VALUTAZIONE IMDb
4,9/10
954
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA student known for telling stories witnesses a murder, the latest in a series of satanic killings of hookers.A student known for telling stories witnesses a murder, the latest in a series of satanic killings of hookers.A student known for telling stories witnesses a murder, the latest in a series of satanic killings of hookers.
Michael Jason Rosen
- Bernstein
- (as Michael Rosen)
Alain Silver
- Thornhill
- (as Alain Joel Silver)
Teresa Van der Woude
- Kelly Fremont
- (as Teresa Vander Woude)
Recensioni in evidenza
Even before "Night Visitor" reaches the end, there will be one question that will keep coming up in your mind: "How did this terrible independent production get picked up by a major Hollywood studio?" Indeed, it's a mystery as to why MGM/UA got the distribution rights, but it's pretty easy to figure out why they subsequently didn't do much with it. (I'm not even sure it played in theaters!) It's a pretty cheap movie, with the low budget making the movie suffer throughout, such as with poor audio and obviously post-dubbed dialogue. But even if the movie had been slickly executed, it would still suffer from a dumb and unlikable protagonist, unfunny comedy, and unthrilling thriller elements. Oh, and some of the most obvious padding you'll see - there's only enough plot for about half a movie. The movie does boast a once in a lifetime cast - Gould, Roundtree, Tweed, Garfield, Pollard - but none of these actors are particularly well used. (And their performances, especially Gould's, suggest they know they are in a turkey.) The movie should only be seen by those curious about how MGM/UA lost its touch by the end of the '80s.
A pair of satanists drive around in an old black Cadillac, picking up hookers to sacrifice. A high school student who's always telling tall tales (I was late to school because my mother burned her hair when her hairdryer exploded!) tries to get closer to a female friend, and meets a sexy older woman who moves in next door.
The high schooler witnesses a murder, and even though when the police show up the body is there as described, murdered when and how he described, they don't believe him when he says who the killer is. I found that a bit hard to believe, even given his penchant for making up stories.
A bit randomly, his best friend is a smartass named Sam Loomis, like Donald Pleasance's character in Halloween.
The satanists (of which there are only two) kill some women in their car, and some in their house. They don't seem to actually have any satanic powers.
There's a few recognizable faces in the movie. Michael J. Pollard plays a sort of character he's played before, a man with the mind of a child. Henry Gibson shows up briefly as a police consultant on satanic crimes. Richard Roundtree plays a cop, as he has a thousand times. Elliot Gould is a family friend who the student tries to enlist.
The movie never really takes off at any point. The ending concludes things, and then follows with a musical montage and a freeze-frame which struck me as silly.
The high schooler witnesses a murder, and even though when the police show up the body is there as described, murdered when and how he described, they don't believe him when he says who the killer is. I found that a bit hard to believe, even given his penchant for making up stories.
A bit randomly, his best friend is a smartass named Sam Loomis, like Donald Pleasance's character in Halloween.
The satanists (of which there are only two) kill some women in their car, and some in their house. They don't seem to actually have any satanic powers.
There's a few recognizable faces in the movie. Michael J. Pollard plays a sort of character he's played before, a man with the mind of a child. Henry Gibson shows up briefly as a police consultant on satanic crimes. Richard Roundtree plays a cop, as he has a thousand times. Elliot Gould is a family friend who the student tries to enlist.
The movie never really takes off at any point. The ending concludes things, and then follows with a musical montage and a freeze-frame which struck me as silly.
The compulsive liar teenager Billy Colton (Derek Rydall) witnesses the murder of his sexy and prostitute neighbor Lisa Grace (Shannon Tweed) by his history teacher Willard (Allen Garfield). Willard is an unknown Satanist wanted by the police for killing prostitutes with his brother. Like in the fairytale, nobody but his girlfriend believes in Billy. He looks for help with the former friend of his deceased father, the retired Detective Devereaux (Elliott Gould), and they two decide to investigate his teacher's house. But his snoopy girlfriend Dolan (Kathleen Bailey) has had the same idea and is captured by the twisted brothers.
