Il ritorno di Sherlock Holmes

In this Granada TV Series, Jeremy Brett presented us with, in my view, the definitive portrayal of Sherlock Holmes. The attention to detail was superb with an interpretation far closer to Sir Arthur Conan Doyle's creation than previously shown on film by the deerstalkered Basil Rathbone et al. Jeremy Brett's wild, haunted and melancholy performance of the second series in 1985 was, by his own admission, heavily influenced through the personal tragedy of the loss of his wife to cancer. He adapted the role somewhat for the return series and managed to introduce some levity, even though he found it difficult to play a character who was all mind and no heart.

David Burke and his successor Edward Hardwicke (who took on the role in the third series: `The Return of Sherlock Holmes') both gave intelligent performances as Dr John Watson. Jeremy Brett and Edward Hardwicke made an exceptionally good team and brought the relationship alive with a believable friendship more than any previous characterisations had done.

The series combined fine period detail and atmosphere to create a very credible late 19th century London, and the dialogue replicated the novels fairly closely although production necessities altered some aspects of the stories.

However, the Granada TV series' storyline adaptations and format may have removed some of the exploration into the incisive detective skills of Conan Doyle's Sherlock Holmes, and the series became sanitised with the playing down of both of Holmes' addictions to cocaine and atrocious violin scratching.

The problem may lie in actually dramatising the novels, as Jeremy Brett observed, they are better read, and he described performing the action of crawling through the bracken like a golden retriever as `hysterically funny'. The concept of the images being better seen in the mind's eye would explain why the excellent BBC radio productions of the 1990's with Clive Merrison and Michael Williams worked so well.

The choice of guest actors was consistently of a high standard and I remember ‘The Abbey Grange' in particular as it provided a personal treat to see Anne Louise Lambert (Picnic at Hanging Rock) display her unique talents in a sadly all too rare role for her. Congratulations are due to the director (Peter Hammond) on an inspired piece of casting.

The exclusive video rights in the UK for the Granada TV series have passed from VCI to Britannia Music so that membership is necessary to obtain copies of the videos in PAL format.

Thank goodness for the wonderful folks at Granada Television. In the mid 1980s, they created the absolute best Sherlock Holmes ever to make it to the big or small screen. Unlike all the previous versions, which LIBERALLY deviated from the Conan Doyle stories, the Granada films tried to be perfect in every detail.

Unlike the caricature of Holmes that you see in previous films where he wears a deerstalker hat, smokes a curved pipe and spouts "elementary, my dear Watson", this Holmes is true to the original character. Additionally, Dr. Watson is not the bumbling idiot as portrayed by Nigel Bruce (Bruce should burn in Hell for how he ruined this character).

The first mini-series by Granada was exceptional and Jeremy Brett was the greatest Holmes ever. Oddly, they did switch actors who played Watson, but the series went on otherwise as before--exceptional and wonderful in every way. One person commented on the bland dialog, but it was very true to the stories--I am GLAD they didn't "spice it up" but chose to remain true to Conan Doyle's vision.

Intelligently written and wonderful throughout.

Jeremy Brett was my generation's Sherlock Holmes, the way Michael Praed is my generation's Robin Hood.

Both series have been done before (and since), but never better. The only series that comes close is the pre-Holmes/true life version of Arthur Conan Doyle's apprenticeship at the feet of the brilliant dr. Bell, called "Murder Rooms".

Jeremy Brett is excellent as the cultured, sensitive (gay?) king of detectives. Australian actors David Burke, and later on Edward Hardwicke (in the follow-up to this series "The Return Of Sherlock Holmes", also with Jeremy Brett) hold their own as the experienced everyman versions that are really Arthur Conan Doyle himself.

Highly recommended.

Holmes, having been missing for a year (falling off a 300 foot water fall while tackling your arch nemesis does tend to inconvenience you a bit) returns nuttier than ever. Hardwick is the new Watson after Burke left to join the RSC and is more fatherly; Jeremy Brett is of course the only Sherlock Holmes, the love-child of Peter Cushing and Kenneth Williams (those that have not seen the show cannot even imagine how camp he gets at times) and the show is more dark than before thanks mainly to the mental and physical problems Brett was going through at the time of his wife's death. This actually works, as Holmes goes "cold turkey" in THE DEVIL'S FOOT so your really start to believe he's burnt out and there are hints of a self-destructive personality coming out. Best of all, Watson's detective skills are approaching Holmes', a far cry from that ridiculous portrayal by Nigel Bruce. As if a man of Holmes' intellect could put up with such idiocy. Or my spelling for that matter.

The Return of Sherlock Holmes continues the excellence of the original series. Jeremy Brett (Jeremy Huggins) is quite clearly the best Sherlock ever. These films are superbly done, the acting is uniformly excellent, and what I enjoy most of all is the meticulous attention to detail in all of these productions. They all have the feeling of the 1890's, I feel like I am transported back in time. I have purchased or recorded all of these videos, and and have viewed them regularly over the past 15 years. They are so well done, one never gets tired of seeing them. If you are a fan of Conan Doyle or if you are just looking for fine entertainment, you can't miss with these films.