Woodshock

It's always very hard for me to rate and review these types of films, but I'll try my absolute best here. A lot of people will not like this movie, as it is clearly not intended for the mass appeal. These art films rely almost entirely on aesthetic elements such as intricate and thought-provoking visuals, unconventional use of symbolism, creative directing, imaginative editing and experimental music. Here we have a surprisingly strong directorial debut by the Mulleavy sisters. The film is beautifully directed and edited all the way through. Some of the scenes are very artistic and aesthetically pleasing. The plot becomes hard to follow at times, but that is something you would totally expect in a film like this, as the main focus is clearly the art direction and production design. Peter Raeburn crafted a beautiful score that fits perfectly with the atmosphere and overall tone of the film. Acting is a bit weak at times by some of the supporting characters, but Kirsten Dunst delivers an amazing performance as you would expect from her in a leading role. If you're in the mood for a sad and melancholic arthouse flick, go ahead and give this one a chance, it might be a pleasant surprise.

This film is terribly amazing, this film is sort of like a good camp film everybody and everything is so serious yet it is all so poorly executed. Mainly the plot is a few things happen then latter the plot may or may not tell you what in the hell was/is going on. Kirsten Dunst is amazing in this film she plays a stoned out of her mind super pot head who is just about always in her underwear or in a dress that is very focused on her boobs and butt.

The film really goes for a Nicholas Winding Refn/Safdie Brothers kind of neonesc lighting that really doesn't work with the camera movements, though it does add humor. The writing is very lacking and so is the visual story, if you were deaf or blind you'd have even less of an idea as to what is going on then those with both which is still pretty much no idea. There really isn't much of a story and not in a good "where the story lacks everything else expands" kind of way but just in a sort of "weak story that tries to seem deep" kind of way, if that makes any sense. One last critic is that the cinematography really takes me out of the reality of the reality of the films world, it just seems like a visual image not a place I could be or am.

I do like the film though, it is extremely original in the weirdest way possible, which is fantastic. If you don't take it very seriously you'll have a fun time. I really hope the Mulleavy Sisters make another film because I will definitely watch it.

(P.S. There's a Galaxie 500 song playing during one of the scenes which is just awesome)

There was a lot here with potential. Kirsten Dunst did a good job and the cinematography and production were actually really good.

The problem is although the film has a strong central premise it feels as though it is constantly searching for its fundamental story thread. It never quite manages to provide that compelling central part to the story which the other story threads can be anchored too. Even the main plot line of the grief stricken woman falling into a drug fueled fantasy feels more like a side plot to a missing central story. Its a shame, there really was a lot here to like but it ended up being a mediocre film as a result.

I thought this looked like Melancholia from the trailer so I was immediately intrigued. I love Kirsten Dunst, I find her very attractive and think she's quite underrated (please see Melancholia and Fargo Season 2 before disagreeing). I generally love independent films that focus on visuals and the aesthetic component of film so I thought I would be in for a treat with Woodshock. Unfortunately though, there is very little to write home about here.

The film is about Theresa, who recently experienced a tragic loss in her life. She is quite clearly emotionally sunken from the loss and takes a mind and reality altering drug that takes effect on her life. I wish I could say more about the film but its really hard to grasp or explain what else was going on. This isn't even a confusion in a good way. The film has nothing logical going on and doesn't even feel real. It tries to mimic profound films of a minimalist nature but fails to capture any interest or compassion for the work.

The filming style is worth viewing. Kate and Laura Mulleavy certainly have an eye for cinematic style. The use of superimposition was a huge favorite for this one. Neon lights, hazy atmosphere, and a powerful score also make the technical aspects of the film to look and feel top notch. The film does feel in tune with its drug fueled high atmosphere. That's really it. I think Kirsten Dunst is really good in this. She has really mastered the role of a depressed, grief encompassed woman. She's not at fault for the films shortcomings.

While I think Kate and Laura Mulleavy impressed with their style, their writing needs more work. Its hard to care and really follow what's going on. I am a patient person for films like this but they have to have a real impact with its minimal story. This film unfortunately does not do that and was a frustrating experience. Definitely not worth the time and effort.

5/10

I'll admit the film has some very pretty and also trippy visuals that make you really feel like you're in a daze. Which I suppose is the point. To put as in the mindset of Kirsten Dunst's character. And while it excels at that, the film also kind of goes nowhere. Again, maybe that's the point as well. But it doesn't make for a super interesting watch. It's a very slow movie. Kirsten Dunst though does an excellent job. The rest of the cast is fine but not particularly memorable.