La pelle brucia

For some reason this film has gone sadly neglected over the years when assessing Sammy Davis, Jr. The man sung and danced and acted with the best. His trumpet playing may have been dubbed, but Davis was as real a deal talent wise as we've ever had.

A Man Called Adam casts Davis as a trumpet player who's been on a downward spiral for 10 years ever since he lost a wife and child in a car accident. Even dissipated and drunk as he is the talent is there and he still gets bookings. But the jazz clubs are disappearing as well as his concentration.

When he gets himself involved with Cicely Tyson the only question has she come too late to be a salvation for him?

Ossie Davis plays Tyson's uncle and guardian and the great Louis Armstrong is Davis's mentor. No doubt Sammy was learning from the best. Might have been nice to see some of Satchmo's own playing.

I'd love to know how Davis managed to get Peter Lawford and Frank Sinatra, Jr. in the same film. Lawford and Sinatra Sr. had broken off all relations four years earlier. Still Davis of all the clan members kept up a friendship with Peter Lawford who plays a big booking agent. Sinatra, Jr. plays an up and coming jazz trumpeter who idolizes Davis and takes quite a bit of guff from him during the film.

A Man Called Adam is a nicely acted film all around by its cast and it should be better known. Especially when assessing the whole career of Sammy Davis, Jr.

Great movie the best SAMMY DAVIS JR film to date,did anybody notice MORGAN FREEMAN doing background extra work, when i was young I heard old people talk about his film people like my DAD, I know he saw this film this film was very appealing to him, I know,he was in to this type of music pure jazz, all the actors were great, know I would love to own it on DVD, it help me to understand the emotionally charged 1960s I lived thru that period.and the only program that bought laughter into our hope was a show called I DREAM OF JEANNIE which MR DAVIS did a guest spot and the number that OLD BLACK MAGIC if you look carefully you'll notice the cast is mesmerized at Sammy's performance Barbara Larry Hayden and bill even the background club atmosphere was awed by this man energy,,,,,wish I could've meet him

The good:

• The great performance from Sammy Davis, who has such screen presence and exudes cool. Cicely Tyson (RIP!) is good in this too.

• The jazz soundtrack, with performances from Louis Armstrong and Mel Torme, who were both a treat to see.

• The spotlight on racism in society and in the police force, and in a minor key, allusions to the tension between passive nonviolence and fighting back in reaction to it.

The bad:

• Davis's character is unlikeable. He's been traumatized but is a complete jerk to everyone around him, and I think we're meant to have the same reaction as the other characters, which is to forgive him because he's so talented.

• The plot is melodramatic and lacks creative focus. It's too bad it kept going back to Davis imploding instead of other more interesting things.

The ugly:

• The treatment of Tyson's character. I hated how she succumbed to Davis after he forces himself on her, failing the first time and succeeding the second (just keep assaulting 'em fellas, and they'll give in). She forgives his bad behavior like a saint, and in one nausea-inducing moment, blames herself for having softened him too much by telling him to behave better. Ugh.

Great late Kennedy/early LBJ urban look to this film. A lot of it is set inside The Great Hipster Jazz Club with lots of Jackie hair do's on the gals and narrow black ties and glasses on the guys (horn rims for the Ofays and shades for the Brothers). You expect to see Lei Roi Jones, before he became Amiri Baraka, flagging down a cocktail waitress and Capote holding forth to Jill St. John (or vice versa). And there are three very good musical interludes featuring Satch, Mel and Sammy, respectively. Also, it's good to see Cicely Tyson just before she hit it big as well as Satch playing a character at least somewhat removed from himself.

Otherwise, this thing's a bore with endless, repetitive scenes of the title character either about to fall apart, falling apart or feeling guilty after falling apart, and Davis' performance, to put it at its kindest, is more energetic than nuanced. And Les and Tina Pine's dialogue is strictly from Squaresville, as they would have Adam say. C plus.

PS...Peter Lawford was forty two when this movie was made and easily looks sixty two. Ah, the vagaries of The Pack!

I am floored that I have never seen this film before...much less ever heard of it! And now I am hooked until the end. The cast, the era, the theme, the music and even the opening is WORTH the price of admission on Netflix!