Dopo aver scoperto un intrigo magico che coinvolge le sue due sorelle, la diciottenne Sophie cade vittima di un incantesimo che trasforma il suo corpo in quello di una vecchia. Costretta ad ... Leggi tuttoDopo aver scoperto un intrigo magico che coinvolge le sue due sorelle, la diciottenne Sophie cade vittima di un incantesimo che trasforma il suo corpo in quello di una vecchia. Costretta ad abbandonare il negozio dove lavora, troverà rifugio nel castello semovente dell'affascinan... Leggi tuttoDopo aver scoperto un intrigo magico che coinvolge le sue due sorelle, la diciottenne Sophie cade vittima di un incantesimo che trasforma il suo corpo in quello di una vecchia. Costretta ad abbandonare il negozio dove lavora, troverà rifugio nel castello semovente dell'affascinante mago Howl...
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 14 vittorie e 20 candidature totali
- Sophie
- (voce)
- Howl
- (voce)
- Calcifer
- (voce)
- Markl
- (voce)
- Page
- (voce)
- Turnip Head
- (voce)
- …
- King
- (voce)
- Heen
- (voce)
- …
- Suliman
- (voce)
- Grandma Sophie
- (English version)
- (voce)
- Howl
- (English version)
- (voce)
- Witch of the Waste
- (English version)
- (voce)
- Madame Suliman
- (English version)
- (voce)
- Young Sophie
- (English version)
- (voce)
- Markl
- (English version)
- (voce)
- Calcifer
- (English version)
- (voce)
- Lettie
- (English version)
- (voce)
Riepilogo
Recensioni in evidenza
It has all of the classic stunning Miyazaki panoramas, rich settings, exciting and unusual machinery, and brilliantly conceived creatures that are often humorous and fanciful. The characters are all very expertly crafted and developed, but what really enchanted me were their expressions and the subtle but powerful ways that he chose to elaborate on their connections and emotions. It is very difficult to describe, but they come to life in such a powerful way as to seem entirely real and unique.
He achieves this within the medium - not by really imitating or parroting film or live action, but by artfully exploiting the medium to enhance and capture the subtle interactions that make up relationships. He shows his audience what his characters are thinking and feeling by carefully chosen gestures and facial expressions, rather than relying always on dialog, etc. I was completely swept away by this skillful use of animation - I have never anywhere else seen anything that begins to come close to it.
The story is fantastic - I haven't read the novel, but it had all of the elements I have come to enjoy in Miyazaki's work - there is the humour, the lighthearted moments, the strong, insightful, loyal, and honourable characters, the lyrical drama and action sequences. The pace is perfect - it flows nicely and is always exciting, suspenseful - I got very caught up in the characters and their struggles and hopes. The themes were expertly handled with Miyazaki flair - and always richly meaningful and perceptive.
I can hardly wait to see what this brilliant artist creates next!
What I love about this movie is that it's highly emotional without a great deal of logic or plot or story to get in the way. In this way the film is simple, pure, and extremely beautiful. It is as if the characters go from one emotion to the next, in a world that is as random as one's own dreams. Some people have complained about the lack of plot or story or serious character development, but even though the characters are fairly static, their emotions and the physical changes they undergo as they go through these emotions brings out a higher truth that is seldom given such artistic and natural freedom.
I think this is a very smart movie in many subtle ways and it's one that I look forward to watching again on the big screen and then on DVD. Although it flirts from theme to theme to theme with a kind of animated attention deficit disorder, the landscapes and utter unabated surrealism left me stunned and never bored.
Also, from a quizzical character design perspective, Howl is certainly one of if not the most beautiful characters that Miyazaki has ever created. Howl is an interesting departure from Miyazaki's more classical wabi-sabi anime style that most of his heroes and heroines are drawn in as Howl is definitely a very contemporary bishonen.
If you're looking for quaint settings, dynamic characters and a very involving character or plot driven story, you're not going to necessarily find them here, but you will find an equally stunning and pleasing movie if you let yourself go and enjoy this passionate, heartfelt and surreal Miyazaki dream.
But what fun this film is! And interestingly beautiful. I could watch most any of his movies, just to look at the beautiful scenery. I love some of the incredible imagination that goes into his works.
I could easily recommend this film. No, it's not the better than the rest, but I feel it's definitely worth your time.
I look forward to seeing the film again, maybe I will understand some things a bit better.
Lo sapevi?
- QuizUpon seeing La città incantata (2001), Christian Bale immediately agreed to play any role in this film. He didn't expect to get the titular role.
- BlooperSophie's top ribbon doesn't always reappear when she transforms back into her younger self.
- Citazioni
Howl: I feel terrible, like there's a weight on my chest.
Young Sophie: A heart's a heavy burden.
- ConnessioniEdited into Miyazaki Dreams of Flying (2017)
- Colonne sonoreSekai no Yakusoku
(Promise of the World)
Lyrics by Shuntarô Tanikawa
Music by Yumi Kimura
Arranged by Joe Hisaishi
Performed by Chieko Baishô
Courtesy of Tokuma Japan Communications
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El increíble castillo vagabundo
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 24.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.173.958 USD
- Fine settimana di apertura Stati Uniti e Canada
- 427.987 USD
- 12 giu 2005
- Lordo in tutto il mondo
- 241.524.775 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1