Bopha!

Morgan Freeman's directorial debut.. superb performance by the protagonist Danny Glover.. horrors of apartheid ... no melodrama or overacting .. an insightful film

BOPHA! you SUCKA! I wasn't really sure if I'd like the movie -- and I certainly did not. A film that knocks you out just after watching it. Not for the squeamish. Whatever you may have seen in your life or even whatever you will see in the future, I can predict that no movie will ever give you the same feeling as this. The screenplay is intelligent, focused and clever. I much enjoyed this film, mostly because of the convincing characters, especially the man with "man manners." I'll be honest, I have never been courageous enough to watch a movie like this. It's worth seeing for some inventive uses of sound and the actors. Final rating equals 7/10.

Bopha! is surprisingly quite a memorable and inspiring film about the troubled years in South Africa. One of my favorite actors, Malcolm McDowell was as ever brilliant playing the evil policeman. The problem is that I and many others are used to seeing McDowell as an anti-hero and by casting him as such a nasty role as he plays in this film, you do not feel as shocked and disgusted by his actions as you should do.

In the Apartheid era, Danny Glover is a sargeant in the South African police in a peaceful township. He lectures the cadets, he obeys his orders, he takes care of his wife, Alfre Woodard, and their son, Maynard Eziashi. What he finds out during the course of the film is that Eziashi is a student leader of the anti-Apatheid movement, and that new local police commander Malcolm McDowell thinks that the response to peaceful demonstrations is shotgun shells.

It's Morgan Freeman's sole outing as a feature director, and it's a stellar effort in acting by all on hand, particularly Marius Weyers as the sympathetic cop who's shoved aside -- I always expect Glover, Woodard, and McDowell to give fine performances. It's heartfelt, sad, and ultimately tragic. It was also shot in Zimbabwe.

It's hard to criticise a film that has such noble intentions. But what should have been a gripping story ended up being strangely emotionally a little flat. Danny Glover didn't really fill out his role adequately, and as his story is the central one, it was a little disappointing. Other performances were generally okay. The score by Horner was not his greatest, and seemed quite derivative of other composers. And way too often it sounded like an American score (all that brass!) Some of the cinematography was stunning.