Quando due ragazze si trasferiscono in campagna per stare vicine alla madre malata, vivono delle avventure con i meravigliosi spiriti della foresta che dimorano nelle vicinanze.Quando due ragazze si trasferiscono in campagna per stare vicine alla madre malata, vivono delle avventure con i meravigliosi spiriti della foresta che dimorano nelle vicinanze.Quando due ragazze si trasferiscono in campagna per stare vicine alla madre malata, vivono delle avventure con i meravigliosi spiriti della foresta che dimorano nelle vicinanze.
- Premi
- 5 vittorie e 2 candidature totali
Hitoshi Takagi
- Totoro
- (voce)
Noriko Hidaka
- Satsuki
- (voce)
Chika Sakamoto
- Mei
- (voce)
Tanie Kitabayashi
- Granny
- (voce)
Toshiyuki Amagasa
- Kanta
- (voce)
Naoki Tatsuta
- Cat Bus
- (voce)
- …
Tarako
- Additional Voices
- (voce)
Chie Kôjiro
- Additional Voices
- (voce)
- (as Chie Koujiro)
Riepilogo
Reviewers say 'My Neighbor Totoro' is celebrated for its enchanting animation and capturing childhood wonder. The film's whimsical charm, heartwarming characters, and magical elements are frequently praised. The bond between the sisters and Totoro, along with its focus on simple joys and family connections, resonates deeply. The hand-drawn animation and music enhance the atmosphere and emotional impact. Despite critiques about simplicity and lack of intricate plot, its universal themes and relatable characters make it a beloved classic.
Recensioni in evidenza
There is no compulsory villain in this wonderfully animated film, no moral lessons, no standard blue print story, and the characters will definitely not break out in a song. Thank God! It's simply a great film for all ages. Don't mind if the soundtrack isn't dubbed to your native language, my kids (4 and 6 years old) could easily follow the story with just a few helpers. Japanese is a wonderful language. The film has great direction, beautiful backgrounds and a mystical, pleasant aura throughout. There's nothing like this, I promise you. It's idyllic, for the most part, but still with an exciting story that unfolds into something very unexpected.
I'm a big fan of Hayao Miyazaki's work and was rather disappointed that this movie did not have the Japanese language/English subtitles option. But, I've finally seen it and must admit that it is incredibly cute. One does NOT have to be a child to enjoy this movie or any of Miyazaki's movies. The story line was good and and the characters were really touching. The totoros were so adorable that I want a plushie of one. I also loved the artwork. I finally know what some of the scenes are from in the AMVs that I've seen. I would definitely recommend this to families as well as to those who are Miyazaki fans. A definite thumbs up. Though I do wonder where Miyazaki gets some of the ideas for his characters such as that cat bus.
A phenomenally, enchantingly crafted piece of animation that will restore your faith in just about anything. Take a look at a world through the eyes of two young girls, Satsuki and Mei who are both desperately missing their hospitalised mother and coming to terms with it in their own unique way and, with a bit of help, from some interesting friends they find in their neighbourhood. As honest as the day is long, there's something in here for everyone if you can find a way to open your mind to it.
My favorite Miyazaki's movie is "Princess Mononoke" on a graphical scale. But on a "charming scale", this one is really the best.
Even the Disney movies are not so charming than this movie. Poetic, charming, cute, I can't find the words to describe the good this movie made to me. Miyazaki brings us into the wonderlands of the children, better than "Alice in wonderland" or "Peter pan".
In fact, Miyazaki makes us loving children. In the movie, the children run, shout all time, laugh, cry, and so on. In the real world, I hate this. In normal movies I hate this too. But, here, every actions of the two little girls touch us deep in our heart. We learn to love children's world.
Every one of us will have a smile on this face, from the beginning to the end of this movie.
My favorite scene is the first encounter between Mei and Totoro. It's fun, poetic, and charming. Miyazaki succeeds to make a movie enjoyable for the very little kids (4 y.o.) and for the adult audience. It's very rare to succeed doing that !
Really, a masterpiece !
10/10 !
Even the Disney movies are not so charming than this movie. Poetic, charming, cute, I can't find the words to describe the good this movie made to me. Miyazaki brings us into the wonderlands of the children, better than "Alice in wonderland" or "Peter pan".
In fact, Miyazaki makes us loving children. In the movie, the children run, shout all time, laugh, cry, and so on. In the real world, I hate this. In normal movies I hate this too. But, here, every actions of the two little girls touch us deep in our heart. We learn to love children's world.