"Night Visitor" is the first movie I have watched in 2004 and uses elements of horror and suspense, like in "Rear Window" and "Fright Night". Indeed it works well on video and entertains. At least three points deserve to be highlighted and commented. The first one is the beauty of Shannon Tweed, impressively sexy in the role of a call girl. The second is the ridiculous character of the great actor Elliott Gould. I do not know how he accepted such a role. The other point is the lack of continuity from about thirteen to sixteen minutes. Bill visits Lisa and gets a beer in his right hand. When Tony arrives, he waives goodbye to Lisa with empty hands. When he arrives home, he has the can of beer again in his right hand and is wearing a type of dark blue coat. When he arrives in his room, he is wearing only the light blue shirt that was beneath the coat. Very funny mistakes. My vote is six.
Title (Brazil): "Nunca Chame o Demônio" ("Never Calls the Demon")
Note: On 21 Jul 2000, I saw this film for the first time.
On 03 Jun 2022, I saw this film again.
"Night Visitor" is the first movie I have watched in 2004 and uses elements of horror and suspense, like in "Rear Window" and "Fright Night". Indeed it works well on video and entertains. At least three points deserve to be highlighted and commented. The first one is the beauty of Shannon Tweed, impressively sexy in the role of a call girl. The second is the ridiculous character of the great actor Elliott Gould. I do not know how he accepted such a role. The other point is the lack of continuity from about thirteen to sixteen minutes. Bill visits Lisa and gets a beer in his right hand. When Tony arrives, he waives goodbye to Lisa with empty hands. When he arrives home, he has the can of beer again in his right hand and is wearing a type of dark blue coat. When he arrives in his room, he is wearing only the light blue shirt that was beneath the coat. Very funny mistakes. My vote is six.
Title (Brazil): "Nunca Chame o Demônio" ("Never Calls the Demon")
Note: On 21 Jul 2000, I saw this film for the first time.
On 03 Jun 2022, I saw this film again.
Basically the boy who cried satanist. High schooler Billy Colton (Derek Rydall) thinks his dreams have come true when "working girl" Lisa (Shannon Tweed) moves in next door. He gets more than an eyeful one night when he sees her murdered by a Satanic serial killer who just happens to be Billy's history teacher Zachary Willard (Allen Garfield). Of course no one will believe him since Billy and Willard have a history. So he enlists the help of girlfriend Kelly (Teresa Van der Woude) to try and convince his deceased dad's former cop partner (Elliot Gould) to help him prove it. This is pretty standard stuff and director Rupert Hitzig and screenwriter Randal Viscovich seem to be taking quite a bit from the earlier FRIGHT NIGHT (1985). If I had to recommend it for anything, it would be the loopy performance by Michael J. Pollard as Zachary's brother and co-killer. He really has some funny bits, which I'm sure were improvised, in that always amusing Pollard delivery style. Richard Roundtree is the unconvinced cop and Henry Gibson has one scene as a satanic expert. Surprisingly, Tweed stays clothed the entire time she is on screen (even during her sex scenes).
This is a classic two week shoot genre flick that is fun all the way around. For the genre, the directing by Hitzig is great, and the show is stolen by a small part done by Jovanni Brascia as a john. Everyone studying film, should watch this to see how the basics work, when you have no or little budget. It is done remarkably well and the cast is stellar. Based on what is in this film, Rupert Hitzig is a man we will hear a lot about.
Lo sapevi?
- QuizWriter Randal Viscovich claims the majority of his screenplay was watered down by order of the executive producers. He wrote a trashy and exploitative horror film that included cannibalism and graphic nudity. He was shocked to see it lightened and even the language toned down.
- BlooperCharacters are drinking cans of beer when one leaves. As he leaves, there is no beer can in his hands. When he arrives home next door, the beer can is back in his hands.
- Versioni alternativeUK versions are cut by a minute for an '18' rating.
- ConnessioniReferenced in Midnight Madness: The Making of Popcorn (2017)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Il sospiro del diavolo
- Luoghi delle riprese
- Culver City, California, Stati Uniti(Location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 166.635 USD
- Lordo in tutto il mondo
- 166.635 USD
- Tempo di esecuzione
- 1h 33min(93 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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