Cro Magnon odissea nella preistoria

I am not going to say it sucked because it was nothing like the book. I am merely going to say that if you have read the book, don't bother because it will only tick you off. And What ticks me off is not that it didn't follow the book closely enough, it didn't follow the book AT ALL. There are scenes that should have happened well after they did, and scenes that happened that would have explained other scenes that were in the movie that aren't. To the above commenter who said that the subsequent books were all romance fodder, first Valley was not, it wasn't until the end that most of the pleasures were added, with small intermittent scenes throughout. Yes, there are a lot of Pleasures scenes in the books, Yes, they could have been done without, but that doesn't mean that the rest of the story is not worth reading. That is not what I am writing a review on, however. I was more upset that the movie didn't even maintain a SEMBLANCE to the book, other than the character's name, almost as if the director skimmed the book, and took pieces from sections without thinking about how they would go together.

When I saw it was on the TV I got up at 2 in the morning to watch this film! I just couldn't wait until the morning! I thought it was really good but advice to anyone is READ THE BOOK! The story is absolutely captivating and involving from the start. Darryl Hannah is a good Ayla (if not a little old - she is supposed to be 12!) and the film does well with the language problem. The hand signals are good and there aren't too many sub-titles. I really like the music as well. I think this is a good attempt at summarising Jean Auel's work (which is really very difficult to film successfully) - But summary is the right word so you are really missing out until you read the novel - there is so much more to it- I think the film could be a little longer - it is a 800 page book! Even though it doesn't live up to the book it's still really good fun to see. I also think that a film of her later books would be a success - especially as the language isn't a problem then. My sister watched it before reading the book and she was hooked, so it's definitely a success whether you are familiar or otherwise with this compelling story. I think it's a real shame that it's deleted in the UK! It should be on TV more often so people have a chance to watch it.

On the whole I would advise any fan who is prepared to be open-minded to watch it - you are in for a treat. If you are just going to nit-pick about the plot - Forget It!

I first saw 'Cave Bear' when it first came out on video back in 1986 and quite enjoyed it, though it did wander far from the novel. Having recently bought it on DVD as an adult I can honestly say the film still looks great but the film makers took a powerful, epic story and turned it into a one dimensional piece of fluff that never succeeds in enthralling us. I have always been a huge fan of Daryl Hannah, and though she really seems to be doing her best here, I believe she was miss cast. Ayla was meant to be a young teenage girl - Daryl was far too old. The fault here of course is not with Daryl but with the Director and Producers. The main saving grace of the film is the cinematography - it looks beautiful and must have been a difficult film to light considering it all had to look natural and ambient. The DVD release was aweful - it wasn't in widescreen and looked little better than video. It was released by 'Force Video' (never heard of em') and didn't even feature a scene selection function. I know that Jean M. Auel was not entirely happy with the film (I wrote to her once and was thrilled to receive a letter back from her, some of it even hand written by her!) so perhaps one day the entire series of 'Earth's Children' books could be made into a mini-series for television.

The popularity of DVD has exploded the past couple of years like no new entertainment technology before. We are seeing more and more older films released on DVD for a pittance, like this one, "Clan of the Cave Bear", which I purchased for under $6US. There isn't much sound in this film, but the images, all shot in British Columbia, come through really well.

The setting in time is prehistoric, during the brief overlap of the Neanderthal and Cro-Magnon humans. Ayla (Daryl Hannah), a very blonde Cro-Magnon, was orphaned as a small girl, wounded, and found by the dark-haired Cave Bear Clan of Neanderthals. Against the wishes of the leader, she is taken in and nursed back to health by the medicine woman. As she grows up we see that she is innately smarter than her adopted family, learns things quickly, begins to innovate. The Neanderthals are portrayed as if they had perhaps an IQ of 80, while Ayla certainly has an IQ of 120 to 140.

This causes difficulties for her, because the women are totally subserviant, and one of them showing smarts or initiative is punished. A woman who even touches a hunting weapon is sentenced to die. But when Ayla does to defend a tribesman, she is only exiled in the winter and, if she survives, allowed to come back. She does, but finally realizes her "spirit" is different, and leaves to look for her own kind. After she fights and defeats the young "alpha male", who earlier had raped her thus giving her a child.

Some critics scoff at the primative community portrayed here, but it in fact is very accurate. In the DVD commentary we learn that much of the design for this film came from watching a few crude videotapes that were actually made by the Cro-Magnons during that prehistoric period and were discovered, well-preserved, in far northern sub-freezing caves in the 1960s. Not surprisingly, they were in the Beta format.

The whole film is about acceptance of someone different and of change. This is a common theme in many many films over the years, and is closely related to the popular "Pleasantville" of 1998. What makes this one different and enjoyable is the setting in time, the depiction of community values of these prehistoric peoples. I rate it highly overall.

Good intentions and a fairly faithful adaptation of Jean M. Auel's novel help keep this forgotten 1980s adventure on an almost watchable level, despite some obvious shortcomings. One of these is director Michael Chapman's oblivious attention to detail and anthropological observations - which was the very basis for the success of Auel's book. Another is the lack of nerve and intensity in the storytelling. As the story is portrayed here, the characters' actions and lives don't feel as relevant and defining as they should and as Auel intended them to be. Her Ayla may seem like a superbeing, but she's not only a lovable character, she's also used as a vanguard for human development by Auel - something Chapman fails to communicate completely. The result is that The Clan of the Cave Bear lacks the facets and layers of the novel. Instead Chapman seems content with launching Daryl Hannah (who is right for the part, incidentally) as a rebellious feminist cavewoman. In line with 1980s action conventions, yes, but sadly flat for a story of these proportions.