Every one of us will have a smile on this face, from the beginning to the end of this movie.
My favorite scene is the first encounter between Mei and Totoro. It's fun, poetic, and charming. Miyazaki succeeds to make a movie enjoyable for the very little kids (4 y.o.) and for the adult audience. It's very rare to succeed doing that !
Really, a masterpiece !
10/10 !
Like all Miyazaki films, this one is absolutely sacred. Some parts are reminiscent of Laputa: Castle in the Sky and Spirited Away (and Alice in Wonderland by extension), but Totoro stands out as probably the most unique of them all.
The premise is nice and simple, which works brilliantly because the plot is established as a foundation without hindering the experience of the movie itself. The viewer is allowed unrestricted access and exploration of the messages offered by the film.
In addition, Totoro is not bound by any rules of traditional storytelling. Instead, it presents occurrences that touch on a fundamental human level that is so deep and profound that it will have you feeling a range of emotions. There are so many layers to this movie, each one meaningful and special. From community building to the love of a family to sibling relationships to facing the unknown; everyone can take away something personal from this movie.
Perhaps the most sacred aspect of the film, however, is that it reminds us that life is magical. Not all of us have a neighbor like Totoro, but we are all fortunate in different ways. Each of us has something to treasure, something that brings joy and comfort.
Totoro is special in that it frees the viewer to be a child again and to contemplate the world through a perspective that we have perhaps forgotten. Everything is new and interesting and beautiful, from a crumbling porch to an acorn seed. We live in a magical world, and it is definitely worth taking the time to appreciate this.
The premise is nice and simple, which works brilliantly because the plot is established as a foundation without hindering the experience of the movie itself. The viewer is allowed unrestricted access and exploration of the messages offered by the film.
In addition, Totoro is not bound by any rules of traditional storytelling. Instead, it presents occurrences that touch on a fundamental human level that is so deep and profound that it will have you feeling a range of emotions. There are so many layers to this movie, each one meaningful and special. From community building to the love of a family to sibling relationships to facing the unknown; everyone can take away something personal from this movie.
Perhaps the most sacred aspect of the film, however, is that it reminds us that life is magical. Not all of us have a neighbor like Totoro, but we are all fortunate in different ways. Each of us has something to treasure, something that brings joy and comfort.
Totoro is special in that it frees the viewer to be a child again and to contemplate the world through a perspective that we have perhaps forgotten. Everything is new and interesting and beautiful, from a crumbling porch to an acorn seed. We live in a magical world, and it is definitely worth taking the time to appreciate this.
Lo sapevi?
- QuizThe film is partially autobiographical. When Hayao Miyazaki and his brothers were children, his mother suffered from spinal tuberculosis for nine years and spent much of her time hospitalized. It is implied, yet never revealed in the film, that Satsuki and Mei's mother also suffers from tuberculosis, as she was hospitalized in a sanatorium (a specialized hospital for tuberculosis patients and usually located in the countryside), which caused the whole family to move to the countryside. He once said the film would have been too painful for him to make if the two protagonists were boys instead of girls.
- BlooperWhen Mei is walking around with corn, a goat walks up and bears its large teeth. The goat shows a full set of upper and lower teeth. This is a mistake as goats do not have upper teeth.
- Citazioni
Tatsuo Kusakabe: Trees and people used to be good friends. I saw that tree and decided to buy the house. Hope Mom likes it too. Okay, let's pay our respects then get home for lunch.
- Curiosità sui creditiDrawings in the closing credits show the mother returning home in a taxi and having a bath with Satsuki and Mei. There is also the appearance of a baby dressed in blue, perhaps a younger sibling (brother?) for the girls.
- Versioni alternativeThe humorous line spoken at the start of the film, "Come out! Come out! Or we'll pull your eyeballs out!" had the latter phrase removed in the Streamline Pictures English dub. It was deemed to be "Inpolitically correct" by the company.
- ConnessioniEdited into Miyazaki Dreams of Flying (2017)
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Dettagli
Botteghino
- Budget
- 3.700.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.250.213 USD
- Fine settimana di apertura Stati Uniti e Canada
- 539.245 USD
- 30 set 2018
- Lordo in tutto il mondo
- 30.432.301 USD
- Tempo di esecuzione1 ora 26 minuti
- Colore
- Mix di suoni
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What is the streaming release date of Il mio vicino Totoro (1988) in Brazil?
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