Il mio vicino Totoro

A phenomenally, enchantingly crafted piece of animation that will restore your faith in just about anything. Take a look at a world through the eyes of two young girls, Satsuki and Mei who are both desperately missing their hospitalised mother and coming to terms with it in their own unique way and, with a bit of help, from some interesting friends they find in their neighbourhood. As honest as the day is long, there's something in here for everyone if you can find a way to open your mind to it.

Like all Miyazaki films, this one is absolutely sacred. Some parts are reminiscent of Laputa: Castle in the Sky and Spirited Away (and Alice in Wonderland by extension), but Totoro stands out as probably the most unique of them all.

The premise is nice and simple, which works brilliantly because the plot is established as a foundation without hindering the experience of the movie itself. The viewer is allowed unrestricted access and exploration of the messages offered by the film.

In addition, Totoro is not bound by any rules of traditional storytelling. Instead, it presents occurrences that touch on a fundamental human level that is so deep and profound that it will have you feeling a range of emotions. There are so many layers to this movie, each one meaningful and special. From community building to the love of a family to sibling relationships to facing the unknown; everyone can take away something personal from this movie.

Perhaps the most sacred aspect of the film, however, is that it reminds us that life is magical. Not all of us have a neighbor like Totoro, but we are all fortunate in different ways. Each of us has something to treasure, something that brings joy and comfort.

Totoro is special in that it frees the viewer to be a child again and to contemplate the world through a perspective that we have perhaps forgotten. Everything is new and interesting and beautiful, from a crumbling porch to an acorn seed. We live in a magical world, and it is definitely worth taking the time to appreciate this.

I first watched this film in Japanese with a 12 year old translating for me and I still thought it was incredible. There are so many wonderful touches, like a tin can in the stream while the kids are fascinated by a fish, or the flying scenes (I'm convinced that Ang Lee thought of Miyazaki when he made The Hulk, just in terms of the jumping scenes) that show a curious mind at work throughout the picture. I also love the sense of magic and innocence (and the lack of violence) which pervades the movie. It is a real antidote from the Disney formula which always involves a villain being trashed at the end. This is a film about the wonder of being a child and experiencing something incredible which adults can't see but recognize nonetheless. It works for any age as well. Enjoy.

Professor Tatsuo Kusakabe moves his daughters Satsuki and Mei to an old house in the country near the hospital where his wife Yasuko is convalescencing. The girls find tiny soot sprites scurrying away from the light. Mei discovers forest spirit Totoro sleeping in a giant tree. The girls are waiting for their father at the bus stop. He's late. Mei is falling asleep when Totoro shows up. Satsuki gives him an umbrella and he's overjoyed. He gives the girls a gift of acorns as he boards the cat-bus.

It's a gentle story with cute characters and an adorable spirit from legendary animator Hayao Miyazaki. The drama isn't that heightened but it's a great coming-of-age story nonetheless. Totoro discovering the fun of raindrops on the umbrella is pure joy. There is simply an endearing gentleness that extend even to the closing credits animation.

From the brilliant "Walt Disney of Japan", Hayao Miyazaki, comes a wonderful soothing film that everyone will simply embrace. Featuring stunning animation, endearing personable characters, and a heart-tugging storyline that's simple, enchanting, and even dramatic.

Sometimes you feel like you're not watching an animated children's movie, because the characters (particularly the children) and the storyline seem so realistic. There's no bad guy, no song numbers, and no references to pop-culture. Most cartoons (especially Disney) feature these and it gets old and routine. Here we have a break from all of that and get a real masterpiece.

Miraculously, Totoro doesn't talk, and yet you can still understand what the lovable furry creature is thinking with his endearing actions. And the six-legged CatBus is undeniably one of the most imaginative characters in animation history. And the human characters are also remarkable. Mei and Satsuki act like little girls, not like kids who are smarter than adults (a routine toons today are guilty of).

I loved Totoro when I was a small child and I always will. When I have children of my own someday, I will show them Totoro instead of toy commercials like Dora and Elmo's world.

BOTTOM LINE: A masterpiece... pure and simple.