D'amore e ombra

But not much else. As a story, it is something of a docudrama -- part history and part love story. The historical part must be taken for granted, as the author maintains high credentials as a witness. The love story is just so-so, however -- predictable and depending for its attractiveness on a good deal of gratuitous nudity. We see here rather more of Antonio Banderas than is probably necessary. Ditto the Chilean army officer.

The main weakness of the film is that it is not presented in Spanish with English subtitles. To have Spanish-speaking actors mouthing English is extremely distracting, and to my mind unforgivable in view of the locale and the facts of its production. Jennifer could surely have been taught to fake a little Español with some artful dubbing later on.

Still, one has to appreciate the scenery and the score, played apparently by a full symphony orchestra somewhere in Bratislava or the like. As a travelogue it succeeds admirably, even if it is on the sunrise side of the Andes and not the other way round.

Isabel Allende is not the greatest writer of all time, still she has a magic touch, of that there is no doubt..A woman that has fought all of her life, gives us the pleasure to enjoy her experience in this beautiful story (as are all of her stories), that brings together two great actors (Antonio and Jennifer), and almost makes us want to be part of it,despite the danger..these were the true heroes of our time, i think that's what she's really stating, by using simplicity as a way of being, a way of life, and showing us that it can also be beautiful.. A true love story.

Irene (Jennifer Connelly) is a daughter of privilege in 1970's Chile. It is a time of government repression and citizens of Chile are turning up missing, never to be found. Working as a magazine writer, Irene meets photographer Francisco (Antonio Banderas). Francisco is a passionate young man with a dangerous secret: he is working for an underground movement investigating the government's actions. Although Irene is engaged to a man in the military, she falls in love with Francisco and joins him in his underground activities. Will they be able to expose the misdeeds of the government and remain alive?

This movie is based on a novel by Chilean-born author Isabel Allende. Her political views are to the left; yet, this film is not totally biased. Real events occured under Chilean leader Pinochet, who eventually was deposed. This movie, therefore, offers a glimpse into the horrific tortures and deaths at the hands of the Chilean government in the seventies. Not as exciting as it could be, the film nevertheless provides enough drama and pathos to touch the hearts of its viewers. Connelly and Banderas give fine performances that resonate. Recommended for fans of the two leads as well as those who admire films with a political agenda.

This movie is not only bad but also downright annoying. Acting is weak and the characters are not convincing. You don't need to have lived in a Latin American country under dictatorship to notice the caricatural overplaying of roles. And it's not because the story is so obviously biased towards the leftist cause in Latin America (totally expected, being based on a book by Isabel Allende): Costa-Gavras was able to make good movies in spite of ideology. The funniest thing however is that the movie in reality, and unintentionally, ends up showing a face of Latin-American politics that is extremely depressing: the left and the right are both so empty-headed that not only you're incapable of feeling any sympathy for them, but even worse, it makes you believe that now you finally understood why Latin-American countries have so much trouble governing themselves. It's a really sad movie.

Having read the novel, I was curious to see how it would be made into a film. I had high hopes, because the book was extremely poignant and well-written. However, these hopes were dashed within the first five minutes of this truly awful movie.

Now, I'm a fan of both Antonio Banderas and Jennifer Connelly. I think they're great actors. However, Of Love and Shadows brought out the worst in both. The acting was hideous and essentially consisted of Jennifer Connelly using an awful accent while making bedroom eyes at Antionio Banderas, who did the same (but with a much better accent).

Aside from the terrible performances, the real flaw of this film was that it tried to incorporate too much of the book into too small a time frame. There is a good deal of fantastic material in the book, but there is simply too much to be done on screen. What seems to have happened is that the makes didn't exactly realize this and consequently tried to hold on to too many secondary characters and too many story lines. The result was less than satisfactory. I was entirely convinced that anyone who hadn't read the book before seeing the movie would have been completely lost.

In short, I seriously pity Isabel Allende for this horribly botched movie which is entirely unrepresentative of the excellent book she wrote. Do not watch this movie. Read the book.