset that the story deviates from real events rather drastically.
My own view is that this is one of the very few films we have that features a building as a character. This is a traditional trial form, where conflicting and synthesized realities are understood to exist by ordinary viewers. Usually this form is used to support battling stories, or versions of reality. Powerful characters can exist ("Mockingbird," "Few Good Men"), but they are there only as representatives of conflicting realities.
What makes this so interesting is that it is the building itself that is on trial. This is exploited by Rocco to an extraordinary extent. Fincher tried to take this notion to the next level in "Panic Room," but got fired. Too bad, because it is a cinematic thrill of sorts to see someone try to present a space as a character.
Sure, it is unusual and many viewers thought the man was going crazy with his odd camera angels, his swoops, his unusual blocking. But I ask you to watch this and see how the prison is introduced to us, and the supposed core, its antebellum dungeons. Then see the contrasting "open" space of the courtroom where it is to be tried. Slater's opening statement is an amazing exploration of space with one multi-encircling movement.
Ted's Evaluation -- 3 of 3: Worth watching.
My comments are directed to the claim that this film is based on a true story. The true facts of Henri Young's case are significantly different from the story told in the movie. For instance, Young was not just a petty thief when he came to Alcatraz -- he was already doing time for bank robbery and murder. Nor was he kept in an underground dungeon for three years as punishment for an escape attempt -- his punishment was served in an isolation cell on the prison's first floor with the normal facilities that all prisoners' cells had. His case did not lead directly to the closing of Alcatraz; it continued as a Federal prison for over twenty years after his trial. Of course, there were some abuses at Alcatraz (as at virtually all prisons). Young's trial had some impact on correcting those abuses, but not to the extent suggested by the film.
If you're interested in another view of the Henri Young case, visit the Bureau of Prisons web site (I can't give the URL because that would violate the comments posting guidelines) and search for "Murder in the First".
In any film based on a true event, some license must be granted to the screenwriter. There's no way they can know exactly what was said in every conversation, so representative dialogue has to be written. Some minor characters will probably be composites. These things are understandable. But when the film blatantly distorts the main characters and the main events of the story, I can't help but think that the point the film is making is probably built on shaky ground. "Murder in the First" may be entertaining in some people's opinion, but no one should come away from this film thinking they have seen history portrayed accurately.
If you're interested in another view of the Henri Young case, visit the Bureau of Prisons web site (I can't give the URL because that would violate the comments posting guidelines) and search for "Murder in the First".
In any film based on a true event, some license must be granted to the screenwriter. There's no way they can know exactly what was said in every conversation, so representative dialogue has to be written. Some minor characters will probably be composites. These things are understandable. But when the film blatantly distorts the main characters and the main events of the story, I can't help but think that the point the film is making is probably built on shaky ground. "Murder in the First" may be entertaining in some people's opinion, but no one should come away from this film thinking they have seen history portrayed accurately.
Lo sapevi?
- QuizKevin Bacon lost twenty pounds to play Henri Young.
- BlooperHenry Young didn't go to Alcatraz for "stealing 5 dollars." In real life, he was both a bank robber and a murderer, and had already been in at least two state prisons before landing at Alcatraz.
- - - - -
- Citazioni
James Stamphill: Did you kill Rufus McCain?
Henri Young: I was the weapon, but I ain't no killer.
- Curiosità sui creditiThis Film is Inspired by a True Story
- Versioni alternativeThe Blu-ray has the opening 2003 Warner Bros. Pictures plaster.
- ConnessioniFeatured in Siskel & Ebert & the Movies: Memo to the Academy - 1995 (1995)
- Colonne sonoreTuxedo Junction
Written by Erskine Hawkins, William Johnson, Julian Dash, and Buddy Feyne
Performed by The Andrews Sisters
Courtesy of MCA Records
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- Murder in the First
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Botteghino
- Lordo Stati Uniti e Canada
- 17.381.942 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.719.188 USD
- 22 gen 1995
- Lordo in tutto il mondo
- 17.381.942 USD
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was L'isola dell'ingiustizia - Alcatraz (1995) officially released in India in English?
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